Not sure that her “new car cheaper” line was quite the pull she thought it would be, but yes - zut alors indeed

Sky Cinema menu on the telly box - Kelly as faux-Brit sex kitten, Grant as faux-American thief playboy.

Perfect.

I’ve plumped for Grant/Kelly in To Catch A Thief & regretting nothing.

Quite honestly, it’s probably for the best.

(Anyone steps out of line, Ronnie’s just gonna scream, “EMMMMMMMAAAAA!!!!” at them)

- Glyn/George M nailed the single (& B-side)
- George M got the title track bang on (single mix)
- Phil does actually do a great job on the acoustic and band-only tracks (TOU, DAP, IGAF, OA909, FYB)
- Giles buffs up the orchestrated tracks

But that's just one opinion and everyone feels differently

I wouldn't exactly consider it a SMiLE level conundrum, but there is no *one* version of LIB that works - it has to be a combination of everyone's efforts... 1/2

It's a @teatles.bsky.social !!

...and Come On Pilgrim wasn't released until the end of September 1987.

Does anyone smell bullshit here...?

Not to mention their being scab fucks.

(Yes, I'm feeling VERY bitter)

Tom. Fucking. Watson.

Walk around this one, lads.

Too many eras of Cliff to deal with - how do you compartmentalise Move It! versus Bachelor Boy versus Power To All Our Friends etc. etc.

There's simply no "one" Cliff to judge.