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danielhuckmann.com
📷 Daniel Hückmann
@danielhuckmann.com
12K followers 2.5K following 1.9K posts
Hi, I’m The Photographer

✅ Alt Text - Photos mine except for 24-hour reposts.

🌟 Check out the great feeds on @bluesky.photography!
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📷 Daniel Hückmann @danielhuckmann.com · Feb 6
Really pleased with how the landscape photography feed over at @bluesky.photography is coming along.
Reposted by 📷 Daniel Hückmann
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#photography #iphone #snapphotography #osaka #japan
January 18, 2026 at 5:15 AM
danielhuckmann.com
Bathing in Maximalism
Voyeur-like view through a basement window into Hippo Hardware in Portland, Oregon. The foreground is partially obscured by graffiti painted on the window, forming soft, out-of-focus dark shapes and vertical streaks across the scene. Through the clearer gaps, the interior glows with warm amber light, with gentle halos around bulbs and reflective surfaces. Inside, the room is densely packed with salvaged hardware and architectural pieces. Overhead, mismatched light fixtures hang close together; metal chandeliers with curved arms, glass shades, and bare bulbs; suspended among beams, cords, and shelves. In the middle of the room, a lone white bathtub sits on the floor, its smooth enamel surface catching the light so it becomes the brightest, cleanest shape in the frame. Around it, the floor and tables are crowded with dark metal parts, boxy machines, stacked drawers and bins, and scattered tools. Along the back wall, window frames and doors lean in layers, including one panel with a simple geometric diamond pattern. The overall texture feels like a collage of glossy enamel, dusty metal, rough wood, and chipped paint; an organized chaos of reused building history. Hippo Hardware was established in 1976 and is known for selling both new and salvaged architectural hardware, lighting, plumbing fixtures, and other reclaimed building materials.
January 13, 2026 at 2:23 AM
danielhuckmann.com
Horizon
Golden, late-day sunlight breaks through a thick ceiling of storm clouds over the Pacific Ocean off the Oregon coast. The horizon line runs straight across the middle of the frame, dividing sky and sea. Above the horizon, the clouds are layered in broad, soft bands: deep slate-blue and charcoal at the top, then a brighter opening near the center where the sun is hidden behind thinner cloud. From that opening, pale yellow beams spill downward in faint vertical shafts, like translucent curtains of light. The glow spreads outward into a warm, creamy patch that fades to cooler gray-blue toward the edges of the sky. Below, the ocean is dark and textured, with small choppy waves and rippling ridges that catch occasional silvery highlights. Near the left edge, a low swell crests into a smudge of white foam. The overall mood is dramatic but calm; cool storm tones interrupted by a single, radiant window of light. These visible shafts are called crepuscular rays; alternating bands of light and shadow created when the low sun shines through gaps in clouds.
January 12, 2026 at 4:55 PM
danielhuckmann.com
Give Me Shelter
Nighttime street scene in Portland’s Montavilla neighborhood during heavy rain. The image is dim and grainy, with bright headlight glare and wet reflections. Rain falls in thick, slanted streaks that become most visible where they cross the beams, turning into a glittering curtain. The pavement shines like black glass; puddles and rough patches catching sharp white highlights. At center-left, a TriMet bus stop shelter forms a dark rectangular outline beneath a leafless street tree. The tree’s bare branches spread overhead like a dense web, each twig glistening with water. Inside the shelter, a man sits hunched forward on the bench, mostly in silhouette. The strongest light comes from the car headlights to the right, which illuminate the rain and edge-light the shelter, tracing the man’s outline and the shelter frame. A large trash can stands nearby, a black garbage bag on top slick with water. On the right, a car faces the camera, headlights flaring into soft halos through the rain. The beams spill across the street, creating a bright, jagged ribbon of reflection along the curb. Farther back, storefront lights and building shapes fade into the misty darkness. Portland’s wet season is long enough that the normal annual precipitation is about 44 inches, with much of it falling from late fall through spring.
