Journal of Modern Literature
@journalofmodlit.bsky.social
Scholarly journal of world literature literary criticism, 1900-present. Published quarterly by Indiana University Press, with digital editions on Project Muse. https://iupress.org/journals/jml/
FREE ARTICLE
"The Rings of Sarajevo: W.G. Sebald and the Bosnian War" by Denis Topalović
Read it for FREE on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
"The Rings of Sarajevo: W.G. Sebald and the Bosnian War" by Denis Topalović
Read it for FREE on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
November 6, 2025 at 5:17 PM
FREE ARTICLE
"The Rings of Sarajevo: W.G. Sebald and the Bosnian War" by Denis Topalović
Read it for FREE on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
"The Rings of Sarajevo: W.G. Sebald and the Bosnian War" by Denis Topalović
Read it for FREE on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Hong Zeng and Ping Zhang review and engage in dialogue with *Breaking down Boundaries and “Making it New”: Oriental Elements in Western Modernism* by Qian Zhaoming
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Hong Zeng and Ping Zhang review and engage in dialogue with *Breaking down Boundaries and “Making it New”: Oriental Elements in Western Modernism* by Qian Zhaoming
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
October 30, 2025 at 3:26 PM
IN OUR LATEST ISSUE
Hong Zeng and Ping Zhang review and engage in dialogue with *Breaking down Boundaries and “Making it New”: Oriental Elements in Western Modernism* by Qian Zhaoming
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Hong Zeng and Ping Zhang review and engage in dialogue with *Breaking down Boundaries and “Making it New”: Oriental Elements in Western Modernism* by Qian Zhaoming
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Laura de la Parra Fernández reviews Kelly M. Rich's *The Promise of Welfare in the Postwar British and Anglophone Novel: States of Repair*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#AcademicSky
Laura de la Parra Fernández reviews Kelly M. Rich's *The Promise of Welfare in the Postwar British and Anglophone Novel: States of Repair*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#AcademicSky
October 29, 2025 at 3:48 PM
IN OUR LATEST ISSUE
Laura de la Parra Fernández reviews Kelly M. Rich's *The Promise of Welfare in the Postwar British and Anglophone Novel: States of Repair*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#AcademicSky
Laura de la Parra Fernández reviews Kelly M. Rich's *The Promise of Welfare in the Postwar British and Anglophone Novel: States of Repair*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#AcademicSky
IN OUR LATEST ISSUE
Jack Dudley (@thecatinulysses.bsky.social) reviews Jesse Wolfe’s *Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#AcademicSky
Jack Dudley (@thecatinulysses.bsky.social) reviews Jesse Wolfe’s *Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#AcademicSky
October 28, 2025 at 4:40 PM
IN OUR LATEST ISSUE
Jack Dudley (@thecatinulysses.bsky.social) reviews Jesse Wolfe’s *Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#AcademicSky
Jack Dudley (@thecatinulysses.bsky.social) reviews Jesse Wolfe’s *Love, Friendship, and Narrative Form After Bloomsbury: The Progress of Intimacy in History*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#AcademicSky
IN OUR LATEST ISSUE
Ryan Johnson argues that William Plomer’s *Sado* reconceptualizes the East-West divide in literature via Russian novels.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #AcademicSky
Ryan Johnson argues that William Plomer’s *Sado* reconceptualizes the East-West divide in literature via Russian novels.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #AcademicSky
October 27, 2025 at 5:11 PM
IN OUR LATEST ISSUE
Ryan Johnson argues that William Plomer’s *Sado* reconceptualizes the East-West divide in literature via Russian novels.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #AcademicSky
Ryan Johnson argues that William Plomer’s *Sado* reconceptualizes the East-West divide in literature via Russian novels.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #AcademicSky
IN OUR LATEST ISSUE
Duncan Hay explores the ways Iain Sinclair's *Downriver* rethinks and revises the modernist flâneur figure.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #AcademicSky
Duncan Hay explores the ways Iain Sinclair's *Downriver* rethinks and revises the modernist flâneur figure.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #AcademicSky
October 24, 2025 at 2:41 PM
IN OUR LATEST ISSUE
Duncan Hay explores the ways Iain Sinclair's *Downriver* rethinks and revises the modernist flâneur figure.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #AcademicSky
Duncan Hay explores the ways Iain Sinclair's *Downriver* rethinks and revises the modernist flâneur figure.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #AcademicSky
IN OUR LATEST ISSUE
Aaron Shaheen uncovers Ernest Hemingway's use of cartographic concepts in his short story "Soldier's Home."
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #modernism
Aaron Shaheen uncovers Ernest Hemingway's use of cartographic concepts in his short story "Soldier's Home."
