Dominique Revue
@dominiquerevue.bsky.social
Art and Film Creative + Fashion/Costume Designer: http://bit.ly/3yI3GOJ Full-time Gemini ... on the Orinoco Flow • CINEMA COFFEE • BETTYE: The Miniseries: http://shorturl.at/SwDT1 • Passion project: Dominique's THE SOCIETY: shorturl.at/rHJU5
"Sweet Lorraine. That's the way I always felt about her, and so I won't apologize for calling her that now. She understood it[...]I loved her, she was my sister and my comrade. Her going did not so much make me lonely as make me realize how lonely we were..."
—James Baldwin
—James Baldwin
November 13, 2025 at 7:10 PM
"Sweet Lorraine. That's the way I always felt about her, and so I won't apologize for calling her that now. She understood it[...]I loved her, she was my sister and my comrade. Her going did not so much make me lonely as make me realize how lonely we were..."
—James Baldwin
—James Baldwin
“Beneatha is me, eight years ago.”
—Lorraine Hansberry, to Mike Wallace in 1960
📷: Writer/playwright, Lorraine Hansberry, in her 337 Bleecker Street New York City apartment where she wrote the first Broadway play by a Black American woman, A RAISIN IN THE SUN.
📸: David Attie
April 1959
—Lorraine Hansberry, to Mike Wallace in 1960
📷: Writer/playwright, Lorraine Hansberry, in her 337 Bleecker Street New York City apartment where she wrote the first Broadway play by a Black American woman, A RAISIN IN THE SUN.
📸: David Attie
April 1959
November 13, 2025 at 7:08 PM
“Beneatha is me, eight years ago.”
—Lorraine Hansberry, to Mike Wallace in 1960
📷: Writer/playwright, Lorraine Hansberry, in her 337 Bleecker Street New York City apartment where she wrote the first Broadway play by a Black American woman, A RAISIN IN THE SUN.
📸: David Attie
April 1959
—Lorraine Hansberry, to Mike Wallace in 1960
📷: Writer/playwright, Lorraine Hansberry, in her 337 Bleecker Street New York City apartment where she wrote the first Broadway play by a Black American woman, A RAISIN IN THE SUN.
📸: David Attie
April 1959
Grace Kelly on the film set with DIAL M FOR MURDER author Frederick Knott.
Photograph by Pat Clark
Photograph by Pat Clark
November 13, 2025 at 2:11 AM
Grace Kelly on the film set with DIAL M FOR MURDER author Frederick Knott.
Photograph by Pat Clark
Photograph by Pat Clark
Kim Hunter with film producers Michael Powell, Emeric Pressburger and Roger Livesey, pre filming A MATTER OF LIFE AND DEATH (1946), in 1945.
Photographed by Haywood Magee for PICTURE POST, published in 1945
Photographed by Haywood Magee for PICTURE POST, published in 1945
November 13, 2025 at 12:05 AM
Kim Hunter with film producers Michael Powell, Emeric Pressburger and Roger Livesey, pre filming A MATTER OF LIFE AND DEATH (1946), in 1945.
Photographed by Haywood Magee for PICTURE POST, published in 1945
Photographed by Haywood Magee for PICTURE POST, published in 1945
"That's fairly accurate, I think, for a great number of us. Becoming a star wouldn't have bothered me, but what is a star? A star isn't anything. An actor acts. That's the important thing."
Born Janet Cole in Detroit #OTD 1922 . . . Remembering #KimHunter!
Born Janet Cole in Detroit #OTD 1922 . . . Remembering #KimHunter!
November 13, 2025 at 12:05 AM
"That's fairly accurate, I think, for a great number of us. Becoming a star wouldn't have bothered me, but what is a star? A star isn't anything. An actor acts. That's the important thing."
Born Janet Cole in Detroit #OTD 1922 . . . Remembering #KimHunter!
Born Janet Cole in Detroit #OTD 1922 . . . Remembering #KimHunter!
cont'd
"it was of great comfort to Vivien. It meant a great deal to the film.
I haven't seen a lot of Kim, but when we do see each other, there is no time, no space between us. There she is again, just the same, my sweet sister, my buddy, my Stella."
—Brando on Kim Hunter
END
"it was of great comfort to Vivien. It meant a great deal to the film.
I haven't seen a lot of Kim, but when we do see each other, there is no time, no space between us. There she is again, just the same, my sweet sister, my buddy, my Stella."
—Brando on Kim Hunter
END
November 13, 2025 at 12:03 AM
cont'd
"it was of great comfort to Vivien. It meant a great deal to the film.
I haven't seen a lot of Kim, but when we do see each other, there is no time, no space between us. There she is again, just the same, my sweet sister, my buddy, my Stella."
—Brando on Kim Hunter
END
"it was of great comfort to Vivien. It meant a great deal to the film.