January 11, 2026 at 1:20 AM
danielhuckmann.com
Gorge Gradient
Twilight view from the Historic Columbia River Highway in the Columbia River Gorge, looking northwest from Oregon toward Washington. The foreground is mostly in shadow: dark evergreen silhouettes rise on the left, their needle-filled branches forming jagged, lace-like edges against the sky. On the right, a closer cluster of leaves and branches is softly blurred, creating a dark vignette that frames the scene. Beyond the trees, the Columbia River curves through the middle distance like a wide ribbon of dim silver, reflecting the last light. Low ridgelines and the Washington side of the Gorge stack into layered silhouettes; near hills are deep blue-black, while farther contours fade into softer gray as the air thickens with dusk. The sky is the brightest element: a smooth gradient that shifts from warm peach and orange near the horizon to lavender and then cool blue higher up. Thin, horizontal cloud bands stretch across the upper half, like brushstrokes. The overall mood is quiet and spacious, with the river and sky providing gentle light while the forest remains a near-black outline. The Historic Columbia River Highway was constructed between 1913 and 1922 and is widely considered America’s first scenic highway; designed to showcase the Gorge’s landscapes and waterfalls, earning nicknames like “King of Roads” and “A Poem in Stone.”
January 10, 2026 at 2:16 AM
danielhuckmann.com
Golden Hour Memory
Golden-hour view along the deck of the Fivemile Butte Lookout Tower in Mt. Hood National Forest. The camera looks down a narrow wooden walkway that runs beside the lookout cab. Weathered deck boards stretch into the distance in parallel lines, and the low railing on the left, dark, rough-grained wood,creates a strong leading edge toward a corner platform with a wire-mesh guardrail. On the right, the lookout’s exterior wall fills the frame: pale trim and vertical siding, with a row of tall, multi-pane windows. The glass reflects the surrounding evergreens and the brightening sky, layering faint tree silhouettes over the darker interior. Warm sunlight rakes across the deck and window frames, creating long, soft shadows and a honeyed glow on the wood. Beyond the railing, dense conifers drop away, their tops forming an uneven green horizon against a cool, lightly clouded sky. The site was established as a Forest Service lookout in the 1920s; the current structure is a later rebuild (a flat-top R-6 style lookout), and the tower sits at about 4,627 feet elevation.
January 6, 2026 at 2:21 AM
danielhuckmann.com
Frozen Beauty
Wide winter landscape from the snowy southern flank of Mount Hood, looking south toward Mount Jefferson on the horizon. The foreground is filled with evergreen trees heavily coated in fresh snow; branches sag under thick, powdery layers that soften each needle into rounded, lumpy shapes. A smooth, unbroken blanket of snow covers the ground at the bottom edge of the frame. Beyond the trees, the land drops into a dark forested basin where low fog and cloud bands pool between ridges like pale, horizontal rivers. Mount Jefferson rises in the distance as a sharp, triangular silhouette with a broader base and a pointed summit, its slopes faintly dusted and rim-lit against the brighter sky. The scene feels very still, with the mountain sitting centered slightly left of the horizon line. The sky dominates the top half: a cold gradient from deep blue overhead to a thin, warm strip of peach and gold near the horizon, suggesting dawn or dusk. Wispy, stretched clouds form long brushstrokes across the middle of the sky, and a small bright crescent moon hangs high above the mountains. Mount Jefferson is Oregon’s second-highest peak and a Cascade stratovolcano; it’s the only major volcanic center in the U.S. part of the Cascades that hasn’t erupted in the past 10,000 years.
January 3, 2026 at 11:53 PM
danielhuckmann.com
Sun Portal
Monochrome, front-facing photo of the Portland Art Museum’s Mark Rothko Pavilion, with a single vivid element in color: a large circular sculpture in shimmering gold. The building behind it is rendered in cool grays; tall glass panels with narrow vertical mullions form a neat grid like ruled paper. Reflections and silhouettes faintly appear in the windows, including a small crowd on an upper level. The gold sculpture dominates the frame, centered like a halo. It’s a rough ring made to look like thick tree limbs bent into a circle; its surface uneven, knotted, and cracked, with short branch stubs and splintered nubs sticking out at irregular angles. The gilding catches light in bright highlights and duller, brushed patches, emphasizing the bark-like texture. Inside the ring, at ground level, a family stands at the pavilion’s revolving doors, their coats and figures small beneath the massive circle. Through the glass entry, more people are visible inside as soft, dark shapes. On the right side of the entrance, a sign reads “THE MARK ROTHKO PAVILION.” In the lower foreground, wet pavement and scattered outdoor café chairs and tables sit empty, their thin metal frames forming a low tangle of lines beneath the golden arc. Ugo Rondinone’s “the sun” (2018) is made from tree branches arranged into a ring, cast in bronze, and then gilded; installed on the pavilion’s west plaza as a signature outdoor work.
