This Lovin’ Time
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This Lovin’ Time
@thislovintime.bsky.social
97 followers 4 following 370 posts
A fan page in appreciation of Peter Tork. Curated by @akrobbins7.bsky.social. | instagram.com/thislovintime | thislovintime.tumblr.com | facebook.com/thislovintime/
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“[The Monkees] introduced some of the earliest light shows, psychedelic slide projections that came to be a staple of the sixties’ concert experience.” - When The Music Mattered: Rock in the 1960s (1984)

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Photo by ZUMA Press, Inc.
“I adore Peter Tork. He really is one of the most super people I’ve ever met.” - Jennifer Moss, New Musical Express (November 25, 1967)

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“[W]hen this band [Shoe Suede Blues] started, we went straight to the blues book for all our jams. There was no 60s froth or bubblegum tunes. It was sort of given to me to do and it was liberation in so many ways.” - Peter Tork, Metro Philadelphia (2008)

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“Let’s go be zany. I’ve got a little of that left — I guess.”- Peter Tork, USA Today (June 28, 2000)

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Pictured: Peter with L.B. Fisher; photo by Dan MacMedan for USA Today.
“Tork, just 23 when he signed on with the Monkees, gives a measured response when asked to sum up his experience with the band. ‘I did as well as I knew how and have nothing to be ashamed of.’” - Bohemian (Sept. 26, 2002)

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Photo by Gene Trindl
“I worked with Peter in the mid seventies. A kinder, gentler, gracious and giving human being you could never find. His sense of humor and positivity was a gift to all of those lucky enough to be around him.” - D J Barker, Facebook (Feb. 13, 2023) 

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“A serious critic could probably find some faults with that music. Tork admits he is ‘not the world’s greatest singer,’ but in the end, all that matters is that people like it.” - Post-Bulletin (1979)

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Photo by Steve Webb for the Post-Bulletin
“The first thing people usually ask me is which is your favorite Monkee […]
. I guess I’d have to confess to a certain preference in the direction of Peter.” - Carol Deck, Flip (1968)

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“’We’ve all got to stick together or we’re all going to come unglued.’
[Tork] noted a drive for only one’s own fortune is at the expense of others.
'Without community, the individual is dead.’” - The Life (May 3, 1996)

Photo by Henry Diltz
“[Peter Tork] was the most wonderful, patient and real teacher I have ever had. I learned so much from his kindness and talent.” - former student David, MLive dot com (2019)

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Pictured: Peter teaching, 1976.
“The transition from being one of the crowd to being your own individual self is painful, but the way you feel about yourself is the most important thing that will ever happen to you!
Peace and Love,
Peter Tork” - Fave (1969)

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Photo by Nurit Wilde
“If I never do break out or get a serious career success doing this, I’m not going to quit doing it. It’s too much fun.” - Peter, The Post Crescent (2004)

Pictured: Peter performing at the Billy Cowsill Benefit Concert at the El Rey Theatre in L.A. on September 13, 2004. Photos by Jim Steinfeldt.
Q: “What is your favorite hour of the day?”
Peter Tork: “The one I’m enjoying at the present moment.” - Tiger Beat (September 1968)

Photo by Nurit Wilde
“Music is sort of my life. [Without] it there wouldn’t be much sense to anything.” - Peter Tork, Tiger Beat (1967)

“I love music. The craft of it remains endlessly fascinating to me.” - Peter, MLive (2012)

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Photos by Henry Diltz (?) & Jennifer Denham
“We spent some time on an Indian reservation, where The Buffalo Springfield were appearing in their concert. It was a gas up there, and I bought so many ‘peace’ beads, head-bands, blankets, jackets etc.” - Peter Tork, Fabulous 208 (1967)

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What’s your Peter on the set of Head (1968) mood today? ;)
“I’m shy… I’ve spent years and years learning — because being shy was not a good thing so I… this is all like, you know, a left-hander writing with his right hand.” - Peter Tork, GOLD 104.5 (1999)

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“Of all four Monkees, Peter’s onscreen persona was the least like his real self. The ‘dumb’ (albeit bighearted) Monkee is actually soft-spoken and a bit on the philosophical side with a dry sense of humor. He *thinks* about every word he says.” - Bill Holdship, Creem Presents… The Monkees (1987)
“‘…for me finally the point of the movie is the Monkees never get out,’ […]
So how would a Peter Tork cut of Head end?
‘There might have been a scene where we get out,’ he says wistfully. ‘We jump in the water and get away.’” - The Guardian (2011)

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“After a while it suddenly seems like we have been looking through a fish tank, and on the other side is this very, very pretty woman who kisses each one of us...” - Peter, interviewed by Bruce Pollock for When The Music Mattered: Rock in the 1960s (1984)

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“I did have three parts in this film [Head]. I was known as ‘The Jumper.’” - June Fairchild, in her draft for a planned book (Catch A Fallen Star), published on at BarrSam.com

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“So we [Stills and Ron Long] were booked into the [Golden] Bear [in ‘65] and we were really terrible for the whole gig except for two nights. Those two nights Peter [Tork] got up and played piano with us.” - Stephen Stills, Stephen Stills: Change Partners: The Definitive Biography
“[Post-Monkees] I went to Marin County to try to recapture some of my Greenwich-Village-days happiness, and I did. […] I was very lucky, there was a lovely scene in Fairfax, Marin County.” - Peter Tork, GOLD 104.5 (1999)

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Photo by Kenny Lieu
Q: “Describe Peter.”
Barbara Iannoli: “He’s slender, excitable, intense, emotional, very bright.” - interview by Barbara Ehm for Monkee Business Fanzine (undated clipping, circa 1981)

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Photo courtesy of Rikizo Komori