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Cinema is a matter of what's in the frame and what's out
Indiana Jones and the temple of Doom (1984). Steven Spielberg
Cinematography: Douglas Slocombe
Steadicam Operator: Garrett Brown
Photo by: Keith Hamshere
Cinematography: Douglas Slocombe
Steadicam Operator: Garrett Brown
Photo by: Keith Hamshere
December 8, 2025 at 8:42 PM
Indiana Jones and the temple of Doom (1984). Steven Spielberg
Cinematography: Douglas Slocombe
Steadicam Operator: Garrett Brown
Photo by: Keith Hamshere
Cinematography: Douglas Slocombe
Steadicam Operator: Garrett Brown
Photo by: Keith Hamshere
Radio Days (1987). Woody Allen
Cinematography: Carlo Di Palma
Camera Operator: Dick Mingalone
First Assistant Camera: Michael Green
Dolly Grip: Ronald Burke
Photo by: Brian Hamill
Cinematography: Carlo Di Palma
Camera Operator: Dick Mingalone
First Assistant Camera: Michael Green
Dolly Grip: Ronald Burke
Photo by: Brian Hamill
December 6, 2025 at 9:21 AM
Radio Days (1987). Woody Allen
Cinematography: Carlo Di Palma
Camera Operator: Dick Mingalone
First Assistant Camera: Michael Green
Dolly Grip: Ronald Burke
Photo by: Brian Hamill
Cinematography: Carlo Di Palma
Camera Operator: Dick Mingalone
First Assistant Camera: Michael Green
Dolly Grip: Ronald Burke
Photo by: Brian Hamill
Promising Young Woman (2020). Emerald Fennell
Cinematography: Benjamin Kracun
First Assistant Camera: Sarah Brandes
Boom Operator: Sean Thomas Byrnes
Dolly Grip: RJ Saraza
Photo by: Merie Weismiller Wallace
Cinematography: Benjamin Kracun
First Assistant Camera: Sarah Brandes
Boom Operator: Sean Thomas Byrnes
Dolly Grip: RJ Saraza
Photo by: Merie Weismiller Wallace
December 5, 2025 at 9:57 PM
Promising Young Woman (2020). Emerald Fennell
Cinematography: Benjamin Kracun
First Assistant Camera: Sarah Brandes
Boom Operator: Sean Thomas Byrnes
Dolly Grip: RJ Saraza
Photo by: Merie Weismiller Wallace
Cinematography: Benjamin Kracun
First Assistant Camera: Sarah Brandes
Boom Operator: Sean Thomas Byrnes
Dolly Grip: RJ Saraza
Photo by: Merie Weismiller Wallace
The French Dispatch (2021). Wes Anderson
Cinematography: Robert D. Yeoman
Photo by: Roger Do Minh
Cinematography: Robert D. Yeoman
Photo by: Roger Do Minh
December 4, 2025 at 10:47 AM
The French Dispatch (2021). Wes Anderson
Cinematography: Robert D. Yeoman
Photo by: Roger Do Minh
Cinematography: Robert D. Yeoman
Photo by: Roger Do Minh
Collateral (2004). Michael Mann
Cinematography: Dion Beebe & Paul Cameron
Photo by: Frank Connor
Cinematography: Dion Beebe & Paul Cameron
Photo by: Frank Connor
December 2, 2025 at 11:04 AM
Collateral (2004). Michael Mann
Cinematography: Dion Beebe & Paul Cameron
Photo by: Frank Connor
Cinematography: Dion Beebe & Paul Cameron
Photo by: Frank Connor
An Officer and a Gentleman (1982). Taylor Hackford
Cinematography: Donald E. Thorin
Camera Operator: Dick Colean
Camera Assistant: Earl L. Clark
Key Grip: Daniel R. Jordan
Boom Operator: Don Coufal
Photo by: Carol McCullough
Cinematography: Donald E. Thorin
Camera Operator: Dick Colean
Camera Assistant: Earl L. Clark
Key Grip: Daniel R. Jordan
Boom Operator: Don Coufal
Photo by: Carol McCullough
November 27, 2025 at 8:06 PM
An Officer and a Gentleman (1982). Taylor Hackford
