For the first time on vinyl, another brilliantly assembled time capsule from Death Is Not The End, capturing the buzz of Brooklyn's pirate radio culture 2014-2021 - compiled and recorded by David Goren
Short Span back with a label debut from Marija Rasa aka emer, previously seen on Stroom and here operating at the opiated intersection where classic steppers dub techno x Lolina’s frayed dubs collide
Mark Fell & Gábor Lázár The Neurobiology of Moral Decision Making (2015)
a masterclass in shearing computer hyperfunk x frequency fukkery, exploring displaced dancefloor meter and warped chromatic tone to fully futuristic effect
completely ruined by this - Mark Fell inaugurates the National Centre for Mark Fell Studies with his first solo electronic material in years; a ravishing volley of unique dance drills that call back to his deadliest SND material+++
completely ruined by this - Mark Fell inaugurates the National Centre for Mark Fell Studies with his first solo electronic material in years; a ravishing volley of unique dance drills that call back to his deadliest SND material+++
The Necks return with a new 3 hour long, triple album ‘Disquiet’ - shifting gears between ascendant kosmische blues to knotted late night jams and a widely panoramic ambient sprawl, RIYL Miles Davis, Talk Talk, Bohren, Gruppo, Alice
On 2025’s most keenly anticipated tech-noise album Blawan goes apeshit, bulldozing rhythms x panel beaten atonalities recklessly tilted between techno, proper, and the sort of rudely grotesque grindcore mutations found in his Persher project
Kevin Drumm’s definitive dose of sweltering microtonal heck, 2002, a hard reference point 20+ years later. It's masterfully disciplined, visionary music with effects analogous to Roland Kayn’s head-mangling wormholes x Merzbow’s masticated polychromatics
post-punk legend Stano -collaborator of Michael O’Shea, Roger Doyle, Colm O’Coisoig (MBV) - lends his first vox in years to spiritual brethren David Kitt (New Jackson), big one if yr on the DJ Sotofett x Wah Wah Wino 'nuuuum
Ugandan rave disruptor and “demon of the Nile” Authentically Plastic charges up a mean 2nd LP of cranky cyberdub and sinuous Kongo tekno for the inimitable Hakuna Kulala - RIYL Slikback, Crystallmess, Nkisi 🔥
Éliane Radigue’s momentous first composition for an acoustic instrument, recorded in 2006 with cellist Charles Curtis, embracing the elusive ‘wolf tone’ - the inherent, natural acoustic instability in string instruments that produces howling vibrations
Al Wootton’s Trule host a truly outstanding session of needlepoint techno steppers dub by Đ.K. - absolutely required listening for fans of Muslimgauze, Shackleton, Raime, Carrier