I haven't seen a lot of Kim, but when we do see each other, there is no time, no space between us. There she is again, just the same, my sweet sister, my buddy, my Stella."
—Brando on Kim Hunter
END
cont'd
"She needed the sweet sister that Kim was and could be, and Kim rose to the occasion, looking after Vivien, being a buddy, watching out for her. Kim worked very hard to create a realistic relationship that we could believe existed between two sisters, and . . .
9/
"She needed the sweet sister that Kim was and could be, and Kim rose to the occasion, looking after Vivien, being a buddy, watching out for her. Kim worked very hard to create a realistic relationship that we could believe existed between two sisters, and . . .
9/
November 13, 2025 at 12:03 AM
cont'd
"She needed the sweet sister that Kim was and could be, and Kim rose to the occasion, looking after Vivien, being a buddy, watching out for her. Kim worked very hard to create a realistic relationship that we could believe existed between two sisters, and . . .
9/
"She needed the sweet sister that Kim was and could be, and Kim rose to the occasion, looking after Vivien, being a buddy, watching out for her. Kim worked very hard to create a realistic relationship that we could believe existed between two sisters, and . . .
9/
cont'd
"Karl [Malden] is one of the kindest men on the plant, and he was courtly and kind to Vivien. I did what I could, but there was always a distance—a respectful distance—between Vivien and me, both as Stanley and as Marlon.
8/
"Karl [Malden] is one of the kindest men on the plant, and he was courtly and kind to Vivien. I did what I could, but there was always a distance—a respectful distance—between Vivien and me, both as Stanley and as Marlon.
8/
November 13, 2025 at 12:03 AM
cont'd
"Karl [Malden] is one of the kindest men on the plant, and he was courtly and kind to Vivien. I did what I could, but there was always a distance—a respectful distance—between Vivien and me, both as Stanley and as Marlon.
8/
"Karl [Malden] is one of the kindest men on the plant, and he was courtly and kind to Vivien. I did what I could, but there was always a distance—a respectful distance—between Vivien and me, both as Stanley and as Marlon.
8/
cont'd
"Kim had a keen eye on the whole picture, the whole play.
Kim was phenomenally kind to Vivien [Leigh] during shooting of the film. Vivien felt very much alone, being the only person who hadn't been with us in New York, from the beginning.
7/
"Kim had a keen eye on the whole picture, the whole play.
Kim was phenomenally kind to Vivien [Leigh] during shooting of the film. Vivien felt very much alone, being the only person who hadn't been with us in New York, from the beginning.
7/
November 13, 2025 at 12:03 AM
cont'd
"Kim had a keen eye on the whole picture, the whole play.
Kim was phenomenally kind to Vivien [Leigh] during shooting of the film. Vivien felt very much alone, being the only person who hadn't been with us in New York, from the beginning.
7/
"Kim had a keen eye on the whole picture, the whole play.
Kim was phenomenally kind to Vivien [Leigh] during shooting of the film. Vivien felt very much alone, being the only person who hadn't been with us in New York, from the beginning.
7/
cont'd
"the loud cat's meow. She defended both Stanley, her husband, and me, her partner who was playing her husband. She craved balance in the play and in the parts, so that people would see the merits in the stories and the actions of all the characters.
6/
"the loud cat's meow. She defended both Stanley, her husband, and me, her partner who was playing her husband. She craved balance in the play and in the parts, so that people would see the merits in the stories and the actions of all the characters.
6/
November 13, 2025 at 12:03 AM
cont'd
"the loud cat's meow. She defended both Stanley, her husband, and me, her partner who was playing her husband. She craved balance in the play and in the parts, so that people would see the merits in the stories and the actions of all the characters.
6/
"the loud cat's meow. She defended both Stanley, her husband, and me, her partner who was playing her husband. She craved balance in the play and in the parts, so that people would see the merits in the stories and the actions of all the characters.
6/
cont'd
"She worked so hard and so well, and, like Jessica [Tandy], you could see her move toward perfection in the part.
We helped each other a great deal: A lot of the humor of Stanley came from recommendations from Kim—the scattering of the dishes in the birthday scene;
5/
"She worked so hard and so well, and, like Jessica [Tandy], you could see her move toward perfection in the part.
We helped each other a great deal: A lot of the humor of Stanley came from recommendations from Kim—the scattering of the dishes in the birthday scene;
5/
November 13, 2025 at 12:03 AM
cont'd
"She worked so hard and so well, and, like Jessica [Tandy], you could see her move toward perfection in the part.
We helped each other a great deal: A lot of the humor of Stanley came from recommendations from Kim—the scattering of the dishes in the birthday scene;
5/
"She worked so hard and so well, and, like Jessica [Tandy], you could see her move toward perfection in the part.
