Bryce Napier
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brycenapier.bsky.social
Bryce Napier
@brycenapier.bsky.social
150 followers 75 following 85 posts
Photographer and image creator since 1994, in a new phase of intimate photography that attempts to explore the depths of femininity, in all its dimensions, with empathy and humor.
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"Joie de vivre"
This was the last shot I took during my session with Sandrah. I love that a woman in her 40s decided to start jumping on the bed. I snapped it, looked at it (since you never know what you'll get in energetic poses), and said "Yup, that's the one."
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I'd absolutely have this album (the non-remix) if this was a quarter century ago, and you could reliably go into a record store and buy a new release. I had to special order Bright Magic. And The Race For Space. As it is, I haven't even heard it.
"Peeks & Valleys"
Mostly I threw this up here so I didn't forget that I thought of this title for it, which made me laugh. With Kristy Jessica (@kristyjessica.bsky.social)in Utah.

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"Panties In A Bunch"
The lovely Inna, from a shoot at a Philadelphia riverfront apartment. I love to take shots that are elegant and empowering, perhaps even insightful, but I've had fun this year with shots that acknowledge that a nude woman is also just so sexy.
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"Thermodynamism"
Not really a word, somewhat surprisingly, but an apt portmanteau. The desert is chilly as hell in the morning. In the golden glow of first light, is @kristyjessica.bsky.social absorbing the heat, or generating it? And how about you—getting warm?
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"Pistols At Dawn"
@kristyjessica.bsky.social throws some shapes at daybreak. Kristy herself is a pistol (def. 2: a notably sharp, spirited, or energetic person — Merriam-Webster); and, doubled up by her shadow, that's how we arrive at the title. Aren't I clever.

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Though I just shot with her this weekend, my mind wandered back to this composite from my previous session with @mandiimonarch.bsky.social last winter, making this part of the series revisiting my archive. If you're gonna be haunted, it may as well be like this.
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In the edit, I kept pushing toward an ethereal look, making Meghan and Astrid feel ever more celestial, but also evoking the blinding light of opening one's eyes to an over-bright scene. Those notions combined into the idea of an afterlife scenario. "I Awakened To The Welcoming Angels" was my title.
This wasn't planned in any way, and there was no concept beyond 'hey these mirrors in the ground are kind of neat.' So, in the moment, it was just experimenting; no story, nothing being explicitly expressed. While editing, though, it kind of struck me as looking upward from an open grave.
Sometimes I hate the character count, because I like to give more context, mostly for my own amusement, and between credits and hashtags, I had to even truncate the title to fit the post. So I shall do so in a short thread instead. Read on if you enjoy the demystification of the artistic progress.
"The Welcoming Angels"
Between Matisse's "The Dance" and "The VVitch" lies this disorienting image, shot looking downward into an arced mirror embedded in the earth at Sperlak Gallery in south Jersey. Featuring @astridkallsen.bsky.social and @meghanclaire.bsky.social.
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"Splash Zone"
I wouldn't generally crop my model's head out of a shot, as I have here with @ayeonnagabrielle.com, but I was focused on the interplay of water and skin. I liked this one best, but her eyes were awkwardly mid-blink. This, then, is the compromise.
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Looking forward to being part of it!
Charisma Davis lifestyle models a bright orange 60s-era Lamborghini. I've been playing with light overlays this summer, and while the in-camera version of was sensibly exposed, I wanted that bleached-out feel of a summer heathaze. Still new to this kind of editing, but think it came out pretty well.
Put me down for 1, with an assist from 2. (Or 3? However you'd number the top pair.)
An untitled shot from my early-July session with Kim Jay, the second time I’ve gotten to work with her. Her tats were never going to completely integrate with the historical environment, even in a cottagecore dress. So it was mostly just the fun of trangressing.

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"Enter the Secret Garden"
Has it been two months since I posted? There's much to share from that span I hope to get around to. Meanwhile, here's one hot off the press, shot this week with @meghanclaire.bsky.social at Sperlak, an eccentric sculpture garden in New Jersey.
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Actually gave this a couple of spins today. Musically, harmonically, I enjoyed it. Was not able to pay much attention to lyrics (I was driving), but seems like the kind of thing that smart, thoughtful lyrics could push over the edge to a strong album, while lame ones could sink it in my estimation.
New one on me. Sounds intriguing.
Big OB fan. A little odd to me as a starting point, though. Only A Lad or Good For Your Soul would be my recommendations. Or Dead Man’s Party for the popular tracks.
A b-side from this era called “The Sea Is Wide” is worth hunting down, in my opinion.
I’ve only got Different Class from them, but I did preview a couple of tracks from this and thought they were alright. In general, do you welcome new music from bands that went dormant 10 or more years prior? Seems to be happening more and more. I feel it screws up history a bit, even if it’s good.
Definitely under my radar. Sounds intriguing.
Need to solidify my criteria for this "from the vault" series, which is now on #4, or 5, or even 6, depending on which previous posts officially count. Anyway, this is Kim Jay from December of last year, maybe my most fun shoot to date (and most of them have been fun).
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Love Nick Heyward, but I don't know that I thought this was 19-year-gap-between-records good. I did get a special limited edition with bonus tracks that bolstered it a bit, but I can't help but compare it unfavorably to From Monday To Sunday and Tangled, which are amongst my favorite albums.