Wow -- amazing for these writers!!!

Haven't read rules this year, but in the past some have specified that your scores for evals are taken into account when applying.

Right?

I've read a lot of scripts this year from aspiring writers. The biggest overlap I saw was failing to tie plot to character goals. Scenes were often clever ideas, not born of the protagonist's wants/needs. Maybe a module like 'how character drives plot'?

Can't wait to hear the good news!

My introduction to him was reading Pere Goriot in 10th grade French when my mom told my teacher my workload was too light.

Easily one of the best films of the last 10 years. The restaurant scene with his old pal killed me.

Scheduling writing time each day, then forgiving myself when it doesn't work out!

PACHINKO!!!

Haha!!!

Yay!!!

Definitely people should be lining up. You are a story genius.

Best. Notes. Ever.

Sending some love for Meghan Park's MY OLD ASS -- it's wildly different genre, and written by a woman. Not many movies I saw this year were so specific -- and that's what makes a movie universal.

I always thought of this as the scene where Turner and Harron showed us the only glimmer of Bateman's humanity. Jean is the only non-appearance obsessed person he knows. She's talking to him about real life. He hears Evelyn's voice and is reminded that without Jean, everyone else is an Evelyn.