We helped each other a great deal: A lot of the humor of Stanley came from recommendations from Kim—the scattering of the dishes in the birthday scene;
5/
cont'd
"Kim had had very little stage experience: she was one of [David O.] Selznick's young actresses, and she had been good, but she wanted—very badly—to be a good stage actress.
4/
"Kim had had very little stage experience: she was one of [David O.] Selznick's young actresses, and she had been good, but she wanted—very badly—to be a good stage actress.
4/
November 12, 2025 at 11:45 PM
cont'd
"Kim had had very little stage experience: she was one of [David O.] Selznick's young actresses, and she had been good, but she wanted—very badly—to be a good stage actress.
4/
"Kim had had very little stage experience: she was one of [David O.] Selznick's young actresses, and she had been good, but she wanted—very badly—to be a good stage actress.
4/
cont'd
"Kim knew how to convey the power of carnal submission, and you really felt it on the stage. We had a remarkable chemistry.
I loved her. We grew up together in those parts.
Kazan was very tough on Kim—he forced her to grow up as both a woman and an actress.
3/
"Kim knew how to convey the power of carnal submission, and you really felt it on the stage. We had a remarkable chemistry.
I loved her. We grew up together in those parts.
Kazan was very tough on Kim—he forced her to grow up as both a woman and an actress.
3/
November 12, 2025 at 11:45 PM
cont'd
"Kim knew how to convey the power of carnal submission, and you really felt it on the stage. We had a remarkable chemistry.
I loved her. We grew up together in those parts.
Kazan was very tough on Kim—he forced her to grow up as both a woman and an actress.
3/
"Kim knew how to convey the power of carnal submission, and you really felt it on the stage. We had a remarkable chemistry.
I loved her. We grew up together in those parts.
Kazan was very tough on Kim—he forced her to grow up as both a woman and an actress.
3/
cont'd
"Kim really understood the undercarriage of Stella—the need to be real, when for so long pretension had rendered her—and her family—detached from the world, from the carnal world.
2/
"Kim really understood the undercarriage of Stella—the need to be real, when for so long pretension had rendered her—and her family—detached from the world, from the carnal world.
2/
November 12, 2025 at 11:45 PM
cont'd
"Kim really understood the undercarriage of Stella—the need to be real, when for so long pretension had rendered her—and her family—detached from the world, from the carnal world.
2/
"Kim really understood the undercarriage of Stella—the need to be real, when for so long pretension had rendered her—and her family—detached from the world, from the carnal world.
2/
As the incredibly underrated (Iimo), #KimHunter, was #BOTD
"I felt that she was such a kid, a loving little sister, a lot like the women in my family: smart, funny, sexy, honest, down-to-earth. There is no pretension in Kim.
1/
"I felt that she was such a kid, a loving little sister, a lot like the women in my family: smart, funny, sexy, honest, down-to-earth. There is no pretension in Kim.
1/
November 12, 2025 at 11:45 PM
As the incredibly underrated (Iimo), #KimHunter, was #BOTD
"I felt that she was such a kid, a loving little sister, a lot like the women in my family: smart, funny, sexy, honest, down-to-earth. There is no pretension in Kim.
1/
"I felt that she was such a kid, a loving little sister, a lot like the women in my family: smart, funny, sexy, honest, down-to-earth. There is no pretension in Kim.
1/
Also resharing my DISCLAIMER-Not-sorry-for-going-full-I-LOVE-THIS-DRESS-AND-LOOK-ON-GRACE-KELLY-IN-TO-CATCH-A-THIEF guest spot during the CINEMATIC STYLE: Cary Grant and His Leading Ladies event: dominiquerevue.weebly.com or visit www.crowdcast.io/c/cinematic-... to watch.
November 12, 2025 at 8:36 PM
Also resharing my DISCLAIMER-Not-sorry-for-going-full-I-LOVE-THIS-DRESS-AND-LOOK-ON-GRACE-KELLY-IN-TO-CATCH-A-THIEF guest spot during the CINEMATIC STYLE: Cary Grant and His Leading Ladies event: dominiquerevue.weebly.com or visit www.crowdcast.io/c/cinematic-... to watch.
A piece via The Flapper Dame's THE WONDERFUL GRACE KELLY BLOGATHON (thewonderfulworldofcinema.wordpress.com/2024/11/12/t...) I enjoyed highlighting Kelly's TV career in LIVE, FROM NEW YORK, IT'S GRACE KELLY!: boxofficepoisons.blogspot.com/2024/11/live... via BOX OFFICE POISONS: A Classic Movies Blog
November 12, 2025 at 8:36 PM
A piece via The Flapper Dame's THE WONDERFUL GRACE KELLY BLOGATHON (thewonderfulworldofcinema.wordpress.com/2024/11/12/t...) I enjoyed highlighting Kelly's TV career in LIVE, FROM NEW YORK, IT'S GRACE KELLY!: boxofficepoisons.blogspot.com/2024/11/live... via BOX OFFICE POISONS: A Classic Movies Blog
Grace Kelly
📸: Loomis Dean
Born Grace Patricia Kelly in Philadelphia, Pennsylvania #OTD in 1929 . . . Remembering #GraceKelly on her Birthday Anniversary!
