Sex, paranoia & a throbbing beat. Jackson moonwalked to mega-stardom with his Quincy Jones-produced pop-disco smash inspired by a deranged stalker. “Billie Jean” paces the shadowy edges of the dance floor but can’t avoid the spotlight: it’s #1 of the 80s!
Sex, paranoia & a throbbing beat. Jackson moonwalked to mega-stardom with his Quincy Jones-produced pop-disco smash inspired by a deranged stalker. “Billie Jean” paces the shadowy edges of the dance floor but can’t avoid the spotlight: it’s #1 of the 80s!
Sting wrote and delivered the lyrics with sinister intent but many in the public heard a love song. Andy Summers’ guitar riff, alongside Steward Copeland’s sharp drumming, creates a hypnotic effect; a filling dish from just a few perfect ingredients.
Sting wrote and delivered the lyrics with sinister intent but many in the public heard a love song. Andy Summers’ guitar riff, alongside Steward Copeland’s sharp drumming, creates a hypnotic effect; a filling dish from just a few perfect ingredients.
The greatest debut of the 80s, “Girls” is an amusement park ride on record, a party celebrating sunny equality. From its opening synthesizer skid, the song soars skyward; Lauper’s vocals wild with abandon atop a thick, riotous pogo-stick beat.
The greatest debut of the 80s, “Girls” is an amusement park ride on record, a party celebrating sunny equality. From its opening synthesizer skid, the song soars skyward; Lauper’s vocals wild with abandon atop a thick, riotous pogo-stick beat.
Announced with ‘galactic’ gong sounds from a Synclaver synthesizer, “Beat It” is an event from beginning to end. Jackson delivers a layered vocal, threatening & fearful, over a scorching Eddie Van Halen guitar showstopper & a rock-hard dance beat from Toto.
Announced with ‘galactic’ gong sounds from a Synclaver synthesizer, “Beat It” is an event from beginning to end. Jackson delivers a layered vocal, threatening & fearful, over a scorching Eddie Van Halen guitar showstopper & a rock-hard dance beat from Toto.
A riveting folk song that freezes time to share desperate dreams rarely confessed on pop radio. Chapman was an immediate sensation with her simple, direct delivery and heartfelt hopes: a job, a home, a chance to “be someone” before we “live and die this way.”
A riveting folk song that freezes time to share desperate dreams rarely confessed on pop radio. Chapman was an immediate sensation with her simple, direct delivery and heartfelt hopes: a job, a home, a chance to “be someone” before we “live and die this way.”
Straddling the sacred and the sensual, the track begins with a jagged guitar riff by Prince & then abruptly transforms into a sweet hymn. Madonna’s broken & affecting take on the word “home” makes the arrival of the supportive choir feel like a rescue mission.
Straddling the sacred and the sensual, the track begins with a jagged guitar riff by Prince & then abruptly transforms into a sweet hymn. Madonna’s broken & affecting take on the word “home” makes the arrival of the supportive choir feel like a rescue mission.
Axl Rose sings a virtuoso tribute to girlfriend Erin Everly. Noodling on the guitar, Slash came up with the opening earworm & the band built a beast around it, including the “where do we go now?” breakdown/breather that follows a 2nd Slash ripper.
Axl Rose sings a virtuoso tribute to girlfriend Erin Everly. Noodling on the guitar, Slash came up with the opening earworm & the band built a beast around it, including the “where do we go now?” breakdown/breather that follows a 2nd Slash ripper.
The guitar writhes against an insistent beat. Prince enters, briefly agonized, then sharply focused: we’ll dream our way out of the darkness. To a militant rhythm, he seduces, he reveals, he accuses, he begs, he spins a tornado of emotion & he coolly departs.
The guitar writhes against an insistent beat. Prince enters, briefly agonized, then sharply focused: we’ll dream our way out of the darkness. To a militant rhythm, he seduces, he reveals, he accuses, he begs, he spins a tornado of emotion & he coolly departs.
A punchy pep-talk from deep inside a rut, “Dancing” lifts its downcast hero closer and closer to happy, thanks to Springsteen’s steadily more hopeful vocals, a Clarence Clemons subtly celebratory sax, and that inspiring, recurring synth riff.
