Nicklas Sørensen
@nicklassoerensen.bsky.social
370 followers 310 following 620 posts
Library assistant (for too many years), but mainly a guitar player I guess. Solo music here: https://nicklassorensen.bandcamp.com/album/untitled-5 Band music here: https://papir.bandcamp.com/album/7
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To some extent I would have had the discipline to study, but for some reason I always lacked the discipline of keeping focus.
There are probably some academic or spiritual discourses in this area that could have helped me get an understanding of all this, so I would not have to get lost in my own speculations again and again.
It's also a paradox of having become pretty good at picking records+what to listen to based on what I feel on a given day. But at the same time that seems like a trap - like I don't want music's quality reduced to only what I feel like hearing, that seems contractionary to expanding one's horizon.
I guess the exercise I am trying to get closer to, is to not think it's either/or. But there is a discipline to keep that open perspective that is sometimes difficult to practice and yes it's a priority cause time is valuable and life is not endless.
Well, that's pretty much spot on what I'm thinking about...cause weird thing is, that although I think you might very well be right about that, that is at the same time, what I am afraid of - being able to distinguish things less.
Right. I'm probably much the same. It's merely a feeling or reflection I sometimes stumble upon I guess...of being immersed in the search or a memory of once being able to distinguish things more. Don't know, it's hard to explain. Could also be a sign of insecurity from me and might not be important
Seems like minimalist drone music is still the cool shit in some circles. I generally try to not go for the cool nor the uncool, just try to follow my intuition & go for sound & music itself. Here is Charles Curtis,Dean Roberts & Alan Licht playing minimalist droney music live in 1999. Pretty good.
Zoning out to this great LP by Grouper & Jefre Cantu-Ledesma. A record I have not heard that much, which is a mistake, cause some of the pieces are really good.
For some reason I was never really a huge Lou Reed-fan. Not that I think his music was bad,just never felt the urge to really hang with it.This ambient album he did I really like though. Pretty sure it doesn't sound like anything else he ever made. Very tranquil, minimal & spacious meditation music.
So it seems like my CD player is not working. Which is a shame, cause I expect the new Necks triple CD to arrive in the mail one of the days. Anyway, I can't really complain, cause there is loads of music on other formats in this apartment of mine. Now listening to this great tape.
Sometimes you feel sad, grateful, a bit lost & close to the fragile part of yourself all at the same time. I don't know if Loren Connors' music has anything to do with that,but it does embody a certain spectrum of emotions & beauty. Could be a healing beauty, but first of all it's human sensibility.
Just one record before I head to work. Steve Gunn's "Music for Writers" is among my favorite records from this year. Perfect early morning music.
Starting a slow Sunday with this great Jon Collin-LP called "Water & Rock Music Volumes 3-6". Might be my favorite from his Water & Rock Music series.
Starting the day with this great album from last year. I hope BASIC will do another full length album some day. Really like this mix of somehow funky guitars, bright melodies and ever pulsating grooves.
When I feel disconnected from the emotional sphere in my life I often put on Michael Rother's music.Besides being beautiful & well-composed it has a healing,but not calculated quality of connecting you to a human state of being humble & feel something,long for something that is beautiful & good.
I'm really digging this new Bitchin Bajas LP. Warm and vibey explorations into somehow familiar yet new sound territories - an approach they execute so extremely well. Simple and very appealing music.
First time playing guitar in my new apartment. For some reason I feel like I can only play very quietly here. This was basically just a test/whatever-improvisation. I rarely touch the instrument these days.
When I got home I realized I should have asked him something about playing with Loren Connors, but I wouldn't really know what to ask. The conversation felt very down to earth in the moment, but I guess at the same time I felt a bit like a paralyzed fan. Or maybe star-struck is the right word.
Really great to see Alan Licht play yesterday. He played stuff from Havens and also played a stellar cover of the last track from Sharrock's Ask The Ages +one of my favorites - Van Halen's "Jump". I even had the pleasure of talking to him after the show about Henry Kaiser and Sharrock. Good times.