📸: Loomis Dean
Born Grace Patricia Kelly in Philadelphia, Pennsylvania #OTD in 1929 . . . Remembering #GraceKelly on her Birthday Anniversary!
November 12, 2025 at 8:26 PM
Grace Kelly
📸: Loomis Dean
Born Grace Patricia Kelly in Philadelphia, Pennsylvania #OTD in 1929 . . . Remembering #GraceKelly on her Birthday Anniversary!
📸: Loomis Dean
Born Grace Patricia Kelly in Philadelphia, Pennsylvania #OTD in 1929 . . . Remembering #GraceKelly on her Birthday Anniversary!
"Although, I've played a wide variety of roles, I've never had the chance to act in a story written specially for me. It's a pity as they are the only stories that really let you reveal your personality."
—Grace Kelly
#BOTD
—Grace Kelly
#BOTD
November 12, 2025 at 8:26 PM
"Although, I've played a wide variety of roles, I've never had the chance to act in a story written specially for me. It's a pity as they are the only stories that really let you reveal your personality."
—Grace Kelly
#BOTD
—Grace Kelly
#BOTD
"I would like to be remembered as someone who accomplished useful deeds...who was a kind[...]loving person[...]to leave the memory of a human being with a correct attitude and who did her best to help others."
—Grace Kelly
📷: on set of Alfred Hitchcock's TO CATCH A THIEF (1955)
—Grace Kelly
📷: on set of Alfred Hitchcock's TO CATCH A THIEF (1955)
November 12, 2025 at 8:24 PM
"I would like to be remembered as someone who accomplished useful deeds...who was a kind[...]loving person[...]to leave the memory of a human being with a correct attitude and who did her best to help others."
—Grace Kelly
📷: on set of Alfred Hitchcock's TO CATCH A THIEF (1955)
—Grace Kelly
📷: on set of Alfred Hitchcock's TO CATCH A THIEF (1955)
A little Kelly to Grace your day. ✨
November 12, 2025 at 8:23 PM
A little Kelly to Grace your day. ✨
"After midnight, she prowels the world's most expensive jungle."
A NEW KIND OF LOVE
1963
Starring: Joanne Woodward and Paul Newman
Director: Melville Shavelson
Costume Designs by Edith Head
A NEW KIND OF LOVE
1963
Starring: Joanne Woodward and Paul Newman
Director: Melville Shavelson
Costume Designs by Edith Head
November 12, 2025 at 6:51 AM
"After midnight, she prowels the world's most expensive jungle."
A NEW KIND OF LOVE
1963
Starring: Joanne Woodward and Paul Newman
Director: Melville Shavelson
Costume Designs by Edith Head
A NEW KIND OF LOVE
1963
Starring: Joanne Woodward and Paul Newman
Director: Melville Shavelson
Costume Designs by Edith Head
Also made a leather handbag . . . by hand. Literally.
November 12, 2025 at 12:55 AM
Also made a leather handbag . . . by hand. Literally.
Finally mounted this color-coded alias (custom-made wood print!) a couple of weeks ago, and . . . I'm quite proud.
November 12, 2025 at 12:51 AM
Finally mounted this color-coded alias (custom-made wood print!) a couple of weeks ago, and . . . I'm quite proud.
As I'm vocal about my love for BATTLEGROUND (1949) being one of my favorite war films, dropping these classic film recommendations to incorporate in your #VeteransDay watchlist:
THE STEEL HELMET 1951
HOME OF THE BRAVE 1949
PORK CHOP HILL 1959
SAHARA 1943
RED BALL EXPRESS 1952
ALL THE YOUNG MEN 1960
THE STEEL HELMET 1951
HOME OF THE BRAVE 1949
PORK CHOP HILL 1959
SAHARA 1943
RED BALL EXPRESS 1952
ALL THE YOUNG MEN 1960
November 11, 2025 at 8:16 PM
As I'm vocal about my love for BATTLEGROUND (1949) being one of my favorite war films, dropping these classic film recommendations to incorporate in your #VeteransDay watchlist:
THE STEEL HELMET 1951
HOME OF THE BRAVE 1949
PORK CHOP HILL 1959
SAHARA 1943
RED BALL EXPRESS 1952
ALL THE YOUNG MEN 1960
THE STEEL HELMET 1951
HOME OF THE BRAVE 1949
PORK CHOP HILL 1959
SAHARA 1943
RED BALL EXPRESS 1952
ALL THE YOUNG MEN 1960