#earlyrenaissance #art #symbolism .
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(Generally no content warning for 500+ years old works of art.)
Ideas:
*For a church
*For a wedding
*As moral mirror for princes.
All true:
*It has a religious triptych’s form-
but wouldn’t be appropriate
*it fits in with Henry III’s 1503 wedding
*puzzling & daring details give it away as
CONVERSATION PIECE.
Ideas:
*For a church
*For a wedding
*As moral mirror for princes.
All true:
*It has a religious triptych’s form-
but wouldn’t be appropriate
*it fits in with Henry III’s 1503 wedding
*puzzling & daring details give it away as
CONVERSATION PIECE.
Some suggestions were:
*For a church
*For a wedding
*As moral mirror for princes.
All true:
*It has a religious triptych’s form-
but wouldn’t be appropriate;
*it fits in with Henry III’s 1503 wedding,
*puzzling & daring details give it away as CONVERSATION PIECE.
Some suggestions were:
*For a church
*For a wedding
*As moral mirror for princes.
All true:
*It has a religious triptych’s form-
but wouldn’t be appropriate;
*it fits in with Henry III’s 1503 wedding,
*puzzling & daring details give it away as CONVERSATION PIECE.
I think these are ways that Bosch uses to keep viewers attention.
Just like pointing figures.
I think these are ways that Bosch uses to keep viewers attention.
Just like pointing figures.
*A swine hunted, in Les très riches heures du Duc de Berry/ December month. By the Limburg bros. ~1410-15.
At Musée Condé, Chantilly France.
*A sinner hunted, on the Afterlife (“Hell”) panel of Hieronymus Bosch’s Garden triptych, ~1500AD.
At the Prado museum, Madrid.
*A swine hunted, in Les très riches heures du Duc de Berry/ December month. By the Limburg bros. ~1410-15.
At Musée Condé, Chantilly France.
*A sinner hunted, on the Afterlife (“Hell”) panel of Hieronymus Bosch’s Garden triptych, ~1500AD.
At the Prado museum, Madrid.
*Dr.Bax (1949) writes that Bosch’s fantasy constructed a fake PROTEST by the devils against the torment of the Saint;
*Dr.Fischer (2013) describes that demon prosecutors read out CHARGES. A Messenger-Bird delivers a 2nd indictment.
*Dr.Bax (1949) writes that Bosch’s fantasy constructed a fake PROTEST by the devils against the torment of the Saint;
*Dr.Fischer (2013) describes that demon prosecutors read out CHARGES. A Messenger-Bird delivers a 2nd indictment.
The result of this process is not only the realization that something is amiss in the painting, but also that the viewer must question their own position in this world
The result of this process is not only the realization that something is amiss in the painting, but also that the viewer must question their own position in this world
but I’m glad I did bring my duckling”
but I’m glad I did bring my duckling”
He’s certainly a demon! 😈
He’s certainly a demon! 😈
Aka strappado, corda,”reverse hanging", "Palestinian hanging", and il tormento della corda (Italian: 'the torment of the rope').
In Dutch: wipgalg, palei, schopstoel of schupstoel,FIRST ILL.
Bosch painted a “schubstoel” (wordplay) on the triptych,SECOND ILL.
Aka strappado, corda,”reverse hanging", "Palestinian hanging", and il tormento della corda (Italian: 'the torment of the rope').
In Dutch: wipgalg, palei, schopstoel of schupstoel,FIRST ILL.
Bosch painted a “schubstoel” (wordplay) on the triptych,SECOND ILL.
they are to instill fear.
This confirms me in my idea dat the other tower has not a well but a kick-chair.
(Part of the Anthony triptych- Hieronymus Bosch ~1500.
At MNAA, Lisbon.)
they are to instill fear.
This confirms me in my idea dat the other tower has not a well but a kick-chair.
(Part of the Anthony triptych- Hieronymus Bosch ~1500.
At MNAA, Lisbon.)
On the copy panel it’s clearer.
On the copy panel it’s clearer.
By Hieronymus Bosch.
By Hieronymus Bosch.
A strong argument for B having an own studio is that Markt 61 of Bosch’s wife is much larger than the family house/shop Markt 29: it has almost 6x more space!
Even without proof, it could easily harbor Bosch’s studio!
A strong argument for B having an own studio is that Markt 61 of Bosch’s wife is much larger than the family house/shop Markt 29: it has almost 6x more space!
Even without proof, it could easily harbor Bosch’s studio!
But in this detail of the center panel, Bosch clearly makes a parody on it!
But in this detail of the center panel, Bosch clearly makes a parody on it!
now by Hieronymus Bosch…
*Clean white pig =people acting like they became Christian but not really are (Similar: Dog w.vomit)
*De Bruyn: “Frying the herring for the roe” =fraud & greed.
I suggest; “The herring hangs from its own gill”
=One is often cause of one’s own fortune.
now by Hieronymus Bosch…
*Clean white pig =people acting like they became Christian but not really are (Similar: Dog w.vomit)
*De Bruyn: “Frying the herring for the roe” =fraud & greed.
I suggest; “The herring hangs from its own gill”
=One is often cause of one’s own fortune.
is ambiguous:
*associated with love 💕
*Bosch turned the wings to show the most beautiful part
*stands for ephemerality, a short happy life
*a typical MEMENTO MORI symbol-
*But in the end it turns positive,
*its transformation refers to Hope via Christ, who died & rose again!
is ambiguous:
*associated with love 💕
*Bosch turned the wings to show the most beautiful part
*stands for ephemerality, a short happy life
*a typical MEMENTO MORI symbol-
*But in the end it turns positive,
*its transformation refers to Hope via Christ, who died & rose again!
“Owls breed Owls” 1561-1656.
A.o. in Cats 1618-32.
This would hint likely at Stupidity, although Evil is mostly behind sins.
(Details from the Garden triptych by Hieronymus Bosch.)
“Owls breed Owls” 1561-1656.
A.o. in Cats 1618-32.
This would hint likely at Stupidity, although Evil is mostly behind sins.
(Details from the Garden triptych by Hieronymus Bosch.)
“Owls breed Owls” 1561-1656.
(A.o. in Cats 1618-32.)
“Owls breed Owls” 1561-1656.
(A.o. in Cats 1618-32.)
Last Judgement/Wien of ~1500, Bosch Studio may have encountered a 1496 woodcut by Dürer.
Compare how in the background prisoners are being thrown down against rocks and THORNY BUSHES.
Dürer painted an other version in 1508.
Last Judgement/Wien of ~1500, Bosch Studio may have encountered a 1496 woodcut by Dürer.
Compare how in the background prisoners are being thrown down against rocks and THORNY BUSHES.
Dürer painted an other version in 1508.
started ~13c:
During His carrying of the cross, Veronica gave Christ a sweat cloth. The depiction of His face impression became popular.
Hieronymus Bosch & Studio painted it several times. Bosch Followers used it too.
“Veronica” is explained as <vera icon> = the real depiction.
started ~13c:
During His carrying of the cross, Veronica gave Christ a sweat cloth. The depiction of His face impression became popular.
Hieronymus Bosch & Studio painted it several times. Bosch Followers used it too.
“Veronica” is explained as <vera icon> = the real depiction.
this detail also has a shepherd carrying a 🔔 bell!
this detail also has a shepherd carrying a 🔔 bell!