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José Clemente Orozco

José Clemente Orozco

@joseclementeorozco.bsky.social

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Fan account of José Clemente Orozco, a Mexican caricaturist and painter, known for his political murals that established Mexican muralism. 1883-1949 Automated thanks to @andreitr.bsky.social and @botfrens.bsky.social

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José Clemente Orozco @joseclementeorozco.bsky.social · 2h

Casa arruinada https://collections.artsmia.org/art/7239/

"Casa arruinada" by José Clemente Orozco depicts a desolate landscape with abstract forms under shrouds, evoking the devastation and human impact of socio-political turmoil. The stark contrasts and somber tones are characteristic of Orozco's work, highlighting his exploration of human suffering and resilience.

José Clemente Orozco @joseclementeorozco.bsky.social · 17h

The great mexican revolutionary law and the freedom of slaves https://www.wikiart.org/en/jose-clemente-orozco/the-great-mexican-revolutionary-law-and-the-freedom-of-slaves-1949

"José Clemente Orozco's mural 'The Great Mexican Revolutionary Law and the Freedom of Slaves' dramatically captures a pivotal moment in history, depicting Miguel Hidalgo signing the abolition of slavery. The energetic composition features bold imagery of liberation and reform, reflecting the intense struggles and aspirations of revolutionary Mexico."

José Clemente Orozco @joseclementeorozco.bsky.social · 19h

Call to Revolution and Table of Universal Brotherhood (Science, Labor and Art) https://www.wikiart.org/en/jose-clemente-orozco/call-to-revolution-and-table-of-universal-brotherhood-science-labor-and-art-1931

"Call to Revolution and Table of Universal Brotherhood" by José Clemente Orozco is a powerful mural that embodies the struggles and unity of laborers, scientists, and artists against oppression. The artwork’s dynamic composition and vivid colors are reflective of Orozco’s profound commitment to social themes and revolutionary ideals that aimed to incite change.

José Clemente Orozco @joseclementeorozco.bsky.social · 1d

Study for Dive Bomber and Tank http://www.moma.org/collection/works/114838

Latin American and Caribbean Fund through gift of Mr. and Mrs. David Rockefeller and of Agnes Gund; and Richard S. Zeisler Bequest (by exchange)

José Clemente Orozco @joseclementeorozco.bsky.social · 1d

The Franciscans https://www.wikiart.org/en/jose-clemente-orozco/the-franciscans-1926

"The Franciscans" by José Clemente Orozco portrays a dramatic, emotional scene of a friar tenderly embracing an emaciated figure, symbolizing compassion and human suffering. Created with Orozco’s signature bold lines and earthy tones, the painting reflects the deep social concerns and humanitarian themes prevalent in his work.

José Clemente Orozco @joseclementeorozco.bsky.social · 1d

Mexican Peasants Working (Maguayes y nopales) http://www.moma.org/collection/works/69581

Gift of Abby Aldrich Rockefeller

José Clemente Orozco @joseclementeorozco.bsky.social · 2d

Panel 4. Aztec Warriors - The Epic of American Civilization https://www.wikiart.org/en/jose-clemente-orozco/panel-4-aztec-warriors-the-epic-of-american-civilization-1934

"Panel 4. Aztec Warriors" from José Clemente Orozco's collection "The Epic of American Civilization" depicts robust and stoic figures adorned in traditional Aztec attire, emphasizing themes of power and heritage. Orozco's bold use of color and dynamic composition captures the essence of pre-Columbian civilization while evoking a sense of monumental history and resistance.

José Clemente Orozco @joseclementeorozco.bsky.social · 2d

La Bandera https://collections.artsmia.org/art/42002/

Orozco published this print as part of a series, "Mexico in Revolution" to supplement his income while living in New York. This series was originally entitled "Horrores de la Revolución" (Horrors of the Revolution). However, he chose to rename the suite and select less violent images for his New York audience. La Bandera (The Flag) illustrates Orozco's contempt for war. Instead of romanticizing the Mexican Revolution's glorious moments, he dwells on its devastating emotional and psychological impact. Orozco's Mexico is not a triumphant, unified nation; rather it is a land of people struggling to survive in the shadow of violence and oppression. In both prints, Orozco depicts anonymous, timeless figures burdened by crippling grief. His roughly sketched lines and heavy shading reinforce the universal feelings of isolation and agony. While his subject is the Mexican Revolution, Orozco's depictions of human suffering transcend national, political, and temporal boundaries.

José Clemente Orozco @joseclementeorozco.bsky.social · 2d

Panel 3. Ancient Human Sacrifice - The Epic of American Civilization https://www.wikiart.org/en/jose-clemente-orozco/panel-3-ancient-human-sacrifice-the-epic-of-american-civilization-1934

"Panel 3. Ancient Human Sacrifice - The Epic of American Civilization" by José Clemente Orozco depicts a dramatic and intense scene of ritualized violence, capturing the somber rituals of ancient civilizations. This powerful mural, part of a larger series at Dartmouth College, underscores Orozco's critique of humanity's historical obsession with violence and power.

José Clemente Orozco @joseclementeorozco.bsky.social · 3d

Rear Guard (La Retaguardia) http://www.moma.org/collection/works/77128

Gift of Abby Aldrich Rockefeller

José Clemente Orozco @joseclementeorozco.bsky.social · 3d

La retaguardia https://collections.artsmia.org/art/42011/

In José Clemente Orozco's "La Retaguardia," a group of figures is depicted moving forward, enveloped in dynamic strokes and shadows, highlighting themes of struggle and social movement. The artwork reflects Orozco's powerful approach to capturing the complexities and emotions of the human condition prevalent in early 20th-century Mexican society.

