Looking at the aftermath of the streaming wars, the pivot away from streaming, and whether Netflix will ever truly be chill with theatres.
WATCH: youtu.be/NCu69O30iPk?...
Studios can’t keep writing blank cheques for these arthouse auteurs like Shawn Levy to make their personal passion projects that audiences don’t want to see.
We need to be more careful about the movies we greenlight.
Studios can’t keep writing blank cheques for these arthouse auteurs like Shawn Levy to make their personal passion projects that audiences don’t want to see.
We need to be more careful about the movies we greenlight.
So much of the book is crossovers - “The King in Black” to “The Last Annihilation” to “The Hellfire Gala” to “Judgment Day” to “Sins of Sinister.”
(Storm and the Brotherhood #1.)
So much of the book is crossovers - “The King in Black” to “The Last Annihilation” to “The Hellfire Gala” to “Judgment Day” to “Sins of Sinister.”
(Storm and the Brotherhood #1.)
I love that from the very first cover, the post-Hickman era of Krakoa is, textually, about a vacant leadership - actors clumsily scrambling to control an unravelling narrative.
(Immortal X-Men #1.)
I love that from the very first cover, the post-Hickman era of Krakoa is, textually, about a vacant leadership - actors clumsily scrambling to control an unravelling narrative.
(Immortal X-Men #1.)
The best new release is "Wake Up Dead Man." The weakest of Rian Johnson's "Knives Out" trilogy, trading righteous anger for exhaustion, it's still a fun and compelling watch.
The best new release is "Wake Up Dead Man." The weakest of Rian Johnson's "Knives Out" trilogy, trading righteous anger for exhaustion, it's still a fun and compelling watch.
www.vox.com/life/470517/...
www.vox.com/life/470517/...
A claustrophobic, suffocating, overwhelming of motherhood and the boxes in which one is placed.
A claustrophobic, suffocating, overwhelming of motherhood and the boxes in which one is placed.
“Sure, our world may be screwed, but at least there’s an afterlife that is just as chaotic awaiting us!”
A charming, funny, sentimental, sincere good old-fashioned classical romantic melodrama, about how love is perhaps found in the kindness of attention and care as much as in epic sweeping narratives.
It is extremely “Darren” coded.
“Sure, our world may be screwed, but at least there’s an afterlife that is just as chaotic awaiting us!”
A charming, funny, sentimental, sincere good old-fashioned classical romantic melodrama, about how love is perhaps found in the kindness of attention and care as much as in epic sweeping narratives.
It is extremely “Darren” coded.
A charming, funny, sentimental, sincere good old-fashioned classical romantic melodrama, about how love is perhaps found in the kindness of attention and care as much as in epic sweeping narratives.
It is extremely “Darren” coded.
“Barbie” is actually the baseline of quality you should expect from an IP-driven blockbuster, not an outlier.
“Barbie” is actually the baseline of quality you should expect from an IP-driven blockbuster, not an outlier.
This is just standard revisionist storytelling. It’s pretty straightforward.
This is just standard revisionist storytelling. It’s pretty straightforward.
As with “Knives Out” and “Glass Onion”, the charm has an appealing jagged edge, a palpable anger at the state of contemporary America.
This time, though, it seems more exhausted than animated.
As with “Knives Out” and “Glass Onion”, the charm has an appealing jagged edge, a palpable anger at the state of contemporary America.
This time, though, it seems more exhausted than animated.
Wrote some quick thoughts down on the bus home.
First up, “Now You See Me: Now You Don’t”, which seems to have been how most of the cast interacted.
boxd.it/bLU1P3
Wrote some quick thoughts down on the bus home.
First up, “Now You See Me: Now You Don’t”, which seems to have been how most of the cast interacted.
boxd.it/bLU1P3
Looking at the aftermath of the streaming wars, the pivot away from streaming, and whether Netflix will ever truly be chill with theatres.
WATCH: youtu.be/NCu69O30iPk?...
Looking at the aftermath of the streaming wars, the pivot away from streaming, and whether Netflix will ever truly be chill with theatres.
WATCH: youtu.be/NCu69O30iPk?...
This week's episode of The Backdrop is now available from @darrenmooney.bsky.social!
This week's episode of The Backdrop is now available from @darrenmooney.bsky.social!
A reminder of one of the golden ages of the “X-Men” line, and that period as a place that gave room to individual creators to carve out their own little sagas.
A reminder of one of the golden ages of the “X-Men” line, and that period as a place that gave room to individual creators to carve out their own little sagas.
#Sisu: Road to Revenge asks, “What if Michael Bay directed the Looney Tunes as a silent movie?”
A bloody, brutal, absurdist live action cartoon that captures the challenges of moving house.
A fun time at the pictures.
#Sisu: Road to Revenge asks, “What if Michael Bay directed the Looney Tunes as a silent movie?”
A bloody, brutal, absurdist live action cartoon that captures the challenges of moving house.
A fun time at the pictures.
www.patreon.com/posts/column...
www.patreon.com/posts/column...