David Moloney. Publisher, editor, writer, blogger.
greatnewsforallreaders.com
greatnewsforallreaders.substack.com
dwrandomised.com
dltbooks.com
@lizbethmyles.bsky.social Where We Stand, Where We Fall: The Politics of Doctor Who (March) tinyurl.com/2fjt279x
@lillcrawf.co.uk The Mind of the Doctor: Across the Neurodiverse Universe of Doctor Who (May) tinyurl.com/w5wcph68
Covers by Daryl Joyce.
#DoctorWho
@lizbethmyles.bsky.social Where We Stand, Where We Fall: The Politics of Doctor Who (March) tinyurl.com/2fjt279x
@lillcrawf.co.uk The Mind of the Doctor: Across the Neurodiverse Universe of Doctor Who (May) tinyurl.com/w5wcph68
Covers by Daryl Joyce.
#DoctorWho
Watch the stars!
Watch the stars!
The artist was Mario Capaldi, a regular on the cult supernatural thriller comic intended for girls, and which ran for two years between 1978 and 1980.
The artist was Mario Capaldi, a regular on the cult supernatural thriller comic intended for girls, and which ran for two years between 1978 and 1980.
Curiously, one of a tiny number of W&C covers from the comic’s first 16 years not to include an image of Sid’s pet snake Slippy.
Curiously, one of a tiny number of W&C covers from the comic’s first 16 years not to include an image of Sid’s pet snake Slippy.
I’ll post some of the covers and contents over the next few days.
I’ll post some of the covers and contents over the next few days.
t.co/zuByo5Ga2B
t.co/zuByo5Ga2B
One of telly’s greatest monster designs in close-up on the front of one of history’s greatest comics makes for a superb cover. Aged 9, I loved Doctor Who, I loved DWW, and Zygons scared the Y-fronts off me. A true classic.
One of telly’s greatest monster designs in close-up on the front of one of history’s greatest comics makes for a superb cover. Aged 9, I loved Doctor Who, I loved DWW, and Zygons scared the Y-fronts off me. A true classic.
Shameless promotion of its own wares by DC Thomson here. Biffo the Bear's strip is just an extended advert. But who cares? It’s good-looking art by David Sutherland, and it's always fun to see in-strip references to newsagents and printers.
Shameless promotion of its own wares by DC Thomson here. Biffo the Bear's strip is just an extended advert. But who cares? It’s good-looking art by David Sutherland, and it's always fun to see in-strip references to newsagents and printers.
Here’s a rather age-stained Eagle from my collection (art by Carlos Cruz). It had merged with the longer running Tiger comic earlier in the year as IPC’s roster of boys’ comic titles reduced in line with a gradually declining market.
Here’s a rather age-stained Eagle from my collection (art by Carlos Cruz). It had merged with the longer running Tiger comic earlier in the year as IPC’s roster of boys’ comic titles reduced in line with a gradually declining market.
Urban neglect, community strength, mindfulness and chocolate.
www.dwrandomised.com/post/home-is-where-the-hurt-is
Urban neglect, community strength, mindfulness and chocolate.
www.dwrandomised.com/post/home-is-where-the-hurt-is
The jokes in Snooper were based as much on the character having an enormous hooter as on the nosiness it denoted. Making fun of physical characteristics was common in 70s comics, certainly more than in kids’ comics books and cartoons today.
The jokes in Snooper were based as much on the character having an enormous hooter as on the nosiness it denoted. Making fun of physical characteristics was common in 70s comics, certainly more than in kids’ comics books and cartoons today.
A dwrandomised take on The Mind Robber and The Runaway Bride. Thoughts on each story, and connections between the two. #DoctorWho
New blog post: www.dwrandomised.com/post/walk-into-my-parlour
A dwrandomised take on The Mind Robber and The Runaway Bride. Thoughts on each story, and connections between the two. #DoctorWho
New blog post: www.dwrandomised.com/post/walk-into-my-parlour
Here’s another legendary cover from British comics history, as artist Dave Gibbons introduces us to genetic infantryman Rogue Trooper.
Here’s another legendary cover from British comics history, as artist Dave Gibbons introduces us to genetic infantryman Rogue Trooper.
Whoopee! is the comic I most wish I’d read regularly as a kid. It had so many great characters who still make me SNORT! SNIGGER! CHUCKLE! today, at the grand old age of CREAK! GROAN!
Including Bumpkin Billionaires, drawn here by Jimmy Hansen.
Whoopee! is the comic I most wish I’d read regularly as a kid. It had so many great characters who still make me SNORT! SNIGGER! CHUCKLE! today, at the grand old age of CREAK! GROAN!
Including Bumpkin Billionaires, drawn here by Jimmy Hansen.
Spellbound ran for just 15 months in the mid-1970s, offering tales of magic and wonder for girls. Normal Lee’s cover for #50 features some of the most popular strips: Marina, Supercats, Damian Darke and Miss Hatherleigh of Cremond Castle.
Spellbound ran for just 15 months in the mid-1970s, offering tales of magic and wonder for girls. Normal Lee’s cover for #50 features some of the most popular strips: Marina, Supercats, Damian Darke and Miss Hatherleigh of Cremond Castle.
Yvonne Hutton’s Roy of the Rovers covers rank alongside the very best examples of British comic art. She had a gift for capturing the athleticism, excitement and atmosphere of a top football game.
Yvonne Hutton’s Roy of the Rovers covers rank alongside the very best examples of British comic art. She had a gift for capturing the athleticism, excitement and atmosphere of a top football game.
Here’s a fun Barney Bulldog cover by Bill Ritchie. Barney is actually the dog whose paw is seen exiting stage right, not the angry pooch. It’s a great design: that block-type Sparky title gives the cover the look of a bill poster.
Here’s a fun Barney Bulldog cover by Bill Ritchie. Barney is actually the dog whose paw is seen exiting stage right, not the angry pooch. It’s a great design: that block-type Sparky title gives the cover the look of a bill poster.
Was this the most progressive children’s comic cover of 1985?
Was this the most progressive children’s comic cover of 1985?