At Aquiris, I worked on Wonderbox, a game that taught me a lot about creativity and sound design.
At Epic, I created sounds for Fall Guys: abilities, emotes, victory jingles… and Yatta Yatta!
I also worked on LEGO Fortnite with a great team and I’m thankful to all my colleagues!
#GameAudio #GameDev

It's.. it's beautiful 🤩

Musically speaking I play like a 4/4 + 7/8 + 3/4
I feel like /8 is too fast to count musically/with groove in this bpm. But the thing is.. this is for the initial section.. later on it starts switching up. When it goes higher pitch, it turns into a 4/4 suddenly.. then mix again with /8s 😮‍💨

It’s awesome how there are so many ways to interpret this piece.

I covered it without counting.. since I’ve played this game so much, the track is basically engraved in my brain. But when I actually try to count it, it’s quite a ride.
21/8 big sections?
9/8 + 6/8 + 6/8?
4/4 + 4/4 + 5/8?
aaaaaaa

que lindow *-*

Thanks for the inspiration, @christopherlarkin.bsky.social

valeu meu consagrado!

Thank youuuu Anton 😁

Thannnks Xixo 😀

This is my personal favorite of the entire soundtrack. So much that I created a "composer's cut" version that's in the official Steam Soundtrack (track 80) 🕺

Yay! Glad to hear ☺️ @hlorenzi.com and Yoko Shimomura also composed bangers ✨

and btw... completely agree with @moomanibe.bsky.social. Being involved in the project from the start and not being picked as a last-hour emergency resource makes a world of difference.

Happy to read that ☺️
Pipistrello is my 2nd game with @pockettrap.bsky.social, 1st being Dodgeball Academia (which was also super fun to work with).
And I like that you've picked up Gallineiros: mixing brazilian funk with gba vibes was definitely a fun ride.