Oskar Johanson
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ojohanson.bsky.social
Oskar Johanson
@ojohanson.bsky.social
Designer and writer | Doctoral fellow at the Climate Rights project, NTNU with a focus on bushfire smoke, visual culture, and the law
Your child is making sand castles (unreconciled nostalgia for the feudal project). My child is sketching Marx's face in the sand. We are not the same.
November 26, 2025 at 10:24 AM
Incredible. Wasn't the Green only refurbed a couple years ago?
October 1, 2025 at 8:45 AM
The SS United States in axonometric projection in the Hermann Bollmann map of New York City, 1963
September 25, 2025 at 2:50 PM
Deranged
June 8, 2025 at 7:33 PM
They've made it almost shrine-like
April 10, 2025 at 12:24 PM
Can I get a subsequent prayer emoji
March 25, 2025 at 7:35 PM
Checkmate, globeheads
February 21, 2025 at 5:25 PM
Agree, no slow down in accretion of data. Just 0s, not Nulls.
January 10, 2025 at 9:22 AM
But the speed at which we now demand digital maps, especially in journalism, means that cloud obscuration is back - there's no time to wait for a clear day. Just today, in a map representing the damage from the LA fires, the NY Times has placed a label not unlike the ones at the top of this thread.
January 10, 2025 at 9:04 AM
Today, clouds have almost disappeared from the stable, seamless 'mosaics' that are the background layers for platforms like Google Maps. This is a function of blending thousands of images together. But there were moments, especially in earlier versions, when clouds appeared out of place.
January 10, 2025 at 8:56 AM
But the throughline seems to be the industrialisation of content that no-one actually pays attention to - at the expense of everything else
January 7, 2025 at 11:39 AM
You've never needed a last minute pneumatic log splitter?
December 30, 2024 at 8:20 PM
Featuring Miquette Giraudy of Gong, the film was scored by Pink Floyd, who then released the accompanying album 'Obscured by clouds'. The album makes use of the EMS VCS 3 synthesiser, which really sets the scene for misplaced spiritual voyages.
December 10, 2024 at 5:22 PM
Schroeder skewers his colonials, who trick themselves with a kind of hippie truth-seeking until it is too late. But this critique is not really extended to the film itself, which repeatedly dislocates Indigenous people and their language in the service of spectacle.
December 10, 2024 at 5:18 PM
Shame about the permanent mourning veil on the tower though
November 26, 2024 at 8:57 AM
Can't DM you directly! Might need to change a setting
November 22, 2024 at 11:36 AM