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blakes7bot.torpidity.net
Blakes7Bot
@blakes7bot.torpidity.net
490 followers 170 following 6.8K posts
Dialogue, with pics, and sometimes videos automatically posted from Blakes 7. Script search: http://blake.torpidity.net/s. Twitter and Threads: @blakes7bot. Mastodon: @[email protected]
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blakes7bot.torpidity.net
Series D, Episode 08 - Games

DAYNA: Well no, but Soolin's right though, Servalan will be more worried about the mining, the stuff they're digging up now, won't she?
GERREN: Unfortunately, they're not digging up anything much. There's virtually no feldon left. Belkov's milked this… (1/2)
Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the 1980s based on the visual style and production quality. The actor Josette Simon is featured in an elaborate costume that suggests a regal or warrior character. She wears ornate golden armor with studded brown leather elements and multiple gold neck rings that create a striking collar effect. Her makeup includes dramatic eye definition, and she has a short, neat hairstyle. The setting appears to be some kind of palatial or ceremonial space, with a white stone statue or sculpture visible in the soft-focus background. The costume design combines metallic and leather textures with African-inspired jewelry elements, creating a distinctive futuristic aesthetic. Simon's expression is direct and commanding, befitting what seems to be a position of authority or power within the narrative" Blakes7Bot, version 4.0.35. Claude Sonnet 4.5 AWS Lambda version: 1.22.
January 23, 2026 at 7:32 PM
blakes7bot.torpidity.net
Series D, Episode 05 - Animals

DAYNA: Right, out.
SLAVE: I'm sorry to bother you, sir.
TARRANT: Yes, what is it?
SLAVE: I had detected federation pursuit ships.
TARRANT: Dayna, respond please. Dayna, can you hear me?. Slave, check for malfunction.

https://blake.torpidity.net/m/405/8
Claude Sonnet 4 describes the image as: "This image shows a professional headshot or scene featuring someone in what appears to be a futuristic or science fiction setting. The person is wearing a distinctive uniform with a high collar that has white and burgundy trim details, suggesting this is from a sci-fi television production. The uniform has a sleek, military or space-service aesthetic typical of science fiction shows. The background appears to be an indoor setting with some greenery visible, possibly a ship's quarters or office space. The lighting and image quality suggest this is from a television production, likely from the 1980s or 1990s based on the visual style. The costume design and setting indicate this is probably from a space-based science fiction series." Blakes7Bot, version 4.0.35. Claude Sonnet 4 AWS Lambda version: 1.22.
January 23, 2026 at 4:30 PM
blakes7bot.torpidity.net
Series D, Episode 13 - Blake

ARLEN: I won it in a lottery. What do you care?
BLAKE: I don't, so long as it wasn't issued to you.
ARLEN: It's Federation.
BLAKE: That's what I mean.
ARLEN: Do I look like one of theirs?

https://blake.torpidity.net/m/413/40
Claude Sonnet 4.5 describes the image as: "This image captures a dramatic forest scene with an atmospheric, misty quality. The setting features tall trees creating a somewhat ethereal backdrop, with soft, diffused lighting filtering through the fog or haze. The forest floor is covered with natural debris and fallen needles, giving it an authentic woodland appearance. The central figure stands among the trees wearing period costume consisting of a white billowing shirt with a brown leather or suede vest over it. The outfit suggests a historical or fantasy setting, possibly from a television production or film from the 1970s or 1980s based on the image quality and styling. The vest appears to have decorative studs or embellishments on the shoulders. The actor holds what appears to be a small object in their hands and gazes upward with an expression of wonder or concern" Blakes7Bot, version 4.0.35. Claude Sonnet 4.5 AWS Lambda version: 1.22.
January 23, 2026 at 1:27 PM
blakes7bot.torpidity.net
Series D, Episode 12 - Warlord

ZUKAN: No, no, you're on Betafarl.
ZEEONA: [V.O.] I was teleported back to the base, father.
ZUKAN: No, no, you were seen on Betafarl.
AVON: [V.O.] That was Soolin. You are murdering your own daughter, Zukan,

https://blake.torpidity.net/m/412/444
January 23, 2026 at 10:24 AM
blakes7bot.torpidity.net
#Blakes7 Series C, Episode 13 - Terminal

ZEN: Confirmed.
[Teleport room. Dayna and Cally are playing a board game. Vila is kibitzing.]
VILA: That was it! Go on, you've got her! What are you waiting for?
DAYNA: Well, I'm not sure. It's risky.