Cinematography: Donald E. Thorin
Camera Operator: Dick Colean
Camera Assistant: Earl L. Clark
Key Grip: Daniel R. Jordan
Boom Operator: Don Coufal
Photo by: Carol McCullough
Cinematography: Donald E. Thorin
Camera Operator: Dick Colean
Camera Assistant: Earl L. Clark
Key Grip: Daniel R. Jordan
Boom Operator: Don Coufal
Photo by: Carol McCullough
Hard Eight, Sidney (1996). Paul Thomas Anderson
Cinematography: Robert Elswit
First Assistant Camera: Michael G. Riba
Dolly Grip: Bob Ivanjack
Boom Operator: Kevin Kubota
Photo by: Mark Tillie
Cinematography: Robert Elswit
First Assistant Camera: Michael G. Riba
Dolly Grip: Bob Ivanjack
Boom Operator: Kevin Kubota
Photo by: Mark Tillie
November 26, 2025 at 6:25 PM
Hard Eight, Sidney (1996). Paul Thomas Anderson
Cinematography: Robert Elswit
First Assistant Camera: Michael G. Riba
Dolly Grip: Bob Ivanjack
Boom Operator: Kevin Kubota
Photo by: Mark Tillie
Cinematography: Robert Elswit
First Assistant Camera: Michael G. Riba
Dolly Grip: Bob Ivanjack
Boom Operator: Kevin Kubota
Photo by: Mark Tillie
Skyfall (2012). Sam Mendes
Cinematography: Roger Deakins
Photo by: François Duhamel
Cinematography: Roger Deakins
Photo by: François Duhamel
November 26, 2025 at 6:12 AM
Skyfall (2012). Sam Mendes
Cinematography: Roger Deakins
Photo by: François Duhamel
Cinematography: Roger Deakins
Photo by: François Duhamel
Greyhound (2020). Aaron Schneider
Cinematography: Shelly Johnson
Steadicam Operator: George Billinger III
Photo by: Niko Tavernise
Cinematography: Shelly Johnson
Steadicam Operator: George Billinger III
Photo by: Niko Tavernise
November 24, 2025 at 6:43 AM
Greyhound (2020). Aaron Schneider
Cinematography: Shelly Johnson
Steadicam Operator: George Billinger III
Photo by: Niko Tavernise
Cinematography: Shelly Johnson
Steadicam Operator: George Billinger III
Photo by: Niko Tavernise
Three Billboards Outside Ebbing, Missouri (2017). Martin McDonagh
Cinematography: Ben Davis
Camera Operator: Stephen S. Campanelli
Dolly Grip: Sean Piper
Boom Operator: Timothy Cargioli
Photo by: Merrick Morton
Cinematography: Ben Davis
Camera Operator: Stephen S. Campanelli
Dolly Grip: Sean Piper
Boom Operator: Timothy Cargioli
Photo by: Merrick Morton
November 19, 2025 at 12:36 PM
Three Billboards Outside Ebbing, Missouri (2017). Martin McDonagh
Cinematography: Ben Davis
Camera Operator: Stephen S. Campanelli
Dolly Grip: Sean Piper
Boom Operator: Timothy Cargioli
Photo by: Merrick Morton
Cinematography: Ben Davis
Camera Operator: Stephen S. Campanelli
Dolly Grip: Sean Piper
Boom Operator: Timothy Cargioli
Photo by: Merrick Morton
The Wolf of Wall Street (2013). Martin Scorsese
Cinematography: Rodrigo Prieto
First Assistant Camera: Zoran Veselic
Dolly Grip: Chris Gamiello
Photo by: Mary Cybulski
Cinematography: Rodrigo Prieto
First Assistant Camera: Zoran Veselic
Dolly Grip: Chris Gamiello
Photo by: Mary Cybulski
November 18, 2025 at 9:19 PM
The Wolf of Wall Street (2013). Martin Scorsese
Cinematography: Rodrigo Prieto
First Assistant Camera: Zoran Veselic
Dolly Grip: Chris Gamiello
Photo by: Mary Cybulski
Cinematography: Rodrigo Prieto
First Assistant Camera: Zoran Veselic
Dolly Grip: Chris Gamiello
Photo by: Mary Cybulski
Frankenstein (2025) Guillermo del Toro.
