If you just want to listen to music (and who could blame you), please check out the original track.

* I mean that in a positive, creative sense.

Folk have asked me about my mix strategies, and here’s a little window into how I approached some of the problematics.* I’ve said that, in regards to Proxemics, there’s a different album that lives in parallel, and that’s partly because there’s separate mix in the bass/subs. #thingsidoforart

[aside][aside] Talking of mixing strategies and crossovers, I might post up a breakdown of #juno3 Proxemics if there’s interest… [/aside][/aside]

[aside] Also, the first minute or so of the video, tangentially, deals a little with an aspect of my audio production workflow. [/aside]

Click thru, and read the video description for the full context, purpose and description of the test, but this is my first step in thinking about constructing a practical multi-amp setup for liver performance.

Audio recording of the guitar fed through a few crossover types (24dB/octave Linkwitz-Riley, et cetera), with the high and low pass signals, in turn, feeding separate processes including separate speaker sims.

Big thanks to Sara for their smart, oblique, creative choices. Thanks also to everyone who participated in this project—Carina Khorkhordina, Camila Nebbia, Yorgos Dimitriadis, Rabih Beaini and everyone at Morphine Raum—and to inm without whose support this project would not have been possible.

btw, I made the decision to upload the entire composition. So, make yourself a coffee, open a beer, sit down with your headphones, click ‘full screen,’ and take twenty.

Thanks so much for listening/watching!

ℹ️ busterandfriends.com/distortions

Please join us to have your ear drums lightly sizzled, and, assuming you have the subs for it, chest CPR’d to an impossible beat.