It's always a good time to see Butterfield's masterpiece again; the mosaics are by Alexander Gibbs. @churchartnature.bsky.social
It's always a good time to see Butterfield's masterpiece again; the mosaics are by Alexander Gibbs. @churchartnature.bsky.social
“In the late 1890s, he developed an abscess in his inner ear. Doctors trepanned him, drilling a hole in his skull, and, ever after, he would see otherworldly things. “Sudden, overpowering, colour visions, came to Bernard at any time.”
publicdomainreview.org/collection/a...
“In the late 1890s, he developed an abscess in his inner ear. Doctors trepanned him, drilling a hole in his skull, and, ever after, he would see otherworldly things. “Sudden, overpowering, colour visions, came to Bernard at any time.”
publicdomainreview.org/collection/a...
In the collection of the British Museum. @stroudstory.bsky.social @horatioforever.bsky.social
In the collection of the British Museum. @stroudstory.bsky.social @horatioforever.bsky.social
For in Westminster cathedral, with its abundance of shimmering mosaics, we came upon this heavenly glimpse of heron-kind. @everyheron.bsky.social
For in Westminster cathedral, with its abundance of shimmering mosaics, we came upon this heavenly glimpse of heron-kind. @everyheron.bsky.social
Nearby, bronze and toffee tones combined as this Nene goose basked in the sunshine.
Nearby, bronze and toffee tones combined as this Nene goose basked in the sunshine.
On my first visit, I was dazzled by the mosaic ceilings. @churchartnature.bsky.social as well as being struck by the "unfinished" nature of much of the overhead space.
On my first visit, I was dazzled by the mosaic ceilings. @churchartnature.bsky.social as well as being struck by the "unfinished" nature of much of the overhead space.
St Andrew's, Sandford on Thames, holds this treasure; and a host of beautiful angels are gathered in this C15th limestone portrait of the Assumption of the Virgin. @stroudstory.bsky.social @roaringmeg.bsky.social
St Andrew's, Sandford on Thames, holds this treasure; and a host of beautiful angels are gathered in this C15th limestone portrait of the Assumption of the Virgin. @stroudstory.bsky.social @roaringmeg.bsky.social
Magnificent!
Magnificent!
And just as I was about to give up, there s/he was! @everyheron.bsky.social Complete with a scintillating aigrette display! @iangrebe.bsky.social
And just as I was about to give up, there s/he was! @everyheron.bsky.social Complete with a scintillating aigrette display! @iangrebe.bsky.social
One of four preliminary designs by Marx featuring an angel. Seen by the Stamp Advisory Committee on 30 October 1975, when the idea of depicting English embroidery was agreed in principle. @churchartnature.bsky.social @stroudstory.bsky.social
One of four preliminary designs by Marx featuring an angel. Seen by the Stamp Advisory Committee on 30 October 1975, when the idea of depicting English embroidery was agreed in principle. @churchartnature.bsky.social @stroudstory.bsky.social
Here, angels support a shield under a Cardinal's hat; while close by (in Convocation Court I think) I saw these angels in dramatic silhouette. @kugehouse.bsky.social @iangrebe.bsky.social
Here, angels support a shield under a Cardinal's hat; while close by (in Convocation Court I think) I saw these angels in dramatic silhouette. @kugehouse.bsky.social @iangrebe.bsky.social
What a wonderful start to my first visit. @chartresfi.bsky.social @carolineirwin3.bsky.social
What a wonderful start to my first visit. @chartresfi.bsky.social @carolineirwin3.bsky.social
But the Stamp Advisory Committee rejected the design on 13 January 1970, and it lives on only in the Archives of The Postal Museum.
By John Sutherland-Hawes.
But the Stamp Advisory Committee rejected the design on 13 January 1970, and it lives on only in the Archives of The Postal Museum.
By John Sutherland-Hawes.
I feel a fascination with the proposed stamp designs that were sent on their way by what I imagine to be the rigorous Stamp Advisory Committee.
This beautiful angel failed to please on 13 January 1970. Perhaps the blue background was too powerful? Postal Museum.
I feel a fascination with the proposed stamp designs that were sent on their way by what I imagine to be the rigorous Stamp Advisory Committee.
This beautiful angel failed to please on 13 January 1970. Perhaps the blue background was too powerful? Postal Museum.
A so-so photo, but still there's delight in the angels' fabulous blue feathers & the prominent place given to the ox in the stable. @iangrebe.bsky.social
A so-so photo, but still there's delight in the angels' fabulous blue feathers & the prominent place given to the ox in the stable. @iangrebe.bsky.social
I definitely need a return visit in 2026. Five lights, 1959. @churchartnature.bsky.social
I definitely need a return visit in 2026. Five lights, 1959. @churchartnature.bsky.social
By Francis Skeat, with heraldic shields, & St. Swithun (gift of Rev William Henry Birch Corban). Includes a handsome ship (right). @horatioforever.bsky.social
By Francis Skeat, with heraldic shields, & St. Swithun (gift of Rev William Henry Birch Corban). Includes a handsome ship (right). @horatioforever.bsky.social
Colours, texture, draperies, feathers, quarries, all heavenly. @churchartnature.bsky.social @carolineirwin3.bsky.social
Colours, texture, draperies, feathers, quarries, all heavenly. @churchartnature.bsky.social @carolineirwin3.bsky.social
Also most decorative, the sweetly iridescent Muscovy Ducks that live contentedly in the town by the River Windrush. @iangrebe.bsky.social
Also most decorative, the sweetly iridescent Muscovy Ducks that live contentedly in the town by the River Windrush. @iangrebe.bsky.social
Their tawny feathers, their sumptuous drapery, their music - all invite the living to find repose in their luminous beauty. @churchartnature.bsky.social
Their tawny feathers, their sumptuous drapery, their music - all invite the living to find repose in their luminous beauty. @churchartnature.bsky.social
Handsome Romanesque arches behind, & above the altar is a low-relief of the Madonna and Child, which was made in 1935 by Martin Travers. @horatioforever.bsky.social @thehistorymouse.bsky.social
Handsome Romanesque arches behind, & above the altar is a low-relief of the Madonna and Child, which was made in 1935 by Martin Travers. @horatioforever.bsky.social @thehistorymouse.bsky.social
John Nash saw the funny side with this Christmas card design showing carol singers and a robin, 1963. Tate Gallery. @churchartnature.bsky.social
John Nash saw the funny side with this Christmas card design showing carol singers and a robin, 1963. Tate Gallery. @churchartnature.bsky.social
Would this memorial masonry launch itself towards the centre of the Earth, sweeping me up with it?
Fortunately, the life-sized Nativity figures were on hand (or hoof) to save me! @portaspeciosa.bsky.social
Would this memorial masonry launch itself towards the centre of the Earth, sweeping me up with it?
Fortunately, the life-sized Nativity figures were on hand (or hoof) to save me! @portaspeciosa.bsky.social