Cinematography: Dan Laustsen.
Photo by: Kerry Hayes
Cinematography: Dan Laustsen.
Photo by: Kerry Hayes
November 18, 2025 at 11:02 AM
Frankenstein (2025) Guillermo del Toro.
Cinematography: Dan Laustsen.
Photo by: Kerry Hayes
Cinematography: Dan Laustsen.
Photo by: Kerry Hayes
Transformers: The Last Knight (2017). Michael Bay
Cinematography: Jonathan Sela
Camera Operator: Jacques Jouffret
First Assistant Camera: Jimmy E. Jensen
Second Assistant Camera: Bill McConnell Jr.
Photo by: Andrew Cooper
Cinematography: Jonathan Sela
Camera Operator: Jacques Jouffret
First Assistant Camera: Jimmy E. Jensen
Second Assistant Camera: Bill McConnell Jr.
Photo by: Andrew Cooper
November 15, 2025 at 11:59 AM
Transformers: The Last Knight (2017). Michael Bay
Cinematography: Jonathan Sela
Camera Operator: Jacques Jouffret
First Assistant Camera: Jimmy E. Jensen
Second Assistant Camera: Bill McConnell Jr.
Photo by: Andrew Cooper
Cinematography: Jonathan Sela
Camera Operator: Jacques Jouffret
First Assistant Camera: Jimmy E. Jensen
Second Assistant Camera: Bill McConnell Jr.
Photo by: Andrew Cooper
The Wild Bunch (1969). Sam Peckinpah
Cinematography: Lucien Ballard
Photo by: Bernie Abramson
Cinematography: Lucien Ballard
Photo by: Bernie Abramson
November 13, 2025 at 1:13 PM
The Wild Bunch (1969). Sam Peckinpah
Cinematography: Lucien Ballard
Photo by: Bernie Abramson
Cinematography: Lucien Ballard
Photo by: Bernie Abramson
Rocky II (1979). Sylvester Stallone
Cinematography: Bill Butler
Steadicam Operator : Garrett Brown
Photo by: Orlando Suero
Cinematography: Bill Butler
Steadicam Operator : Garrett Brown
Photo by: Orlando Suero
November 13, 2025 at 12:52 PM
Rocky II (1979). Sylvester Stallone
Cinematography: Bill Butler
Steadicam Operator : Garrett Brown
Photo by: Orlando Suero
Cinematography: Bill Butler
Steadicam Operator : Garrett Brown
Photo by: Orlando Suero
Loving (2016). Jeff Nichols
Cinematography: Adam Stone
Camera Operator: 'B' Camera: Kenneth Neil Moore
First Assistant Camera: 'B' Camera: Dylan Conrad
Second Assistant Camera: 'B' Camera: Tonja Greenfield
Dolly Grip 'B' Camera: Sean Piper
Photo by: Ben Rothstein
Cinematography: Adam Stone
Camera Operator: 'B' Camera: Kenneth Neil Moore
First Assistant Camera: 'B' Camera: Dylan Conrad
Second Assistant Camera: 'B' Camera: Tonja Greenfield
Dolly Grip 'B' Camera: Sean Piper
Photo by: Ben Rothstein
November 11, 2025 at 5:13 AM
Loving (2016). Jeff Nichols
Cinematography: Adam Stone
Camera Operator: 'B' Camera: Kenneth Neil Moore
First Assistant Camera: 'B' Camera: Dylan Conrad
Second Assistant Camera: 'B' Camera: Tonja Greenfield
Dolly Grip 'B' Camera: Sean Piper
Photo by: Ben Rothstein
Cinematography: Adam Stone
Camera Operator: 'B' Camera: Kenneth Neil Moore
First Assistant Camera: 'B' Camera: Dylan Conrad
Second Assistant Camera: 'B' Camera: Tonja Greenfield
Dolly Grip 'B' Camera: Sean Piper