A punchy pep-talk from deep inside a rut, “Dancing” lifts its downcast hero closer and closer to happy, thanks to Springsteen’s steadily more hopeful vocals, a Clarence Clemons subtly celebratory sax, and that inspiring, recurring synth riff.
Theatrical & bombastic, Bonnie Tyler sinks her teeth and her rasp into Jim Steinman’s stormy melodrama. Lonely piano, crashing drums, booming synths, & Rory Dodd’s eerie back-up creates a howling romantic implosion - and a singular smash.
Theatrical & bombastic, Bonnie Tyler sinks her teeth and her rasp into Jim Steinman’s stormy melodrama. Lonely piano, crashing drums, booming synths, & Rory Dodd’s eerie back-up creates a howling romantic implosion - and a singular smash.
Prince visualized purple rain falling at world’s end and composed an anthem for those final moments: hypnotic, cathartic, and grand. It’s a masterful 8:42 that grew out of a six-hour Revolution recording session, and every second feels essential.
Prince visualized purple rain falling at world’s end and composed an anthem for those final moments: hypnotic, cathartic, and grand. It’s a masterful 8:42 that grew out of a six-hour Revolution recording session, and every second feels essential.
Guitar chords sketch a melancholy late-fall vibe, summer a distant memory. Heartbreaker Mike Campbell wrote it with Henley, whose performance won a Grammy and whose sighting of a Deadhead sticker on a Cadillac became a lasting symbol of time’s cruelty.
Guitar chords sketch a melancholy late-fall vibe, summer a distant memory. Heartbreaker Mike Campbell wrote it with Henley, whose performance won a Grammy and whose sighting of a Deadhead sticker on a Cadillac became a lasting symbol of time’s cruelty.
The song arrives with a pulsing beat & quizzical flourishes: the stage set for Tina, wise & weary. With a heartbroken rasp, she denies that what she’s feeling could be healing. A stellar blend of backstory & performance; a comeback smash.
The song arrives with a pulsing beat & quizzical flourishes: the stage set for Tina, wise & weary. With a heartbroken rasp, she denies that what she’s feeling could be healing. A stellar blend of backstory & performance; a comeback smash.
Over a soothing music bed with a subtle tick-tock rhythm, Cyndi Lauper delivers a heartfelt message with charisma & sincerity. Co-written with Hooter Rob Hyman, the track, with its memorable “suitcase of memories,” is timeless. It was her first #1 hit.
Over a soothing music bed with a subtle tick-tock rhythm, Cyndi Lauper delivers a heartfelt message with charisma & sincerity. Co-written with Hooter Rob Hyman, the track, with its memorable “suitcase of memories,” is timeless. It was her first #1 hit.
An eerie dance mood piece from former music critic Neil Tennant & synth whiz Chris Lowe. Packed with atmosphere from its opening lines, “West End Girls” launched one of the longest-running quality careers in pop history, even if America bailed early.
An eerie dance mood piece from former music critic Neil Tennant & synth whiz Chris Lowe. Packed with atmosphere from its opening lines, “West End Girls” launched one of the longest-running quality careers in pop history, even if America bailed early.
Philip Oakey thought his “Star Is Born” inspired duet with Susan Ann Sulley was a throwaway & fought its release as the 4th single from the “Dare” LP. Today, he allows he might have been wrong. The booming, biting synth track was a cinematic smash.
Philip Oakey thought his “Star Is Born” inspired duet with Susan Ann Sulley was a throwaway & fought its release as the 4th single from the “Dare” LP. Today, he allows he might have been wrong. The booming, biting synth track was a cinematic smash.
Melodic metal with a manic beat, “Jungle” is about arriving in a city where you’re the welcome mat. The lyrics commemorate a homeless man’s greeting when Axl Rose got to L.A.: “You know where you are? You’re in the jungle baby, you’re gonna die!”
Melodic metal with a manic beat, “Jungle” is about arriving in a city where you’re the welcome mat. The lyrics commemorate a homeless man’s greeting when Axl Rose got to L.A.: “You know where you are? You’re in the jungle baby, you’re gonna die!”