January 3, 2026 at 12:27 AM
danielhuckmann.com
Winter Union
Elevated rooftop view of Portland’s Union Station on a wet, overcast day. The station’s red, metal-tiled roofs dominate the lower half of the frame, forming a patchwork of steep triangles and ridgelines. The surfaces look slick from rain, with faint highlights along the seams and skylight panels. At the far left, the square clock tower rises above the roofline; its upper section is trimmed in dark wood and painted details, with bold white letters reading “UNION STATION” wrapped around the tower. A round clock face sits below the sign, and a flagpole tops the steep, red roof cap. Beyond the station, Old Town and downtown buildings stack into the distance in muted grays and browns. The skyline fades into low cloud and mist from an atmospheric river: edges soften, windows lose definition, and the tallest towers appear partially erased. Near center, “Big Pink” (the U.S. Bancorp Tower) is visible but dissolving into the cloud deck; its upper floors paling until the top disappears. Union Station opened on February 14, 1896, and its landmark clock tower is about 150 feet tall with a four-sided Seth Thomas clock.
January 2, 2026 at 11:32 PM
danielhuckmann.com
Viburnum farreri
Close-up of Viburnum farreri blossoms against a dark, velvety background. Three small clusters of flowers stretch across the center like a loose garland. Each bloom is tiny and star-shaped with five rounded white petals, slightly cupped, and a pinpoint center. Many flowers sit on slender, pale pink tubes, and several unopened buds are deeper pink, shaped like little beads at the tips. The blossoms in the middle are sharpest, while the cluster at the lower left and a faint cluster high in the background blur into soft bokeh, giving the image a quiet, floating feel. The surrounding branches and leaves are mostly lost to shadow, appearing only as muted brown-green smudges. Overall color is cool and subdued; white petals and blush-pink stems hovering in front of a charcoal-gray backdrop. Viburnum farreri is prized for its strong fragrance and for flowering very early; often in winter in mild climates, with pink buds opening to white blooms before the leaves appear.
January 2, 2026 at 5:44 PM
danielhuckmann.com
Choices
A quiet restaurant interior seen through a wooden partition in the foreground, which blurs into warm brown streaks along the top and right edges like a soft frame. Tall, floor-to-ceiling windows line the left wall in a grid of dark metal mullions; outside, the street looks damp and gray, with faint reflections and a yellow pedestrian crossing sign visible through the glass. Near the center, a man sits alone at a table, head tilted down in focused thought as he studies an open menu held in both hands. He has light hair and a full beard, and wears a pale, cream-colored sweatshirt. On the table are clear water glasses that catch window light, a tall glass bottle, and small dark condiment bottles; the tabletop reflects a dim sheen. The background recedes into a darker dining area with many empty chairs and tables arranged in rows. Two large white dome pendant lamps hang overhead, glowing softly, with a smaller round light behind them. A few other diners sit farther back, out of focus, contributing to a calm, contemplative mood.
January 1, 2026 at 11:17 PM
danielhuckmann.com
Temple Run
Moss-covered stone ruins known as the Stone House (often nicknamed the “Witch’s Castle”) in Portland’s Forest Park. The photo is centered on a short flight of wet concrete steps that climb toward a low, triangular stone facade. Thick green moss and lichen blanket the rocks like shaggy carpet, rounding the edges of the walls and growing in tufts along the sloped top edge. At the top of the steps, the central wall is painted with bright graffiti: a square, cartoon-like face with two spiral blue eyes, a blocky yellow-and-white forehead, and a wide red mouth. Other spray-painted marks; teal, red, orange, and black, scatter across the surrounding stones. To the left is a small square window opening with a rough stone sill; to the right is a large arched opening, dark inside, with wedge-shaped stones radiating like a fan around the curve. Ferns and damp leaves cling to the lower right wall, and the surrounding forest presses in with dark conifers and bare branches. Despite the spooky nickname, the Stone House was built in the 1930s as the Macleay Park Shelter/comfort station (restroom and related park facilities). After the 1962 Columbus Day Storm damaged it and destroyed the water line, the city chose not to repair it, and it was left to weather into the mossy ruin seen today.
