NEW REVIEW: World’s Gone Wrong isn’t just timely — it’s formidable. It stands among the strongest albums of Williams’ career, and one of the most uncompromising protest records of recent years. @lucindawilliams.bsky.social
January 21, 2026 at 2:07 PM
NEW REVIEW: World’s Gone Wrong isn’t just timely — it’s formidable. It stands among the strongest albums of Williams’ career, and one of the most uncompromising protest records of recent years. @lucindawilliams.bsky.social
Records like I Was Born, But… matter because they push back against the idea that everything has to announce itself as new. In a musical culture that often rewards novelty for its own sake, Huckfelt reminds us that some songs endure simply because they keep meeting us where we are.
Records like I Was Born, But… matter because they push back against the idea that everything has to announce itself as new. In a musical culture that often rewards novelty for its own sake, Huckfelt reminds us that some songs endure simply because they keep meeting us where we are.
AVT/PTTN is about all the ways we vanish—into depression, into performance, into the roles others need us to play. The collaboration itself mirrors this theme: Patton disappears into the Avetts’ world while they disappear into his. What emerges isn’t a compromise but a genuine third thing.
AVT/PTTN is about all the ways we vanish—into depression, into performance, into the roles others need us to play. The collaboration itself mirrors this theme: Patton disappears into the Avetts’ world while they disappear into his. What emerges isn’t a compromise but a genuine third thing.
Stuff imagines the inner lives of the things we discard and reveals how those objects carry traces of who we were. What sounds like a cloying conceit deepens into something tender and profound, as Walker, fresh from chemotherapy, considers and asserts his own place among the leftovers.
Stuff imagines the inner lives of the things we discard and reveals how those objects carry traces of who we were. What sounds like a cloying conceit deepens into something tender and profound, as Walker, fresh from chemotherapy, considers and asserts his own place among the leftovers.
You can hear the pain in Rhett Miller’s voice here. That’s not a metaphor. Recording with a cyst on his vocal cords just before surgery, these are performances that are physically compromised—strained, imperfect, cracking at the edges—and capture his emotional fragility. @rhettmiller.bsky.social
You can hear the pain in Rhett Miller’s voice here. That’s not a metaphor. Recording with a cyst on his vocal cords just before surgery, these are performances that are physically compromised—strained, imperfect, cracking at the edges—and capture his emotional fragility. @rhettmiller.bsky.social
From the Hellhole may not break new ground in Crenshaw’s career, but it doesn’t need to. It’s a thoughtful, well-sequenced anthology of recent work and rare treasures that reaffirms his standing as one of the finest practitioners of classicist, hook-driven pop.
October 17, 2025 at 3:50 PM
From the Hellhole may not break new ground in Crenshaw’s career, but it doesn’t need to. It’s a thoughtful, well-sequenced anthology of recent work and rare treasures that reaffirms his standing as one of the finest practitioners of classicist, hook-driven pop.
After a career built on equal parts humor and heartbreak, Todd Snider has delivered a record that sounds both weary and rejuvenated, expressing his juke-joint sensibility: loose, soulful, funny, and unmistakably his own.
After a career built on equal parts humor and heartbreak, Todd Snider has delivered a record that sounds both weary and rejuvenated, expressing his juke-joint sensibility: loose, soulful, funny, and unmistakably his own.
The real blessing of this 30th anniversary deluxe edition is getting to watch a master do what he did best – finding the extraordinary hiding inside the ordinary and making it sound like the most natural thing in the world. @johnprine.bsky.social
The real blessing of this 30th anniversary deluxe edition is getting to watch a master do what he did best – finding the extraordinary hiding inside the ordinary and making it sound like the most natural thing in the world. @johnprine.bsky.social
These songs flow together like one long meditation. They’re anchored by Reid’s warm, weathered baritone and built on piano ballads, upright bass and touches of pedal steel or light orchestration. Henry’s production keeps everything spare and uncluttered; nothing obscures a single syllable.
These songs flow together like one long meditation. They’re anchored by Reid’s warm, weathered baritone and built on piano ballads, upright bass and touches of pedal steel or light orchestration. Henry’s production keeps everything spare and uncluttered; nothing obscures a single syllable.
CONCERT REVIEW: A songwriter’s festival is, first and foremost, about songs. Great songs, songs that stay with you long after the show has ended, are rare and precious. This year’s gathering delivered more than a few standouts.
CONCERT REVIEW: A songwriter’s festival is, first and foremost, about songs. Great songs, songs that stay with you long after the show has ended, are rare and precious. This year’s gathering delivered more than a few standouts.