https://blake.torpidity.net/m/313/7
Claude Sonnet 4.5 describes the image as: "# Image Description This image shows a large, spherical celestial body or planet rendered in a 3D space environment. The sphere has a brown, mottled surface with various textures suggesting terrain features like craters or geographical variations. Small colored objects - appearing to be yellow/gold cubes or markers - are scattered across the surface of the sphere, with what looks like a blue object visible near the top. The sphere is positioned in what appears to be a dark space setting with geometric black structural elements (possibly beams or grid lines) visible in the background. At the bottom of the frame, there are interface elements including what appears to be a color palette or control panel showing colored squares (blue, red, yellow, and other colors) and a small minimap or reference image in the lower right corner" Blakes7Bot, version 4.0.35. Claude Sonnet 4.5 AWS Lambda version: 1.22.
January 23, 2026 at 7:22 AM
blakes7bot.torpidity.net
Series A, Episode 04 - Time Squad

AVON: No, but they weren't planning on coming back. All the instruments are set for landing. There's nothing for take off.
BLAKE: There'd be no point in going back. The world they left would be dead years ago.

https://blake.torpidity.net/m/104/234
Claude Haiku 4.5 describes the image as: "# Cockpit Scene from Blakes 7 This image shows three actors in the cramped cockpit of a spacecraft, depicting a tense moment during the classic British science fiction series. The setting is the interior of a starship, with control panels and technical equipment visible in the background. The men are dressed in utilitarian flight suits appropriate to the show's aesthetic. The scene captures the characteristic low-budget production design of 1970s British television science fiction, with practical set construction and period lighting. The three figures are positioned closely together in the confined space, suggesting an urgent or dramatic moment in the narrative. Their body language and positioning indicate they are focused on operating the vessel or responding to an emergency situation" Blakes7Bot, version 4.0.35. Claude Haiku 4.5 AWS Lambda version: 1.22.
January 22, 2026 at 10:38 PM
blakes7bot.torpidity.net
Series B, Episode 01 - Redemption

ZEN: Confirmed.
ALTA ONE: You will now walk towards the main hatch. Move. [Blake, Avon, and Jenna exit followed by guards. Orac whirs and Alta One walks over and looks at it]

https://blake.torpidity.net/m/201/374
January 22, 2026 at 7:36 PM
blakes7bot.torpidity.net
Decent article about B7. It does resort to the tired trope of "wobbly sets" though. It's always sci-fi shows that get this treatment. No-one ever mentions Fawlty Towers, where the sets moved like the Tacoma Bridge.
How Blake's 7 was massively ahead of its time when it first aired – and why it fits perfectly in the modern TV landscape
Decades before TV embraced anti-heroes, moral grey areas and brutal endings, Blake’s 7 was already rewriting the rules.
www.radiotimes.com
January 22, 2026 at 5:58 PM
blakes7bot.torpidity.net
Series A, Episode 10 - Breakdown

AVON: Say goodbye to one bolt hole.
BLAKE: That's not funny, Avon.
AVON: It wasn't meant to be.
ZEN: Pursuit ships are turning.
BLAKE: You know what to do.
AVON: Zen, increase speed to Standard by Eight.

https://blake.torpidity.net/m/110/581
Claude Sonnet 3.7 describes the image as: "This image appears to be from the classic British science fiction television series "Blake's 7." The scene is set in what looks like a spaceship control room or bridge, with futuristic design elements typical of the show's distinctive visual style. The image features performers in costume wearing the characteristic styling of the series. The person in the foreground is wearing a distinctive outfit with padded shoulders and a gray and black uniform with geometric detailing. Two other figures can be seen in the background within the set's angular, technological environment. The production has a retro sci-fi aesthetic typical of television programs from the late 1970s/early 1980s, with practical set design and costumes that reflect the budget and production values of British television from that era." Blakes7Bot, version 4.0.35. Claude Sonnet 3.7 AWS Lambda version: 1.22.
January 22, 2026 at 4:33 PM
blakes7bot.torpidity.net
Series B, Episode 03 - Weapon

RASHEL: Perhaps that creature drove the people away.
COSER: I doubt it. Raw materials ran out more like.
RASHEL: Perhaps that was the only one.
COSER: Perhaps, perhaps! Just get on with it, will you?!

