Reposted by Marcel Schwittlick
An issue we're seeing at all levels of university is that many students are simply refusing to do *anything*. They aren't reading the syllabus, aren't following assignment guidelines, aren't engaging with material, ignoring deadlines. And this might seem like old news, but it truly has ramped up.
November 28, 2025 at 10:15 PM
An issue we're seeing at all levels of university is that many students are simply refusing to do *anything*. They aren't reading the syllabus, aren't following assignment guidelines, aren't engaging with material, ignoring deadlines. And this might seem like old news, but it truly has ramped up.
🆅🅸🅴🆆🅵🅸🅽🅳🅴🆁
🠆 schwittlick.net/viewfinder/
🠆 schwittlick.net/viewfinder/
September 2, 2025 at 6:05 PM
🆅🅸🅴🆆🅵🅸🅽🅳🅴🆁
🠆 schwittlick.net/viewfinder/
🠆 schwittlick.net/viewfinder/
I got doctors handwriting, luckily the scriber makes up for that ✍🏻
April 11, 2025 at 4:39 PM
I got doctors handwriting, luckily the scriber makes up for that ✍🏻
One Day of Honest Work
594x841mm/23.4x33.1in
594x841mm/23.4x33.1in
March 17, 2025 at 1:13 PM
One Day of Honest Work
594x841mm/23.4x33.1in
594x841mm/23.4x33.1in
Reposted by Marcel Schwittlick
Timglaset Editions to cease publishing.
After long deliberation I have decided to put Timglaset to rest. The press has been under a lot of pressure since the recession in 2022-23. 1/5
After long deliberation I have decided to put Timglaset to rest. The press has been under a lot of pressure since the recession in 2022-23. 1/5
March 16, 2025 at 10:52 AM
Timglaset Editions to cease publishing.
After long deliberation I have decided to put Timglaset to rest. The press has been under a lot of pressure since the recession in 2022-23. 1/5
After long deliberation I have decided to put Timglaset to rest. The press has been under a lot of pressure since the recession in 2022-23. 1/5
Just published this conversation between Wolf Lieser and me discussing my artistic process, and how I transform years of recorded cursor movements into "human randomness" that drives my work. We talk about my Composition series, digital archaeology, and more.
schwittlick.net/txt/talk_dam/
schwittlick.net/txt/talk_dam/
March 14, 2025 at 11:05 PM
Just published this conversation between Wolf Lieser and me discussing my artistic process, and how I transform years of recorded cursor movements into "human randomness" that drives my work. We talk about my Composition series, digital archaeology, and more.
schwittlick.net/txt/talk_dam/
schwittlick.net/txt/talk_dam/
Crocodile 1, 29,7 × 42 cm, plotter drawing, 2024
March 8, 2025 at 11:28 AM
Crocodile 1, 29,7 × 42 cm, plotter drawing, 2024
Kangaroo 25 🔊
Braille embossing, digital work with machine drawing instructions
Braille embossing, digital work with machine drawing instructions
March 7, 2025 at 1:24 PM
Kangaroo 25 🔊
Braille embossing, digital work with machine drawing instructions
Braille embossing, digital work with machine drawing instructions
Index Everest-D/S V1 s/n 10000-11303, 1992-1995
February 26, 2025 at 10:31 AM
Index Everest-D/S V1 s/n 10000-11303, 1992-1995
This is a braille embosser from the 90s. I used this thing for the white works that are currently on display at the white show in NYC.
The volume of the video is reduced by 80%, this thing is loud af.
The volume of the video is reduced by 80%, this thing is loud af.
February 26, 2025 at 10:30 AM
This is a braille embosser from the 90s. I used this thing for the white works that are currently on display at the white show in NYC.
The volume of the video is reduced by 80%, this thing is loud af.
The volume of the video is reduced by 80%, this thing is loud af.