Photo by: Ben Rothstein
Focus (2015). Glenn Ficarra & John Requa
Cinematography: Xavier Grobet
Camera Operator: Mitch Dubin
First Assistant Camera: Glenn Kaplan
Boom Operator: Anthony Ortiz
Photo by: Frank Masi
Cinematography: Xavier Grobet
Camera Operator: Mitch Dubin
First Assistant Camera: Glenn Kaplan
Boom Operator: Anthony Ortiz
Photo by: Frank Masi
November 10, 2025 at 5:32 PM
Focus (2015). Glenn Ficarra & John Requa
Cinematography: Xavier Grobet
Camera Operator: Mitch Dubin
First Assistant Camera: Glenn Kaplan
Boom Operator: Anthony Ortiz
Photo by: Frank Masi
Cinematography: Xavier Grobet
Camera Operator: Mitch Dubin
First Assistant Camera: Glenn Kaplan
Boom Operator: Anthony Ortiz
Photo by: Frank Masi
Chinatown (1974). Roman Polanski
Cinematography: John A. Alonzo
Photo by: Orlando Suero
Cinematography: John A. Alonzo
Photo by: Orlando Suero
November 10, 2025 at 9:33 AM
Chinatown (1974). Roman Polanski
Cinematography: John A. Alonzo
Photo by: Orlando Suero
Cinematography: John A. Alonzo
Photo by: Orlando Suero
Heat (1995). Michael Mann
Cinematography: Dante Spinotti
Camera Operator: Daniel L. Turrett
Camera Operator: Peter Gulla
Camera Operator: Gary Jay
Photo by: Frank Connor
Cinematography: Dante Spinotti
Camera Operator: Daniel L. Turrett
Camera Operator: Peter Gulla
Camera Operator: Gary Jay
Photo by: Frank Connor
November 7, 2025 at 6:49 PM
Heat (1995). Michael Mann
Cinematography: Dante Spinotti
Camera Operator: Daniel L. Turrett
Camera Operator: Peter Gulla
Camera Operator: Gary Jay
Photo by: Frank Connor
Cinematography: Dante Spinotti
Camera Operator: Daniel L. Turrett
Camera Operator: Peter Gulla
Camera Operator: Gary Jay
Photo by: Frank Connor
The Revenant (2015). Alejandro G. Iñárritu
Cinematography: Emmanuel Lubezki
Steadicam Operator: Scott Sakamoto
Dolly Grip: Ryan Monro
Photo by: Kimberly French
Cinematography: Emmanuel Lubezki
Steadicam Operator: Scott Sakamoto
Dolly Grip: Ryan Monro
Photo by: Kimberly French
November 6, 2025 at 3:09 PM
The Revenant (2015). Alejandro G. Iñárritu
Cinematography: Emmanuel Lubezki
Steadicam Operator: Scott Sakamoto
Dolly Grip: Ryan Monro
Photo by: Kimberly French
Cinematography: Emmanuel Lubezki
Steadicam Operator: Scott Sakamoto
Dolly Grip: Ryan Monro
Photo by: Kimberly French
The Departed (2006). Martin Scorsese
Cinematography:Michael Ballhaus
Camera Operator: Andrew Rowlands
Key Grip: Mitch Lillian
Chief Lighting Technician: Andy Day
Photo by: Andrew Cooper
Cinematography:Michael Ballhaus
Camera Operator: Andrew Rowlands
Key Grip: Mitch Lillian
Chief Lighting Technician: Andy Day
Photo by: Andrew Cooper
November 6, 2025 at 3:02 PM
The Departed (2006). Martin Scorsese
Cinematography:Michael Ballhaus
Camera Operator: Andrew Rowlands
Key Grip: Mitch Lillian
Chief Lighting Technician: Andy Day
Photo by: Andrew Cooper
Cinematography:Michael Ballhaus