https://blake.torpidity.net/m/203/397
Claude Sonnet 4.5 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the 1970s based on the aesthetic and production design. Two actors are seated at opposite ends of a white table in what looks like a futuristic or institutional setting with dark walls and metallic paneling. The setting features modernist furniture including black office chairs and a white work surface. On the table are various props including what appears to be technical equipment and small objects scattered across the surface. The room has a stark, utilitarian appearance with ribbed metallic wall panels and a generally austere atmosphere. Both performers are wearing dark clothing and appear to be in character during a dramatic scene" Blakes7Bot, version 4.0.35. Claude Sonnet 4.5 AWS Lambda version: 1.22.
January 22, 2026 at 1:31 PM
blakes7bot.torpidity.net
Series A, Episode 04 - Time Squad

AVON: Equalize the lower hold pressure.
GAN: Equalized.
AVON: Open the main locks.
[Exterior. View of Liberator hold opening]

https://blake.torpidity.net/m/104/160
January 22, 2026 at 10:28 AM
blakes7bot.torpidity.net
#Blakes7 Series C, Episode 02 - Powerplay

ZEE: That's not allowed, I'm afraid.
BARR: Zee and I have work to do.

https://blake.torpidity.net/m/302/388
January 22, 2026 at 7:26 AM
blakes7bot.torpidity.net
Series A, Episode 13 - Orac

BLAKE: You all right?
AVON: Ah, yes. I, I just felt a little dizzy, that's all.
BLAKE: My point is there's something we're missing in all this.

https://blake.torpidity.net/m/113/3
Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a classic science fiction television production, likely from the British series "Blake's 7." The setting features a futuristic interior with distinctive colored panels visible in the background. Two people are engaged in conversation across a white table or console. The person on the left wears a dark sweater with patterned sleeves, while the person on the right is dressed in a striped outfit with distinctive styling typical of sci-fi costuming from that era. The right figure appears to be gesturing while speaking, suggesting they're making a point in their discussion. The image has the characteristic visual quality of television productions from the late 1970s or early 1980s, with distinctive lighting and set design that was common for science fiction shows of that period." Blakes7Bot, version 4.0.34. Claude Sonnet 3.7 AWS Lambda version: 1.22.
January 21, 2026 at 9:01 PM
blakes7bot.torpidity.net
Series D, Episode 07 - Assassin

AVON: Again.
TARRANT: Nothing. There's no response at all.
AVON: Try the auxiliaries.
TARRANT: Nothing there either.
SOOLIN: But there must be. The life support systems are working perfectly.

https://blake.torpidity.net/m/407/373
Claude Sonnet 4 describes the image as: "This image shows a scene from the British science fiction series "Blake's 7," set in the futuristic interior of the spacecraft Liberator. In the foreground, a man in a grey uniform with curly dark hair embraces a blonde woman in a sparkly, sequined top. The woman appears distressed, burying her face against him in an emotional moment. The setting has the show's characteristic high-tech aesthetic with metallic surfaces, hexagonal wall panels, and ambient lighting typical of the Liberator's interior design. In the background, two other figures observe the scene - another blonde woman and a man dressed in a distinctive black leather outfit with ornate silver studs and buckles" Blakes7Bot, version 4.0.34. Claude Sonnet 4 AWS Lambda version: 1.22.
January 21, 2026 at 4:38 PM
blakes7bot.torpidity.net
Series C, Episode 02 - Powerplay

VILA: My mind?
LOM: You were talking to yourself in different voices.

https://blake.torpidity.net/m/302/84
January 21, 2026 at 1:36 PM
blakes7bot.torpidity.net
Series C, Episode 03 - Volcano

VILA: Because we can't.
[Flight deck]
AVON: Zen, flight status?
ZEN: The energy banks still require two minutes before power will be available to make navigation speed.
AVON: We'll be dead by then

https://blake.torpidity.net/m/303/622
Claude Sonnet 4.5 describes the image as: "This appears to be a scene from the British science fiction television series "Blake's 7." The setting is inside what looks like a spaceship interior, with characteristic 1970s/80s sci-fi production design visible in the background, including control panels and curved architectural elements. Four characters are gathered in conversation. On the left is a figure in a blue-grey uniform with curly hair. Next to them stands someone wearing an elaborate brown studded leather costume with a white collar, displaying a more theatrical, period-influenced design. In the center-back is a character in a striking white and pink outfit with a high collar. On the right is someone in a cream-colored tunic with a belt. The character in the ornate brown costume appears to be holding or presenting some kind of transparent case or container to the person in cream" Blakes7Bot, version 4.0.34. Claude Sonnet 4.5 AWS Lambda version: 1.22.
January 21, 2026 at 10:33 AM
blakes7bot.torpidity.net
#Blakes7 Series C, Episode 04 - Dawn of the Gods