December 31, 2025 at 2:14 AM
danielhuckmann.com
🎅🏻
Three friends stand under the covered entrance of Pioneer Place mall in downtown Portland, framed by dark structural columns and a deep overhang that creates a sheltered pocket from the rain. Above them, large brass letters spelling the mall’s name hang suspended near the ceiling line, catching faint light and reading as warm metallic shapes against the dim structure. Outside the overhang, the day is wet and gray; the brick sidewalk looks slick and slightly reflective, and the street beyond is damp. Two of the friends wear red-and-white Santa hats with fluffy white trim. The person at left wears a deep maroon sweater and light jeans, with a black backpack slung over their shoulders; they stand in profile, angled toward the group. In the middle, a friend wears a bright patterned holiday sweater dominated by red, with bands of white shapes and green accents; they hold a phone at chest height as if checking directions or a message while making an excited facial expression. The third friend stands with their back mostly to the camera, wearing a navy jacket, vivid red-orange pants, and a large black backpack; they face outward toward the rain like a lookout. Across the road, the background falls softly out of focus: a strip of green lawn, dark evergreen trees, and pale building walls, giving the scene a quiet, wintry feel. The image emphasizes the contrast of festive reds and knit textures against the cool, rainy city tones. Pioneer Place is a major downtown shopping center that occupies four city blocks and originally opened in 1990.
December 25, 2025 at 2:03 AM
danielhuckmann.com
Atmospheric River
Moody, symmetrical river view from the Broadway Bridge in Portland, looking straight down the Willamette toward the Fremont Bridge. The sky fills most of the frame with heavy, layered storm clouds; soft gray gradients with darker patches that look like brushed charcoal. The Fremont Bridge stretches horizontally across the middle, its pale steel structure reading as a clean, geometric outline against the dim sky. A broad tied-arch rises in a smooth half-oval above the roadway, with thin vertical hangers dropping like evenly spaced strings to the deck. Beneath the deck, darker trusswork and supports form a second, more angular band of lines and rectangles. The river below is wide and calm, a dark slate surface with faint dopples from heavy rain and smeared reflections of the sky. On both banks, the shoreline is industrial: low blocky buildings to the left, and to the right a cluster of tanks and utility structures, including a rounded dome shape. Far in the center distance, a large ship or docked vessel sits low on the water, with a crane-like silhouette rising behind it in the haze. The overall focus emphasizes the bridge’s arc and the quiet, rain-heavy atmosphere. During construction, the Fremont Bridge’s huge mid-span arch was floated into place and hydraulically lifted into position; the bridge opened in 1973 and has Oregon’s longest bridge main span at 1,255 feet.
December 24, 2025 at 5:13 AM
danielhuckmann.com
Disconnect
Photo taken from outside a downtown café window at the Starbucks by Pioneer Courthouse Square in Portland. Thick, dark metal window frames slice the view into tall rectangles, and the glass adds layered reflections of the street; blurred storefront signs, a bare-limbed tree, and passing shapes over the warm interior. Inside, amber ceiling lights and a line of tiny string lights glow against wood beams. Small white snowflake decals dot the glass. At the left table, two adults sit facing each other in profile, shoulders slightly hunched in the posture of quiet waiting. A white ceramic cup rests on the tabletop between them. Both hold smartphones low near the table edge, eyes angled down. A backpack slumps against a chair, its straps hanging like loose ribbons. On the right, another adult sits side-on, hair falling to one side, phone in hand, gaze fixed on the screen. Farther back, a hooded figure also looks down at a device. Pioneer Courthouse Square next door is often called “Portland’s Living Room” and hosts hundreds of public events each year, and this Starbucks has been part of the square since 1989.
