Max C. @ LIAF 🇵🇸
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maxisherealso.bsky.social
Max C. @ LIAF 🇵🇸
@maxisherealso.bsky.social
Movie goer, mask wearer, toon drawer, weight gainer, train hater, self humiliator | >1.1K active followers | mods @retiredmascots.bsky.social and the Hall of Advertising | 32 | AuDHD | bi aro | 🔞 | he/they | NoAI | https://maxthemovieguy.carrd.co
Deathly curious to read your thoughts on the recently released Christmas Karma
December 3, 2025 at 12:07 AM
Weird how this is one of the few Christmas Carols in recent years that is actually keen on engaging with the story in a specific political context. ...I certainly can't deny its earnestness
December 2, 2025 at 10:14 PM
Vertigo is also releasing that Chinese Tom and Jerry film on Mandalorian & Grogu day, because Zaslav *definitely* doesn't want anything to do with that
December 2, 2025 at 9:23 PM
Marley in this film looks like he came from Robert Zemeckis' A Christmas Carol if he made it seven years earlier
December 2, 2025 at 8:16 PM
True Brit Entertainment's film slate so far is exactly what you would expect from a company named True Brit Entertainment
December 2, 2025 at 5:56 PM
lol
December 2, 2025 at 5:56 PM
Pillion - WB presents audible fellatio and cumbubbles. Melling, with his chipped teeth and paranoid eyes, is perfect as a bottom stuck in the middle between his touchy family and the lumbering Skarsgård. Often slowed down by clichés but a hell of a good time; vulnerable, intimate and superbly funny.
December 2, 2025 at 5:41 PM
#LIAF
Disrupting the Narrative summed up what animation is capable of as a call to action, and the value of putting trust in your collaborators and audience. Two Black Boys and the brutal Machini represented it best for me. And what better way to cap it off than a film as wholesome as Meow or Never?
December 1, 2025 at 10:32 PM
fuck trains
December 1, 2025 at 5:59 PM
Only thing more terrifying and suffocating than quicksand is an entire desert. Especially on a print as ragged and beautiful as this.
December 1, 2025 at 3:23 PM
Cinema viewings in November 2025 (I'm unemployed!)
November 30, 2025 at 10:33 PM
#LIAF day 3 and From Absurd to Zany, which half consisted of rewatches, still illustrated why I wish I always had time to attend this particular programme in person. That and the occasionally bleak but also life-affirming Being Human programme were this festival’s two most exciting programmes yet.
November 30, 2025 at 9:15 PM
#LIAF
I worry for this generation. Apart from the Strike director’s dastardly Buckshot, I doubt any of the kids behind me, whose parents were straining to calm them down, actually watched these inventive, resonant animations. Did they like them enough to vote for them? Well, at least my aisle did.
November 30, 2025 at 3:46 PM
Not the Garden Cinema running photos for their Christmas postcards through an AI paint filter instead of hiring someone to paint them
November 30, 2025 at 3:41 PM
#LIAF day 2 saw me attending my first Abstract Showcase in person, because experimental animation is food for my autism. Meejin Hong’s endless, anxious delve into her mind, Deluge, got my vote. For Playing with Emotion, it was Because Today is Saturday, and not just because I ended up next to Alice.
November 29, 2025 at 9:16 PM
fuck trains
November 29, 2025 at 8:36 PM
first thing i read
November 29, 2025 at 4:08 PM
i love trains
November 29, 2025 at 10:27 AM
#LIAF day 1! First we gave three cheers to the late Queen of Collage and revisited her filmography up to her graceful swan song, House of Love. Already saw a few of the British Showcase’s standouts at MAF, but that didn’t stop me from staying the night for several other gems. Existential Greg is me.
November 28, 2025 at 11:39 PM
GAME - Co-written by Geoff Barrow, a punishing, textured and gloriously vile predicament slow-burner hinging not on whether this guy can go free, but whether he can stop horribly disappointing nature. Contains a facemelting trip montage, and a certain bit that genuinely had me covering half my face.
November 27, 2025 at 4:21 PM
fuck trains
November 27, 2025 at 1:22 PM
snorted upon seeing this

#OnCinema
November 26, 2025 at 6:11 PM
Wake Up Dead Man > Glass Onion by a country mile. Though it often feels overeager to sneak a joke in there, its outlook on contemporary faith is obviously online but stirringly sound and rooted in human depth. Hardly wastes a minute with its calculated whodunnit intrigue and genius use of its stars.
November 26, 2025 at 4:27 PM
Hmm, sure is an audacious design for a winter home but are you sure that covering a giant hole in the front with a piece of knitted wool is going to keep me safe?
November 26, 2025 at 12:31 PM
i mean it looks fine and cool except for this
November 26, 2025 at 12:33 AM