VERA, my C++/GL framework, is getting mature enought that I can easily por all my old artworks as webAssembly websites. Check Memory Studies from back 2021 patriciogonzalezvivo.github.io/MemoryStudy/

"Polar coordinates"
explores some famous conformal maps (en.wikipedia.org/wiki/Conform...), I still remember being galaxy-brained when I discovered this principle ✨
boids for scale.
#genuary #genuary10 #genuary26

Roman Verostko had been a Benedictine monk, then an art professor, then a coder. By his 60s he was writing software that generated visual compositions. But he wanted them to feel handmade, so he created brushstrokes executed by robotic arms, guided by code he wrote himself. (🧵)

A City.

#genuary day 8
#genuary8 #genuary2026

A city made of words, the words of the great book "Le città invisibili" (Invisible Cities) by Italo Calvino.

"Schotter" (Gravel) by Georg Nees, 1968.

A grid of squares. Twelve across. At the top, perfect alignment. As you move down, randomness slowly accumulates until the grid falls apart.

The algorithm doesn't depict disorder, it produces it.
(🧵)

As AI makes execution easier, we risk devaluing the conceptual work that happens before anyone touches code. The exploration of different directions matters, and it doesn't live in code.

linear.app/now/design-i...

Manfred Mohr’s artist arc is a useful counter-narrative to the assumption that algorithmic art is cold, mechanical, and anti-human. Mohr came to it from the most human, improvisational art form there is, and found it more expressive.

regnum_vegetabile
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GENUARY26-03: Fibonacci forever.
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Audio sample by The Science (YUKU - Bom Klakk Sample Pack)
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#genuary #genuary2026 #genuary3 #creativecoding #codeart #parametric #abstractart #noAI #minimalism #concretism #submillimetre

Vera Molnár was making generative art before the term "generative art" existed.

She was doing algorithmic thinking before she had access to a computer. (🧵)