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #modernism
October 22, 2025 at 5:51 PM
IN OUR LATEST ISSUE
Aaron Shaheen uncovers Ernest Hemingway's use of cartographic concepts in his short story "Soldier's Home."
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #modernism
Aaron Shaheen uncovers Ernest Hemingway's use of cartographic concepts in his short story "Soldier's Home."
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #modernism
IN OUR LATEST ISSUE
Cilliers van den Berg examines how S.J. Naude's Afrikaans novel *The Third Reel* engages Walter Benjamin's angelus novus.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #SouthAfrica
Cilliers van den Berg examines how S.J. Naude's Afrikaans novel *The Third Reel* engages Walter Benjamin's angelus novus.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #SouthAfrica
October 21, 2025 at 1:42 PM
IN OUR LATEST ISSUE
Cilliers van den Berg examines how S.J. Naude's Afrikaans novel *The Third Reel* engages Walter Benjamin's angelus novus.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #SouthAfrica
Cilliers van den Berg examines how S.J. Naude's Afrikaans novel *The Third Reel* engages Walter Benjamin's angelus novus.
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#fiction #SouthAfrica
IN OUR LATEST ISSUE
Hannah Loeb shows that in Derek Walcott’s “The Schooner Flight,” recurrent images of translucence serve as the loci of trans-historical insights that connect present subjectivities with past traumas
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#poetry
Hannah Loeb shows that in Derek Walcott’s “The Schooner Flight,” recurrent images of translucence serve as the loci of trans-historical insights that connect present subjectivities with past traumas
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#poetry
October 20, 2025 at 2:12 PM
IN OUR LATEST ISSUE
Hannah Loeb shows that in Derek Walcott’s “The Schooner Flight,” recurrent images of translucence serve as the loci of trans-historical insights that connect present subjectivities with past traumas
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#poetry
Hannah Loeb shows that in Derek Walcott’s “The Schooner Flight,” recurrent images of translucence serve as the loci of trans-historical insights that connect present subjectivities with past traumas
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#poetry
IN OUR LATEST ISSUE
Andrés Ibarra Cordero explores how Alan Hollinghurst's *The Swimming Pool Library* engages queer temporality, especially the concept of "backwardness"
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#LGBTQ #academicsky
Andrés Ibarra Cordero explores how Alan Hollinghurst's *The Swimming Pool Library* engages queer temporality, especially the concept of "backwardness"
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#LGBTQ #academicsky
October 17, 2025 at 4:08 PM
IN OUR LATEST ISSUE
Andrés Ibarra Cordero explores how Alan Hollinghurst's *The Swimming Pool Library* engages queer temporality, especially the concept of "backwardness"
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#LGBTQ #academicsky
Andrés Ibarra Cordero explores how Alan Hollinghurst's *The Swimming Pool Library* engages queer temporality, especially the concept of "backwardness"
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#LGBTQ #academicsky
IN OUR LATEST ISSUE
Laura L. Behling analyzes P.R. Stephensen's critiques of British censorship through his three lampoons of Radlyffe Hall's *The Well of Loneliness*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#censorship #literaryhistory
Laura L. Behling analyzes P.R. Stephensen's critiques of British censorship through his three lampoons of Radlyffe Hall's *The Well of Loneliness*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#censorship #literaryhistory
October 16, 2025 at 2:23 PM
IN OUR LATEST ISSUE
Laura L. Behling analyzes P.R. Stephensen's critiques of British censorship through his three lampoons of Radlyffe Hall's *The Well of Loneliness*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#censorship #literaryhistory
Laura L. Behling analyzes P.R. Stephensen's critiques of British censorship through his three lampoons of Radlyffe Hall's *The Well of Loneliness*
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
#censorship #literaryhistory
IN OUR LATEST ISSUE
James Dutton explores how Musil's approach to history in *The Man without Qualities* made the novel unfinishable, since meaning remains in the future
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
James Dutton explores how Musil's approach to history in *The Man without Qualities* made the novel unfinishable, since meaning remains in the future
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
October 15, 2025 at 2:25 PM
IN OUR LATEST ISSUE
James Dutton explores how Musil's approach to history in *The Man without Qualities* made the novel unfinishable, since meaning remains in the future
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
James Dutton explores how Musil's approach to history in *The Man without Qualities* made the novel unfinishable, since meaning remains in the future
Read it on @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
NEW ISSUE
Journal of Modern Literature 48.4 (Summer 2025) on the theme "History and Geography" is now LIVE on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/issue/55722
Journal of Modern Literature 48.4 (Summer 2025) on the theme "History and Geography" is now LIVE on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/issue/55722
October 14, 2025 at 1:30 PM
NEW ISSUE
Journal of Modern Literature 48.4 (Summer 2025) on the theme "History and Geography" is now LIVE on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/issue/55722
Journal of Modern Literature 48.4 (Summer 2025) on the theme "History and Geography" is now LIVE on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/issue/55722
IN OUR LATEST ISSUE