José Clemente Orozco @joseclementeorozco.bsky.social · 3d

Call to Revolution and Table of Universal Brotherhood (Struggle in the Occident) https://www.wikiart.org/en/jose-clemente-orozco/call-to-revolution-and-table-of-universal-brotherhood-struggle-in-the-occident-1931

"Call to Revolution and Table of Universal Brotherhood (Struggle in the Occident)" by José Clemente Orozco depicts the tumultuous and unifying forces of revolution through bold imagery that includes diverse figures, rising weapons, and luminous backgrounds. This mural captures the essence of political struggle and the quest for fraternity, characteristic of Orozco's commitment to social justice and reform.

José Clemente Orozco @joseclementeorozco.bsky.social · 4d

The Masses http://www.moma.org/collection/works/61486

Inter-American Fund

José Clemente Orozco @joseclementeorozco.bsky.social · 4d

Man of Fire https://www.wikiart.org/en/jose-clemente-orozco/man-of-fire-1939

"Man of Fire," located in the Hospicio Cabañas in Guadalajara, Mexico, is a powerful fresco by José Clemente Orozco, celebrated for its dynamic depiction of human struggle and transformation. The central figure, engulfed in flames, symbolizes rebirth and the enduring spirit of resistance, showcasing Orozco's mastery of dramatic compositions and social commentary.

José Clemente Orozco @joseclementeorozco.bsky.social · 4d

Prometheus https://www.wikiart.org/en/jose-clemente-orozco/prometheus-1930

José Clemente Orozco's "Prometheus" mural, created in 1930, depicts the mythological figure in a dramatic pose as he brings fire to humanity, symbolizing enlightenment and defiance against divine power. Characterized by a dynamic composition and bold use of color, the artwork reflects Orozco's critical engagement with themes of revolution and human struggle.

José Clemente Orozco @joseclementeorozco.bsky.social · 4d

Mexican Woman (Mujer mexicana) http://www.moma.org/collection/works/62845

Inter-American Fund

José Clemente Orozco @joseclementeorozco.bsky.social · 5d

Hands (Manos) http://www.moma.org/collection/works/62818

Inter-American Fund

José Clemente Orozco @joseclementeorozco.bsky.social · 5d

Ruined House (Casa arruinada) http://www.moma.org/collection/works/62897

Inter-American Fund

José Clemente Orozco @joseclementeorozco.bsky.social · 6d

Study for Dive Bomber and Tank http://www.moma.org/collection/works/114839

Latin American and Caribbean Fund through gift of Mr. and Mrs. David Rockefeller and of Agnes Gund; and Richard S. Zeisler Bequest (by exchange)

José Clemente Orozco @joseclementeorozco.bsky.social · 6d

The Maguey http://www.moma.org/collection/works/77126

Gift of Abby Aldrich Rockefeller

José Clemente Orozco @joseclementeorozco.bsky.social · 6d

La Conquete https://www.wikiart.org/en/jose-clemente-orozco/la-conquete

"La Conquete" by José Clemente Orozco vividly depicts the intense and tumultuous clash between industrial progress and human suffering, characterized by the imposing figure of a robotic conqueror and the turmoil of bodies beneath. This artwork highlights Orozco's critical perspective on the dehumanizing effects of technological advancement during the 20th century, using dynamic forms and somber hues to convey a powerful narrative.

José Clemente Orozco @joseclementeorozco.bsky.social · 7d

Winter https://www.wikiart.org/en/jose-clemente-orozco/winter-1932

"Winter," a piece by José Clemente Orozco, vividly captures the somber and introspective mood of urban life, as individuals bundled in heavy coats navigate the cold through a barren cityscape. This artwork reflects Orozco's expressionist style, underscoring the isolation and mechanization of modern society.

José Clemente Orozco @joseclementeorozco.bsky.social · 7d

Panel 2. Snake and Spears - The Epic of American Civilization https://www.wikiart.org/en/jose-clemente-orozco/panel-2-snake-and-spears-the-epic-of-american-civilization-1934

This artwork, part of José Clemente Orozco's "The Epic of American Civilization," depicts a vibrant red snake amidst dynamic blue spears, symbolizing tension and conflict. Pulsating with energy, the mural reflects Orozco's exploration of American history, culture, and the duality of creation and destruction.

José Clemente Orozco @joseclementeorozco.bsky.social · 7d

Call to Revolution and Table of Universal Brotherhood (Table of Universal Brotherhood) https://www.wikiart.org/en/jose-clemente-orozco/call-to-revolution-and-table-of-universal-brotherhood-table-of-universal-brotherhood-1931

"Call to Revolution and Table of Universal Brotherhood" by José Clemente Orozco depicts a diverse gathering of people from different cultures, symbolizing unity and solidarity across humanity. Painted with Orozco's characteristic bold style, the work is a poignant reflection on the ideals of revolution and universal fraternity.

José Clemente Orozco @joseclementeorozco.bsky.social · 8d

La Acechanza https://www.wikiart.org/en/jose-clemente-orozco/the-poor-1926

In "La Acechanza," José Clemente Orozco depicts a vivid scene highlighting the tension and conflict intrinsic to revolutionary Mexico, capturing stark contrasts in expressions and attire among the figures. This mural, part of Orozco's profound exploration of social and political themes, reveals a deep critique of oppression and power dynamics with his distinctive, powerful style.