VILA: Wonderful. There's nothing wrong with the Liberator, therefore we must have imagined those alarms going off.
TARRANT: Orac, a small problem for you. What is the possiblity of a directional control fault arising on the Liberator… (1/2)
Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the series "Blake's 7" based on the distinctive set design. The scene takes place in what looks like a futuristic spacecraft interior with geometric wall panels and control consoles. The setting features three people in a control room or flight deck. On the left is a person wearing a loose orange/tan shirt with dark trim. In the center background, someone in a blue outfit is standing at what appears to be a control station. On the right, a person with curly hair dressed in a light-colored outfit with a patterned front is operating what looks like a computer terminal. The foreground shows a transparent case or container with some items inside, suggesting this might be part of a plot point in the episode" Blakes7Bot, version 4.0.34. Claude Sonnet 3.7 AWS Lambda version: 1.22.
January 21, 2026 at 7:31 AM
blakes7bot.torpidity.net
#Blakes7 Series C, Episode 04 - Dawn of the Gods

VILA: Wonderful. There's nothing wrong with the Liberator, therefore we must have imagined those alarms going off.
TARRANT: Orac, a small problem for you. What is the possiblity of a directional control fault arising on the Liberator… (1/2)
Claude Sonnet 3.7 describes the image as: "This image shows a scene from what appears to be a science fiction television production, likely from the series "Blake's 7" based on the distinctive set design. The scene takes place in what looks like a futuristic spacecraft interior with geometric wall panels and control consoles. The setting features three people in a control room or flight deck. On the left is a person wearing a loose orange/tan shirt with dark trim. In the center background, someone in a blue outfit is standing at what appears to be a control station. On the right, a person with curly hair dressed in a light-colored outfit with a patterned front is operating what looks like a computer terminal. The foreground shows a transparent case or container with some items inside, suggesting this might be part of a plot point in the episode" Blakes7Bot, version 4.0.34. Claude Sonnet 3.7 AWS Lambda version: 1.22.
January 21, 2026 at 7:31 AM
blakes7bot.torpidity.net
Series D, Episode 03 - Traitor

QUUTE: Clever. Yes that would have made a mess of things. Is the scheme feasible?
IGIN: No, not at the moment. The water is still too high, We should have to tunnel over 300 metres.

https://blake.torpidity.net/m/403/8
January 20, 2026 at 10:50 PM
blakes7bot.torpidity.net
Series A, Episode 03 - Cygnus Alpha

BLAKE: And we can't hold out much longer. That's certain.
VILA: And they'll be getting reinforcements.

https://blake.torpidity.net/m/103/547
Claude Haiku 4.5 describes the image as: "# Scene Description This image appears to be from a science fiction television production, showing three men in what looks like an underground or industrial setting with dark, weathered walls in the background. The lighting is dim and atmospheric, creating a tense mood typical of dramatic sci-fi programming. The three actors are positioned closely together, engaged in what appears to be an intense conversation or confrontation. Their costumes consist of practical, utilitarian clothing appropriate to a space-faring or survival scenario. The man on the left wears a jacket with red accents, the central figure is dressed in earth tones, and the figure on the right wears a vest over a light-colored shirt. The production quality and film stock suggest this is from a television series produced in the 1970s or early 1980s" Blakes7Bot, version 4.0.34. Claude Haiku 4.5 AWS Lambda version: 1.22.
January 20, 2026 at 10:36 PM
blakes7bot.torpidity.net
Series D, Episode 07 - Assassin

DAYNA: Well, aren't you going to tell us what happened? Vila's very worried. He wants to know what became of that sweet little girl.
SOOLIN: Vila, all sweet things have one thing in common: a tendency to make you sick.