Derek Ryan reviews *Abstraction in Modernism and Modernity: Human and Inhuman* by Jeff Wallace
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Derek Ryan reviews *Abstraction in Modernism and Modernity: Human and Inhuman* by Jeff Wallace
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
July 30, 2025 at 2:28 PM
IN OUR LATEST ISSUE
Derek Ryan reviews *Abstraction in Modernism and Modernity: Human and Inhuman* by Jeff Wallace
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Derek Ryan reviews *Abstraction in Modernism and Modernity: Human and Inhuman* by Jeff Wallace
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Xiaoshan Hou and Fuying Shen discuss Joyce’s use of paralipsis in "Clay" and the protagonist Maria's performativity that make her resemble a puppet.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Xiaoshan Hou and Fuying Shen discuss Joyce’s use of paralipsis in "Clay" and the protagonist Maria's performativity that make her resemble a puppet.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
July 29, 2025 at 1:57 PM
IN OUR LATEST ISSUE
Xiaoshan Hou and Fuying Shen discuss Joyce’s use of paralipsis in "Clay" and the protagonist Maria's performativity that make her resemble a puppet.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Xiaoshan Hou and Fuying Shen discuss Joyce’s use of paralipsis in "Clay" and the protagonist Maria's performativity that make her resemble a puppet.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Umar Shehzad demonstrates how Beckett’s work turns the face unrecognizable, evoking prosopagnosia or face-blindness
Read it on Project MUSE @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Umar Shehzad demonstrates how Beckett’s work turns the face unrecognizable, evoking prosopagnosia or face-blindness
Read it on Project MUSE @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
July 28, 2025 at 3:52 PM
IN OUR LATEST ISSUE
Umar Shehzad demonstrates how Beckett’s work turns the face unrecognizable, evoking prosopagnosia or face-blindness
Read it on Project MUSE @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Umar Shehzad demonstrates how Beckett’s work turns the face unrecognizable, evoking prosopagnosia or face-blindness
Read it on Project MUSE @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Tiasa Bal and Gurumurthy Neelakantan explore ghosts and spectrality in Joseph Skibell's *A Blessing on the Moon* and how the Shoah's traumas mar even lunar imagery
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Tiasa Bal and Gurumurthy Neelakantan explore ghosts and spectrality in Joseph Skibell's *A Blessing on the Moon* and how the Shoah's traumas mar even lunar imagery
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
July 25, 2025 at 2:50 PM
IN OUR LATEST ISSUE
Tiasa Bal and Gurumurthy Neelakantan explore ghosts and spectrality in Joseph Skibell's *A Blessing on the Moon* and how the Shoah's traumas mar even lunar imagery
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Tiasa Bal and Gurumurthy Neelakantan explore ghosts and spectrality in Joseph Skibell's *A Blessing on the Moon* and how the Shoah's traumas mar even lunar imagery
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Mara Reisman shows that in *The Grotesque* Patrick McGrath employs gothic decay and transgression of boundaries between animal, human, and biological to critique class hierarchies
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Mara Reisman shows that in *The Grotesque* Patrick McGrath employs gothic decay and transgression of boundaries between animal, human, and biological to critique class hierarchies
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
July 24, 2025 at 3:51 PM
IN OUR LATEST ISSUE
Mara Reisman shows that in *The Grotesque* Patrick McGrath employs gothic decay and transgression of boundaries between animal, human, and biological to critique class hierarchies
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Mara Reisman shows that in *The Grotesque* Patrick McGrath employs gothic decay and transgression of boundaries between animal, human, and biological to critique class hierarchies
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Stanka Radović explores Ballard's postmodern mystery *Super-Cannes* in which trafficking north African refugees is merely part of the landscape, and the investigator is also a perpetrator.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Stanka Radović explores Ballard's postmodern mystery *Super-Cannes* in which trafficking north African refugees is merely part of the landscape, and the investigator is also a perpetrator.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
July 23, 2025 at 2:28 PM
IN OUR LATEST ISSUE
Stanka Radović explores Ballard's postmodern mystery *Super-Cannes* in which trafficking north African refugees is merely part of the landscape, and the investigator is also a perpetrator.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Stanka Radović explores Ballard's postmodern mystery *Super-Cannes* in which trafficking north African refugees is merely part of the landscape, and the investigator is also a perpetrator.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Trevor Westmoreland shows how in *Exit West*, Hamid's use of fantastical portals sifts the narrative from a dystopian trajectory to a utopian one.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Trevor Westmoreland shows how in *Exit West*, Hamid's use of fantastical portals sifts the narrative from a dystopian trajectory to a utopian one.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
July 22, 2025 at 2:36 PM
IN OUR LATEST ISSUE
Trevor Westmoreland shows how in *Exit West*, Hamid's use of fantastical portals sifts the narrative from a dystopian trajectory to a utopian one.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Trevor Westmoreland shows how in *Exit West*, Hamid's use of fantastical portals sifts the narrative from a dystopian trajectory to a utopian one.