Camera Operator: Andrew Rowlands
Key Grip: Mitch Lillian
Chief Lighting Technician: Andy Day
Photo by: Andrew Cooper
Revolutionary Road (2008). Sam Mendes
Cinematography: Roger Deakins
First Assistant Camera: Andy Harris
Dolly Grip: Rick Marroquin
Photo by: François Duhamel
Cinematography: Roger Deakins
First Assistant Camera: Andy Harris
Dolly Grip: Rick Marroquin
Photo by: François Duhamel
November 4, 2025 at 8:47 PM
Revolutionary Road (2008). Sam Mendes
Cinematography: Roger Deakins
First Assistant Camera: Andy Harris
Dolly Grip: Rick Marroquin
Photo by: François Duhamel
Cinematography: Roger Deakins
First Assistant Camera: Andy Harris
Dolly Grip: Rick Marroquin
Photo by: François Duhamel
First Man (2018). Damien Chazelle
Cinematography: Linus Sandgren
First Assistant Camera: 'A' Camera: Jorge Sánchez
Second Assistant Camera: 'A Camera: Melissa Fisher
Photo by: Daniel C. McFadden
Cinematography: Linus Sandgren
First Assistant Camera: 'A' Camera: Jorge Sánchez
Second Assistant Camera: 'A Camera: Melissa Fisher
Photo by: Daniel C. McFadden
November 3, 2025 at 6:42 PM
First Man (2018). Damien Chazelle
Cinematography: Linus Sandgren
First Assistant Camera: 'A' Camera: Jorge Sánchez
Second Assistant Camera: 'A Camera: Melissa Fisher
Photo by: Daniel C. McFadden
Cinematography: Linus Sandgren
First Assistant Camera: 'A' Camera: Jorge Sánchez
Second Assistant Camera: 'A Camera: Melissa Fisher
Photo by: Daniel C. McFadden
Die Hard (1988). John McTiernan
Cinematography: Jan de Bont
Key Grip: Bill Decker
Dolly Grip: Glen Davis
Best Boy Grip: Bernie Schwartz
Photo by: Peter Sorel
Cinematography: Jan de Bont
Key Grip: Bill Decker
Dolly Grip: Glen Davis
Best Boy Grip: Bernie Schwartz
Photo by: Peter Sorel
November 3, 2025 at 9:10 AM
Die Hard (1988). John McTiernan
Cinematography: Jan de Bont
Key Grip: Bill Decker
Dolly Grip: Glen Davis
Best Boy Grip: Bernie Schwartz
Photo by: Peter Sorel
Cinematography: Jan de Bont
Key Grip: Bill Decker
Dolly Grip: Glen Davis
Best Boy Grip: Bernie Schwartz
Photo by: Peter Sorel
Dead Poets Society (1989). Peter Weir
Cinematography: John Seale
Camera Operator: Stephen G. Shank
First Assistant Camera: Brian W. Armstrong
Dolly Grip: David L. Merrill
Boom Operator: Gordon Webb
Photo by: François Duhamel
Cinematography: John Seale
Camera Operator: Stephen G. Shank
First Assistant Camera: Brian W. Armstrong
Dolly Grip: David L. Merrill
Boom Operator: Gordon Webb
Photo by: François Duhamel
November 2, 2025 at 7:38 PM
Dead Poets Society (1989). Peter Weir
Cinematography: John Seale
Camera Operator: Stephen G. Shank
First Assistant Camera: Brian W. Armstrong
Dolly Grip: David L. Merrill
Boom Operator: Gordon Webb
Photo by: François Duhamel
Cinematography: John Seale
Camera Operator: Stephen G. Shank
First Assistant Camera: Brian W. Armstrong
Dolly Grip: David L. Merrill
Boom Operator: Gordon Webb
Photo by: François Duhamel