Come hear Dodie’s story and many more at HNOC’s latest exhibition “The Trail They Blazed,” opening Friday, always free. hnoc.org/exhibitions/...

Important to note that the Freedom Riders, facing down bloodthirsty mobs, were very unpopular with the broader public. The Riders were unpopular—not the mobs.

Sorry, “rare and eye-catching” Les Miles in a “running stance” has reset the market imo

The Wattos seem like a bargain compared to this Nick Saban that just hit the market. Respectfully

I think it has to be Lamar, though for a long while (as a tormented Dolphins fan) Josh Allen seemed the obvious choice. But Lamar’s ability to be this prolific with so very few mistakes is on another level (and he won the H2H). Resist voter fatigue, he’s earned it!

Thank you!! You’ll have to let us know what they think 😊

It is not easy history, but it is valuable context as Louisiana’s leaders are now advocating for expanding the carceral state further. It will challenge you to consider our common humanity and the power we have to change things that are broken. I’m proud of our work and I hope you’ll come see it.

“Captive State” puts human faces to this modern crisis, and also dives into the policy choices made across 300 years—from nonunanimous juries to convict leasing back to French colonial Code Noir—that have built up this system that has harmed Black Louisianans since the founding of the state.

That’s more people growing old and dying in prison. In Louisiana, a life sentence is a death sentence.

A rash of “tough-on-crime” laws beginning in the 1970s (some of which can be seen on this graphic) contributed to an exponential spike in incarceration—with harsher penalties straining the system to such a degree that we have gone from 193 ppl serving life sentences here in 1972 to well over 4,000.

Louisiana is at or near the top of national and global incarceration rates, despite declining violent crime. Our state invests hundreds of millions into this system, mostly locking up folks for nonviolent offenses, and often does so in error, as we also boast US-leading exoneration rates.

I worked with the curators as an exhibition editor, helping craft the narrative and also contributing original research, including for the many data graphics sprinkled throughout the show. That data, by the way, is staggering.