This is Fulks at his most essential—reflective, amused, occasionally pissed off and completely honest about getting older. In an industry that often discards its veterans, Now Then reminds us what is lost hen we stop listening to voices with something substantial to say. #americanamusic#robbiefulks
This is Fulks at his most essential—reflective, amused, occasionally pissed off and completely honest about getting older. In an industry that often discards its veterans, Now Then reminds us what is lost hen we stop listening to voices with something substantial to say. #americanamusic#robbiefulks
#Emma Swift’s Resurrection Game succeeds as both personal statement and artistic milestone. Swift’s willingness to address difficult subject matter directly demonstrates real courage, and her voice remains compelling throughout.
#Emma Swift’s Resurrection Game succeeds as both personal statement and artistic milestone. Swift’s willingness to address difficult subject matter directly demonstrates real courage, and her voice remains compelling throughout.
Josh Ritter shows that questioning, imagining, and believing don’t have to be solemn endeavors. The album sparkles with clever turns, rollicking stories, and irresistible hooks—proof that even the weightiest ideas can be entertaining when delivered by a master storyteller
Josh Ritter shows that questioning, imagining, and believing don’t have to be solemn endeavors. The album sparkles with clever turns, rollicking stories, and irresistible hooks—proof that even the weightiest ideas can be entertaining when delivered by a master storyteller
Airline Highway stands as proof that artistic vitality isn’t about age—it’s about remaining open to new experiences, new collaborators, and new ways of seeing old truths. After three-quarters of a century, Rodney Crowell is still finding fresh roads to travel.
Airline Highway stands as proof that artistic vitality isn’t about age—it’s about remaining open to new experiences, new collaborators, and new ways of seeing old truths. After three-quarters of a century, Rodney Crowell is still finding fresh roads to travel.
We’re Only Human marks a distinct turn inward: a record less concerned with characters and more with the person behind the pen. This is Carll at his most vulnerable, most emotionally open and perhaps most generous.
We’re Only Human marks a distinct turn inward: a record less concerned with characters and more with the person behind the pen. This is Carll at his most vulnerable, most emotionally open and perhaps most generous.
Two very different songwriters—one a battle-scarred Gulf Coast poet and artist, the other a precociously wise Texan barely out of his teens—reminded me that powerful music isn’t bound to an era.
Two very different songwriters—one a battle-scarred Gulf Coast poet and artist, the other a precociously wise Texan barely out of his teens—reminded me that powerful music isn’t bound to an era.
Writers write what they know, and Richard Shindell knows the road, trucks, driving, and, perhaps most of all, how the ebb and flow of daily life shapes us. A regular visitor to the Avalon, Shindell returned last week, bringing his poignant observations and sharp wit to an appreciative audience.
Writers write what they know, and Richard Shindell knows the road, trucks, driving, and, perhaps most of all, how the ebb and flow of daily life shapes us. A regular visitor to the Avalon, Shindell returned last week, bringing his poignant observations and sharp wit to an appreciative audience.
McMurtry has said, “A song can come from anywhere, but the main inspiration is fear. Specifically fear of irrelevance.” The Black Dog and the Wandering Boy is proof that he has nothing to fear.
McMurtry has said, “A song can come from anywhere, but the main inspiration is fear. Specifically fear of irrelevance.” The Black Dog and the Wandering Boy is proof that he has nothing to fear.
Touring in support of his new album Visitor, Moreland delivered a set that was equal parts hushed and harrowing. These aren’t songs designed to uplift in the conventional sense. But make no mistake—they offer comfort, too.
Touring in support of his new album Visitor, Moreland delivered a set that was equal parts hushed and harrowing. These aren’t songs designed to uplift in the conventional sense. But make no mistake—they offer comfort, too.
David Ramirez has long occupied a distinctive corner of the Americana world. On All the Not So Gentle Reminders, his sixth studio album, Ramirez steps further into that lineage, delivering a rich, emotionally resonant collection that cements his place among the genre’s most compelling voices.
David Ramirez has long occupied a distinctive corner of the Americana world. On All the Not So Gentle Reminders, his sixth studio album, Ramirez steps further into that lineage, delivering a rich, emotionally resonant collection that cements his place among the genre’s most compelling voices.
Some artists step onto the stage. Josh Ritter bursts onto it. He radiates an infectious energy that never wavers throughout the night. Ritter smiles more than should be legal while singing, but it never feels performative. It’s real—just like the stories he tells. #joshritter
Some artists step onto the stage. Josh Ritter bursts onto it. He radiates an infectious energy that never wavers throughout the night. Ritter smiles more than should be legal while singing, but it never feels performative. It’s real—just like the stories he tells. #joshritter