No velvet ropes. Not behind glass. No “do not touch” signs. Just pure history in your hands.

📍 Punk Rock Museum, Las Vegas

🎸 Jam Room – open to everyone

📸 Photo by Paul Fields

#GhostBass #FatMike #PunkRockMuseum #PunkHistory #BassPlayersUnite #L7 #NOFX #jenniferfinch

I’ve never thought of myself as rebellious.
I’ve just felt like myself.
And maybe that——is the rebellion.

📸 : Karla Rose Moheno

Maybe real rebellion is refusing to disappear.
It’s just listening.
Maybe it’s turning down the toxic gig.
It’s letting your body rest while the world worships hustle.
Maybe it’s simply surviving complicated situations with your values intact.

But lately I’ve been asking different questions.
Does rebellion have to be loud?
Is it always the perfect moment, the perfect words?
Does it evolve as we evolve?
Can it be quiet? Can it work in the background?

Punk is still loud. Still messy. Still full of heart. And I’m proud to be part of it.

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And to Iris Berry, Ron Emory & Jack Grisham for I Play With Giants—a beautiful, raw tribute to Mike Roche that reminded us why punk still has a pulse.

Shoutout to Lisa Johnson for making it happen, Melanie Kaye for spreading the word, and the bands who brought the fire:

The Dollheads, Knuckleheadz, Playboy Manbaby, Voodoo Glow Skulls, TSOL.

We talked about the ethics of shooting from the inside, documenting without exploiting, and why punk isn’t about posing—it’s about presence.

His work hits you where it hurts—and that’s the point.

One of the highlights? Interviewing the legendary Ed Colver.

If you’ve ever seen a punk photo that punched you in the chest, odds are he took it.

Last weekend wasn’t just an anniversary. It felt like a punk family reunion—minus the fistfights, plus some killer stories.

Sat down with Fat Mike, Kevin Lyman, Jack Grisham & Vinnie Fiorello—barely held together by George Stroumboulopoulos.