ArtReview
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The independent critical voice in contemporary art since 1949. Sign up to our newsletter: https://artreview.com/newsletters/ Shop: https://shop.artreview.com
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artreview.bsky.social
The Autumn issue of ArtReview Asia is out now! Featuring Araya Rasdjarmrearnsook, Lakshmi Nivas Collective, Pushpakanthan Pakkiyarajah; Singapore’s 60th anniversary; wuxia literature; Victorian naturalism; and more artreview.com/artreview-as...
ArtReview Asia Autumn 2025 Issue Out Now
Featuring Araya Rasdjarmrearnsook, Lakshmi Nivas Collective, Pushpakanthan Pakkiyarajah; Singapore’s 60th anniversary; wuxia literature; Victorian naturalism; and more
artreview.com
artreview.bsky.social
The artist’s ‘sphere music’ at Chisenhale Gallery argues for a more spectral understanding of our existence. What are we actually listening for?
artreview.com/grant-mooney...
The Displacement of Grant Mooney | ArtReview
The artist’s ‘sphere music’ on show now at Chisenhale Gallery
artreview.com
artreview.bsky.social
From our networks: Minor Attractions returns to London 14–18 October 2025

For its third edition at The Mandrake, the fair is back bigger and more diverse than ever — doubling in size with 70+ international galleries and a week-long programme.

Free and open to all → RSVP at minorattractions.com
Reposted by ArtReview
alexanderleissle.bsky.social
A gorgeous new poem by Ralf Webb is out now: ‘Girls, I thought, understand / The attitudes of animals in motion. / Girls could reveal the nature of happy horses’ artreview.com/two-horses-a...
‘Two Horses’: A Poem by Ralf Webb
‘Girls, I thought, understand / The attitudes of animals in motion. / Girls could reveal the nature of happy horses’
artreview.com
artreview.bsky.social
Last year, the artist staged an adaptation of Othello. Now she returns to the Venetian general with ‘Soft You’, expanding on the play’s ideas of identity, perception and fear
artreview.com/anthea-hamil...
Review: Soft You by Anthea Hamilton at Fondazione Memmo, Rome | ArtReview
Anthea Hamilton’s new exhibition is on view in Rome until 2 November
artreview.com