December 23, 2025 at 12:25 AM
danielhuckmann.com
Snow Crown, Green Sea
Wide landscape view of Mount Hood, Oregon, seen from Lolo Pass. A deep, clear blue sky fills the top half of the frame, with the mountain centered like a steep, jagged pyramid. The summit and upper slopes are coated in bright snow that catches the sun, creating crisp white highlights and cool blue shadows. Dark rock ribs and cliffs cut through the snow in sharp diagonal lines, like charcoal strokes on paper. Broad snowfields sweep downward in layered curves, and a thin wisp of cloud clings to the right shoulder of the peak, softening that edge while the rest of the mountain stays sharply defined. Below the snow line, the mountain transitions into a wide band of dense evergreen forest. The trees read as a textured, velvety blanket of dark green, rolling across multiple ridgelines that step back into the distance. Along the bottom edge, closer conifers show brighter green tips and more individual needle shapes. Mount Hood is a stratovolcano; its most recent eruption was in 1865, and its upper slopes host 12 named glaciers and perennial snowfields.
December 23, 2025 at 12:17 AM
danielhuckmann.com
Jedi
Night portrait at the Oregon Country Fair’s Shady Rest campground: a person with shoulder-length, wavy hair steps from near-total darkness, holding a bright cylindrical light wand upright like a lightsaber. The rod blooms with a soft halo, throwing cool blue-gray light across their face and the draped folds of dark clothing. Their nearer arm reaches toward the camera in a dramatic “force-push” pose while the other hand grips the wand near its base; stacked bracelets at the wrist catch tiny highlights. The gaze is direct and intent, eyes rim lit by the glow. The background is a deep, velvet black with no visible surroundings, so the scene reads as a single luminous subject carved out by one light. Textures are crisp where the glow hits: glossy wand, soft flyaway strands of hair, smooth shadowed fabric; then they fall quickly to black. The composition is off center: the bright vertical bar rises along the left side while the figure’s torso angles diagonally from lower right to upper left, creating strong graphic shapes (the light’s vertical line, the triangle of the extended arm, the arc of hair). Cool-toned monochrome processing heightens the theatrical, sci-fi mood, emphasizing contrast, silhouette, and the feel of a Jedi-style stance without visible props or background text.
September 30, 2025 at 5:29 AM
Reposted by 📷 Daniel Hückmann
danielhuckmann.com
Pacific Mood Swing
Waves surge vigorously onto a rocky and rugged coastline beneath an expansive, storm-filled sky. The ocean churns in shades of deep blue, slate gray, and frothy white, creating dynamic, overlapping patterns as water collides forcefully against rocks extending into the sea. The vegetation on the rocks presents a rich, dark green hue, contrasting sharply with the cool tones of the waves. The surface of the water is textured and restless, evoking the chaotic beauty and relentless power of the Pacific Ocean during stormy weather. Along the coast, steep cliffs rise dramatically from the sea, their sheer sides displaying an array of earthy colors—dark browns, muted greens, and patches of burnt amber. The cliffs appear weathered, textured by erosion, wind, and waves over countless years, emphasizing the raw, natural power of the elements at work. Wisps of mist and fog hang low, gently drifting along these cliff faces and through the dense clusters of evergreen trees scattered along their upper reaches. These evergreens, silhouetted darkly against the foggy backdrop, lend a sense of quiet strength and resilience to the scene. Further along the horizon, coastal hills recede into layers of mist and low clouds, which soften their outlines, creating a gradual transition from solid ground to cloud-filled sky. The heavy, overcast sky above is awash in shades of soft gray, pale blue, and muted lavender, seamlessly blending with the mist below. Its dense cloud cover diffuses daylight evenly across the landscape, casting a gentle, subdued illumination that enhances the mysterious and moody atmosphere. The overall impression is one of wild, untamed natural beauty, vividly capturing the essence of a Pacific Northwest coastline caught in the midst of turbulent weather.