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Isabelle Wentworth explores the fluid dynamics of queer desire in Ellen van Neerven's "Water" and Lía Chara’s *Agua*
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Isabelle Wentworth explores the fluid dynamics of queer desire in Ellen van Neerven's "Water" and Lía Chara’s *Agua*
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
July 21, 2025 at 2:29 PM
IN OUR LATEST ISSUE
Isabelle Wentworth explores the fluid dynamics of queer desire in Ellen van Neerven's "Water" and Lía Chara’s *Agua*
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
Isabelle Wentworth explores the fluid dynamics of queer desire in Ellen van Neerven's "Water" and Lía Chara’s *Agua*
Read it on Project MUSE (@projectmuse.bsky.social) at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Emad Mirmotahari considers how Juan José Saer’s *El entenado/The Witness* subverts "scientific" discourses in its narrative of a European captive of a cannibalistic society in South America
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Emad Mirmotahari considers how Juan José Saer’s *El entenado/The Witness* subverts "scientific" discourses in its narrative of a European captive of a cannibalistic society in South America
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
July 18, 2025 at 2:31 PM
IN OUR LATEST ISSUE
Emad Mirmotahari considers how Juan José Saer’s *El entenado/The Witness* subverts "scientific" discourses in its narrative of a European captive of a cannibalistic society in South America
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Emad Mirmotahari considers how Juan José Saer’s *El entenado/The Witness* subverts "scientific" discourses in its narrative of a European captive of a cannibalistic society in South America
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Xiaofan Amy Li finds in Hon’s *Empty Faces* and Tse’s *Owlish* the emergence of a Hong Kong neo-Surrealism that critiques neo-liberalism, security, and surveillance
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Xiaofan Amy Li finds in Hon’s *Empty Faces* and Tse’s *Owlish* the emergence of a Hong Kong neo-Surrealism that critiques neo-liberalism, security, and surveillance
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
July 16, 2025 at 3:06 PM
IN OUR LATEST ISSUE
Xiaofan Amy Li finds in Hon’s *Empty Faces* and Tse’s *Owlish* the emergence of a Hong Kong neo-Surrealism that critiques neo-liberalism, security, and surveillance
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Xiaofan Amy Li finds in Hon’s *Empty Faces* and Tse’s *Owlish* the emergence of a Hong Kong neo-Surrealism that critiques neo-liberalism, security, and surveillance
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
IN OUR LATEST ISSUE
Tracy A. Stephens (@cyclopsdoc.bsky.social) discusses how Stephen Graham Jones’s adaptation of the deer woman trope challenges the settler gaze and notions about indigenous authenticity
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Tracy A. Stephens (@cyclopsdoc.bsky.social) discusses how Stephen Graham Jones’s adaptation of the deer woman trope challenges the settler gaze and notions about indigenous authenticity
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
July 15, 2025 at 2:34 PM
IN OUR LATEST ISSUE
Tracy A. Stephens (@cyclopsdoc.bsky.social) discusses how Stephen Graham Jones’s adaptation of the deer woman trope challenges the settler gaze and notions about indigenous authenticity
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
Tracy A. Stephens (@cyclopsdoc.bsky.social) discusses how Stephen Graham Jones’s adaptation of the deer woman trope challenges the settler gaze and notions about indigenous authenticity
Read it on Project Muse @projectmuse.bsky.social at muse.jhu.edu/pub/3/articl...
NEW ISSUE!
Journal of Modern Literature 48.3 (Spring 2025) on the theme "Human-Nonhuman Transgressions and the Global Uncanny" is now LIVE on @projectmuse.bsky.social at muse.jhu.edu/issue/55227
#Literature
Journal of Modern Literature 48.3 (Spring 2025) on the theme "Human-Nonhuman Transgressions and the Global Uncanny" is now LIVE on @projectmuse.bsky.social at muse.jhu.edu/issue/55227
#Literature
July 14, 2025 at 1:45 PM
NEW ISSUE!
Journal of Modern Literature 48.3 (Spring 2025) on the theme "Human-Nonhuman Transgressions and the Global Uncanny" is now LIVE on @projectmuse.bsky.social at muse.jhu.edu/issue/55227
#Literature
Journal of Modern Literature 48.3 (Spring 2025) on the theme "Human-Nonhuman Transgressions and the Global Uncanny" is now LIVE on @projectmuse.bsky.social at muse.jhu.edu/issue/55227
#Literature