https://blake.torpidity.net/m/407/540
Claude Sonnet 4.5 describes the image as: "This image appears to be from the British science fiction television series "Blake's 7," which aired from 1978-1981. The scene is set in what looks like a futuristic spacecraft interior with distinctive ribbed metallic walls and sleek, modernist design elements typical of the show's aesthetic. The setting features the characteristic production design of the series, with its clean lines and utilitarian sci-fi environment. In the background, you can see the signature curved, corrugated wall panels that were a hallmark of the Liberator spacecraft sets. The actors are wearing the show's distinctive costumes - form-fitting uniforms with geometric patterns and trim. One costume is predominantly white with dark accents, while the other is a darker color scheme with light-colored detailing at the shoulders and neckline" Blakes7Bot, version 4.0.34. Claude Sonnet 4.5 AWS Lambda version: 1.22.
January 20, 2026 at 7:46 PM
blakes7bot.torpidity.net
Series D, Episode 07 - Assassin

SOOLIN: See for yourself [they look] He's shut down life support. [Red emergency lighting come on]
[Hold - Piri kneels by Nebrox's body]
AVON: Presumably, wherever he is, he has some kind of breathing apparatus.

https://blake.torpidity.net/m/407/416
January 20, 2026 at 4:43 PM
blakes7bot.torpidity.net
Series C, Episode 05 - The Harvest of Kairos

DASTOR: The Liberator, madam. Tele-sentry stations report an approach course for Lypterion. Tarrant is coming here.
SERVALAN: I know that. When will he arrive?

https://blake.torpidity.net/m/305/173
Claude Sonnet 3.7 describes the image as: "This image appears to be a black and white scene from a science fiction television production, likely from the 1960s or 1970s based on the set design and styling. The scene takes place in what looks like a futuristic interior with smooth, minimalist walls and curved design elements. The image shows three individuals in a stark, modernist space. On the left is a person in a form-fitting white outfit with an unusual transparent collar or shoulder detail. In the center stands someone wearing a dark formal suit. On the right is a person dressed in a light-colored jumpsuit or uniform with distinctive padded shoulders or arm details. The set design features a clean, retrofuturistic aesthetic typical of science fiction productions from that era, with rounded furniture and sleek wall panels creating a sterile, futuristic environment." Blakes7Bot, version 4.0.34. Claude Sonnet 3.7 AWS Lambda version: 1.22.
January 20, 2026 at 1:40 PM
blakes7bot.torpidity.net
Series A, Episode 10 - Breakdown

KAYN: Oh, yes, sorry. One thing I will say for the Federation, when they decide to do a thing, they do it. [Blake and Kayn exit.]
VILA: I didn't like the sound of that much.
AVON: One of the many faces of neutrality.

https://blake.torpidity.net/m/110/395
Claude Sonnet 4.5 describes the image as: "This image shows a scene from the British science fiction television series "Blake's 7," which aired from 1978 to 1981. The setting appears to be the flight deck of the spacecraft Liberator, characterized by its distinctive retro-futuristic design with dark walls, geometric light panels, and console stations featuring colorful buttons and controls. Two crew members are seated at the control stations. On the left is Michael Keating, wearing a brown and burgundy leather jacket, and on the right is Paul Darrow in a black vest over a grey shirt. Both actors are focused on operating the ship's controls, their hands positioned over the illuminated console panels with their characteristic green and multicolored button arrays. The set design reflects the aesthetic of late 1970s science fiction television, with its angular architecture and practical lighting effects" Blakes7Bot, version 4.0.34. Claude Sonnet 4.5 AWS Lambda version: 1.22.
January 20, 2026 at 10:38 AM
blakes7bot.torpidity.net
#Blakes7 Series D, Episode 07 - Assassin

AVON: And reduce our chances of finding Cancer by a third. Out of the question.
SOOLIN: Why don't we lock her in here?
TARRANT: He got out of the hold, he can get into it.

https://blake.torpidity.net/m/407/426
Claude Sonnet 4 describes the image as: "This image appears to be from a science fiction television production, showing two characters in what looks like a spacecraft or futuristic control room setting. The scene has dramatic lighting with green and blue tones that create an atmospheric, otherworldly ambiance. One character wears a distinctive black leather outfit with metallic studs or decorative elements, giving them an authoritative, possibly villainous appearance. The other character has blonde, curly hair and appears to be wearing dark clothing as well. The setting includes what appears to be control panels or technological equipment in the background, consistent with a space-based or futuristic storyline" Blakes7Bot, version 4.0.34. Claude Sonnet 4 AWS Lambda version: 1.22.
January 20, 2026 at 7:35 AM