March 21, 2025 at 12:18 AM
danielhuckmann.com
Pacific Mood Swing
Waves surge vigorously onto a rocky and rugged coastline beneath an expansive, storm-filled sky. The ocean churns in shades of deep blue, slate gray, and frothy white, creating dynamic, overlapping patterns as water collides forcefully against rocks extending into the sea. The vegetation on the rocks presents a rich, dark green hue, contrasting sharply with the cool tones of the waves. The surface of the water is textured and restless, evoking the chaotic beauty and relentless power of the Pacific Ocean during stormy weather. Along the coast, steep cliffs rise dramatically from the sea, their sheer sides displaying an array of earthy colors—dark browns, muted greens, and patches of burnt amber. The cliffs appear weathered, textured by erosion, wind, and waves over countless years, emphasizing the raw, natural power of the elements at work. Wisps of mist and fog hang low, gently drifting along these cliff faces and through the dense clusters of evergreen trees scattered along their upper reaches. These evergreens, silhouetted darkly against the foggy backdrop, lend a sense of quiet strength and resilience to the scene. Further along the horizon, coastal hills recede into layers of mist and low clouds, which soften their outlines, creating a gradual transition from solid ground to cloud-filled sky. The heavy, overcast sky above is awash in shades of soft gray, pale blue, and muted lavender, seamlessly blending with the mist below. Its dense cloud cover diffuses daylight evenly across the landscape, casting a gentle, subdued illumination that enhances the mysterious and moody atmosphere. The overall impression is one of wild, untamed natural beauty, vividly capturing the essence of a Pacific Northwest coastline caught in the midst of turbulent weather.
March 21, 2025 at 12:18 AM
Reposted by 📷 Daniel Hückmann
danielhuckmann.com
Tempest
A stormy coastline scene reveals the Devil’s Punchbowl, a striking sandstone formation on the Oregon Coast. High above the roiling Pacific, the viewer looks down at an immense, bowl-like cavern carved into the brownish-orange sea cliffs. Two large openings along the outer edge allow waves to crash violently into the chamber, where foaming white water swirls and churns against the dark, jagged rocks below. The arch-like roof forming a partially enclosed amphitheater whose natural ceiling is weathered to shades of rust, sienna, and pale tan. The texture of the rock is irregular, bearing numerous ledges, crevices, and pockmarks that hint at centuries of relentless erosion. In the background, the ocean extends to a muted horizon where dark gray clouds hang low. The choppy seas exhibit layers of teal and steel-blue, broken by cresting whitecaps. Strong winds whip the surf into crashing sets, sending bursts of spray high into the air. A nearby offshore outcropping, shaped like a flat-topped island, juts from the turbulent waters, its base enveloped in frothy waves. The sky casts a cool, diffused light over the entire scene, lending the cliffs a subdued, slightly dampened tone. Occasional streaks of reddish color streak the sandstone, standing out in contrast to the slate-like hues of the surging sea. Along the cliffs’ upper edges, sparse tufts of coastal vegetation cling to shallow soil pockets, exhibiting subdued greens and browns. Small pockets of eroded sediment gather at the lip of the Punchbowl, forming sandy patches that glisten with moisture. Devil’s Punchbowl is believed to have formed when two adjacent sea caves collapsed, leaving behind the arched rock roof and open dome that now frames the ocean’s continual assault. During high tides or stormy weather, the interior reverberates with the pounding of waves, providing one of the Oregon Coast’s most dramatic displays of natural erosion at work.
