Meegan's Law
@meeganslaw.bsky.social
Anything i can make worse, i will
But then we see a reclaimation (sometimes! In some communities!) of language used to degrade people into in-group signifiers, which in imo is good refutation that stands against a state or corporate declaration of acceptable inspeak
December 3, 2025 at 9:54 PM
But then we see a reclaimation (sometimes! In some communities!) of language used to degrade people into in-group signifiers, which in imo is good refutation that stands against a state or corporate declaration of acceptable inspeak
I think i struggle with how we're moving language around via corporate gatekeepers -- whereas i've seen my generation move into acceptable/unacceptable social speech dictated via more or less actions vs inalienable traits...
December 3, 2025 at 9:50 PM
I think i struggle with how we're moving language around via corporate gatekeepers -- whereas i've seen my generation move into acceptable/unacceptable social speech dictated via more or less actions vs inalienable traits...
October 29, 2025 at 7:50 PM
I don't know but i wanna sign up!
October 24, 2025 at 2:02 AM
I don't know but i wanna sign up!
It was so good! There was a 16th (17th) century american literature expert?? WHAT???
October 24, 2025 at 1:01 AM
It was so good! There was a 16th (17th) century american literature expert?? WHAT???
The similarities of oppression, and a quiet commentary of Foucault's boomerang hitting a country's most disenfranchised folk. Overall, two enthusiastic thumbs up!
October 24, 2025 at 1:00 AM
The similarities of oppression, and a quiet commentary of Foucault's boomerang hitting a country's most disenfranchised folk. Overall, two enthusiastic thumbs up!
One thing i wish i had brought up was the timeliness of the movies to their settings, esp regarding Candy Man: namely, how the imagery of desert storm was reflected (ie: the decrepit, almost bombed out buildings of cabrini-green in the movie vs shock and awe, highway shots vs highway of death)
October 24, 2025 at 12:58 AM
One thing i wish i had brought up was the timeliness of the movies to their settings, esp regarding Candy Man: namely, how the imagery of desert storm was reflected (ie: the decrepit, almost bombed out buildings of cabrini-green in the movie vs shock and awe, highway shots vs highway of death)