Spooky, rippling synths & a driving beat set the stage for a captivating temptress, “pure as New York snow.” Keyboard player Bill Cuomo came up with the shimmering riff; Carnes’ raspy vocal is filled with teasing admiration. The screen legend sent roses.
Spooky, rippling synths & a driving beat set the stage for a captivating temptress, “pure as New York snow.” Keyboard player Bill Cuomo came up with the shimmering riff; Carnes’ raspy vocal is filled with teasing admiration. The screen legend sent roses.
Lou Gramm’s ardent vocal is a lighthouse calling the lonely & when he’s joined by the New Jersey Mass Choir & Jennifer Holliday, the surge of emotion is hard-earned. Mick Jones wrote it at 3 a.m. & deems it a gift delivered from another realm.
Lou Gramm’s ardent vocal is a lighthouse calling the lonely & when he’s joined by the New Jersey Mass Choir & Jennifer Holliday, the surge of emotion is hard-earned. Mick Jones wrote it at 3 a.m. & deems it a gift delivered from another realm.
“Everybody’s looking for something” on the Eurythmics’ massive debut hit. Dave Stewart, who composed the relentless synthesizer riff, thought it needed hope, so Annie Lennox added the encouraging tip “hold your head up, keep your head up.”
“Everybody’s looking for something” on the Eurythmics’ massive debut hit. Dave Stewart, who composed the relentless synthesizer riff, thought it needed hope, so Annie Lennox added the encouraging tip “hold your head up, keep your head up.”
Like Stevie Wonder’s “Living in the City” coda expanded to full-length feature. Over a hypnotic rhythm track, Melle Mel & Duke Bootee trade you-are-there horrors. The refrain says it all: “Don’t push me, cause I’m close to the edge.”
Like Stevie Wonder’s “Living in the City” coda expanded to full-length feature. Over a hypnotic rhythm track, Melle Mel & Duke Bootee trade you-are-there horrors. The refrain says it all: “Don’t push me, cause I’m close to the edge.”
A motivational pep talk from outer space with spaced-out lyrics and an insanely catchy guitar-synth hook, “Whip It” was inspired by Devo’s wish to inspire Jimmy Carter in his doomed presidential race against Ronald Reagan, but rumors of a self-pleasure theme dominated.
A motivational pep talk from outer space with spaced-out lyrics and an insanely catchy guitar-synth hook, “Whip It” was inspired by Devo’s wish to inspire Jimmy Carter in his doomed presidential race against Ronald Reagan, but rumors of a self-pleasure theme dominated.
No one mixed rock aggression & disco hedonism better than Giorgio “Hot Stuff” Morodor, and for the “American Gigolo” theme, he built a monster track to unleash Blondie’s Debbie Harry upon. Electrifying and fearless, she drove the track to the top of the charts.
No one mixed rock aggression & disco hedonism better than Giorgio “Hot Stuff” Morodor, and for the “American Gigolo” theme, he built a monster track to unleash Blondie’s Debbie Harry upon. Electrifying and fearless, she drove the track to the top of the charts.
A synthesizer hook could’ve been a leap too far for the guitar-focused rockers, but it was Eddie himself who came up with the central “Jump” riff. David Lee Roth credits roadie Larry Hostler with helping him shape the song’s rousing ‘just get up and do it!’ message.
A synthesizer hook could’ve been a leap too far for the guitar-focused rockers, but it was Eddie himself who came up with the central “Jump” riff. David Lee Roth credits roadie Larry Hostler with helping him shape the song’s rousing ‘just get up and do it!’ message.
A four-star all-star affair: Chaka’s version of Prince’s song has soaring, sunny vocals, a popping-and-locking break-beat, Stevie’s harmonica & “Fingertips,” and Melle Mel’s rap & his iconic intro - an Arif Mardin production error turned perfect mistake.
A four-star all-star affair: Chaka’s version of Prince’s song has soaring, sunny vocals, a popping-and-locking break-beat, Stevie’s harmonica & “Fingertips,” and Melle Mel’s rap & his iconic intro - an Arif Mardin production error turned perfect mistake.