February 25, 2025 at 9:13 AM
Max Bense
Das Auge Epikurs
Indirektes über Malerei
(The eye of Epikur,
Indirect writings on painting)
Signed by Max Bense in ‘88
Das Auge Epikurs
Indirektes über Malerei
(The eye of Epikur,
Indirect writings on painting)
Signed by Max Bense in ‘88
February 23, 2025 at 9:57 AM
Max Bense
Das Auge Epikurs
Indirektes über Malerei
(The eye of Epikur,
Indirect writings on painting)
Signed by Max Bense in ‘88
Das Auge Epikurs
Indirektes über Malerei
(The eye of Epikur,
Indirect writings on painting)
Signed by Max Bense in ‘88
February 18, 2025 at 11:34 AM
Upward Spiral & Composition #96
at Interfacegallery.io
schwittlick.net/composition96/
schwittlick.net/upward_spiral/
at Interfacegallery.io
schwittlick.net/composition96/
schwittlick.net/upward_spiral/
February 17, 2025 at 11:25 AM
Upward Spiral & Composition #96
at Interfacegallery.io
schwittlick.net/composition96/
schwittlick.net/upward_spiral/
at Interfacegallery.io
schwittlick.net/composition96/
schwittlick.net/upward_spiral/
Caltech Studies (realtime e-ink)
on display at DAM Projects Berlin
part of PAIN && PLEASURE
schwittlick.net/caltech_stud...
on display at DAM Projects Berlin
part of PAIN && PLEASURE
schwittlick.net/caltech_stud...
February 17, 2025 at 10:53 AM
Caltech Studies (realtime e-ink)
on display at DAM Projects Berlin
part of PAIN && PLEASURE
schwittlick.net/caltech_stud...
on display at DAM Projects Berlin
part of PAIN && PLEASURE
schwittlick.net/caltech_stud...
February 16, 2025 at 1:45 PM
Some snaps from The White Show that opened last week at Nguyen Wahed Gallery 🤍
Featuring some new works from the Caltech Studies series as well as Composition #9.11, some of my earliest experiments using machine learning in 2015
nguyenwahed.com/exhibitions/...
schwittlick.net/caltech_stud...
Featuring some new works from the Caltech Studies series as well as Composition #9.11, some of my earliest experiments using machine learning in 2015
nguyenwahed.com/exhibitions/...
schwittlick.net/caltech_stud...
February 11, 2025 at 4:38 PM
Some snaps from The White Show that opened last week at Nguyen Wahed Gallery 🤍
Featuring some new works from the Caltech Studies series as well as Composition #9.11, some of my earliest experiments using machine learning in 2015
nguyenwahed.com/exhibitions/...
schwittlick.net/caltech_stud...
Featuring some new works from the Caltech Studies series as well as Composition #9.11, some of my earliest experiments using machine learning in 2015
nguyenwahed.com/exhibitions/...
schwittlick.net/caltech_stud...
Some of the PAIN && PLEASURE works currently on display at DAM Projects Berlin
Algorithmic Centipede (2021)
plotter drawing, objkt#1100
Caltech Studies (2024)
plotter drawings, 38c3 editions
Composition 9.11 (2015)
style transfer animation, AI
www.damprojects.org/de/exhibitio...
Algorithmic Centipede (2021)
plotter drawing, objkt#1100
Caltech Studies (2024)
plotter drawings, 38c3 editions
Composition 9.11 (2015)
style transfer animation, AI
www.damprojects.org/de/exhibitio...
February 7, 2025 at 2:49 PM
Some of the PAIN && PLEASURE works currently on display at DAM Projects Berlin
Algorithmic Centipede (2021)
plotter drawing, objkt#1100
Caltech Studies (2024)
plotter drawings, 38c3 editions
Composition 9.11 (2015)
style transfer animation, AI
www.damprojects.org/de/exhibitio...
Algorithmic Centipede (2021)
plotter drawing, objkt#1100
Caltech Studies (2024)
plotter drawings, 38c3 editions
Composition 9.11 (2015)
style transfer animation, AI
www.damprojects.org/de/exhibitio...
Reposted by Marcel Schwittlick
Hello––my favorite word, as it opens the conversation that leads to interesting happenings...
Hello, 1991 👋
Digital drawing printed on paper, mounted on board, and colored with pastel.
Hello, 1991 👋
Digital drawing printed on paper, mounted on board, and colored with pastel.
February 5, 2025 at 5:04 PM
Hello––my favorite word, as it opens the conversation that leads to interesting happenings...
Hello, 1991 👋
Digital drawing printed on paper, mounted on board, and colored with pastel.
Hello, 1991 👋
Digital drawing printed on paper, mounted on board, and colored with pastel.