Oh, that's so difficult. Really depends on what you enjoy. My personal favourite is At the Mountains of Madness. The Colour Out of Space is great, too. Oh, and of course The Cats of Ulthar.

Thank you - I hope the new show also brings it some attention, if only so more people can enjoy Peter's performance and the incredible music Chris wrote.

I don't think it's going to be quite so long.

Our next podcast is coming soon - it's currently playing in competition at the Thessaloniki Film Festival. We haven't talked about it much so far, but we will start soon. It's hugely ambitious, an enormous production, and born out of our deep love for HP Lovecraft.

If you knew the amount of decisions made based on localization, you'd also struggle to sleep.

I on the other hand look twice as good, if you measure goodness by weight.

You look more distinguished now!

Not making a moral point, just pointing out that we experience games in extremely different ways.

Was it this? youtu.be/heWLnEDzkkE?...

The Doge thing? You'd have to ask Tom Jubert, who named the character, but it does predate the new push for even more extreme austerity by a while.

Yeah, absolutely. And that can ruin the best of intentions. Still, it would be nice to give it a shot. Sometimes you manage to get away with actually making something of value.

That's what it comes down to, for me, at this point in my life. What I desire most is the opportunity to bring more people together. To create things together that go against the spirit of the age.

In this depressing era we live in, I'd like to do my part to remind people that art can be both intelligent and entertaining. That everything doesn't have to be like it is now. That human beings matter. And I think working with amazing human beings is the way to accomplish that.

And money really is what it comes down to. Not just for me, of course. Every time you see some bizarre corporate product that no-one cares about, there is so much we could have done with that! Or with one tenth of that.

I'm incredibly grateful for having had the chance to work with people I love. But simultaneously I do feel frustrated, because I often think about what I could do with more money. Like, say, a Netflix-type budget. So many stories that I still want to tell.