February 28, 2025 at 7:42 PM
danielhuckmann.com
Tempest
A stormy coastline scene reveals the Devil’s Punchbowl, a striking sandstone formation on the Oregon Coast. High above the roiling Pacific, the viewer looks down at an immense, bowl-like cavern carved into the brownish-orange sea cliffs. Two large openings along the outer edge allow waves to crash violently into the chamber, where foaming white water swirls and churns against the dark, jagged rocks below. The arch-like roof forming a partially enclosed amphitheater whose natural ceiling is weathered to shades of rust, sienna, and pale tan. The texture of the rock is irregular, bearing numerous ledges, crevices, and pockmarks that hint at centuries of relentless erosion. In the background, the ocean extends to a muted horizon where dark gray clouds hang low. The choppy seas exhibit layers of teal and steel-blue, broken by cresting whitecaps. Strong winds whip the surf into crashing sets, sending bursts of spray high into the air. A nearby offshore outcropping, shaped like a flat-topped island, juts from the turbulent waters, its base enveloped in frothy waves. The sky casts a cool, diffused light over the entire scene, lending the cliffs a subdued, slightly dampened tone. Occasional streaks of reddish color streak the sandstone, standing out in contrast to the slate-like hues of the surging sea. Along the cliffs’ upper edges, sparse tufts of coastal vegetation cling to shallow soil pockets, exhibiting subdued greens and browns. Small pockets of eroded sediment gather at the lip of the Punchbowl, forming sandy patches that glisten with moisture. Devil’s Punchbowl is believed to have formed when two adjacent sea caves collapsed, leaving behind the arched rock roof and open dome that now frames the ocean’s continual assault. During high tides or stormy weather, the interior reverberates with the pounding of waves, providing one of the Oregon Coast’s most dramatic displays of natural erosion at work.
February 28, 2025 at 7:42 PM
Reposted by 📷 Daniel Hückmann
danielhuckmann.com
Really pleased with how the landscape photography feed over at @bluesky.photography is coming along.
February 6, 2025 at 10:13 AM
danielhuckmann.com
Really pleased with how the landscape photography feed over at @bluesky.photography is coming along.
February 6, 2025 at 10:13 AM
Reposted by 📷 Daniel Hückmann
danielhuckmann.com
Firs stand tall and still
Quiet hush of drifting smoke
Pebbles softly gleam
A gently flowing river curves through a valley in Mt. Rainier National Park, its stony banks flecked with small, rounded rocks and pale pebbles. Dense layers of conifer trees—likely firs and pines—line the water’s edge, their deep green needles forming a vertically textured tapestry that extends up the nearby slopes. Lower growth, including grass and shrubs, appears in soft patches of lighter green along the riverbank, creating a transitional zone between the clear, reflective stream and the towering forest canopy. The forest rises against a backdrop of hazy gray skies and faintly visible ridges. The haze, caused by a nearby wildfire, blankets the distant treetops in a soft, smoky veil, muting the outline of the higher elevations. As the terrain ascends, an overlapping series of tree silhouettes blend into one another, imparting a sense of gradual elevation. The atmosphere feels calm yet subdued, with filtered sunlight casting gentle highlights on the foliage below. Mt. Rainier National Park is known for its old-growth forests and the namesake volcanic peak, which, at 14,410 feet (4,392 meters), is the tallest mountain in the state of Washington and part of the Cascade Range. Even from a distance, the presence of such diverse woodland in a single view reflects the rich biodiversity protected within the park’s boundaries.
January 31, 2025 at 1:18 PM
danielhuckmann.com
Firs stand tall and still
Quiet hush of drifting smoke
Pebbles softly gleam
A gently flowing river curves through a valley in Mt. Rainier National Park, its stony banks flecked with small, rounded rocks and pale pebbles. Dense layers of conifer trees—likely firs and pines—line the water’s edge, their deep green needles forming a vertically textured tapestry that extends up the nearby slopes. Lower growth, including grass and shrubs, appears in soft patches of lighter green along the riverbank, creating a transitional zone between the clear, reflective stream and the towering forest canopy. The forest rises against a backdrop of hazy gray skies and faintly visible ridges. The haze, caused by a nearby wildfire, blankets the distant treetops in a soft, smoky veil, muting the outline of the higher elevations. As the terrain ascends, an overlapping series of tree silhouettes blend into one another, imparting a sense of gradual elevation. The atmosphere feels calm yet subdued, with filtered sunlight casting gentle highlights on the foliage below. Mt. Rainier National Park is known for its old-growth forests and the namesake volcanic peak, which, at 14,410 feet (4,392 meters), is the tallest mountain in the state of Washington and part of the Cascade Range. Even from a distance, the presence of such diverse woodland in a single view reflects the rich biodiversity protected within the park’s boundaries.
January 31, 2025 at 1:18 PM