Victoria Moul
victoriamoul.bsky.social
Victoria Moul
@victoriamoul.bsky.social

Critic, scholar, translator and poet in Paris. Recent reviews in the TLS and The Friday Poem. Most recent books from CUP & Palgrave. Poems in various places. Weekly substack on poetry & translation https://vamoul.substack.com/ https://www.victoriamoul.com .. more

History 41%
Philosophy 24%

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A little bonus post about translating poetry for this Monday afternoon, a copy of a piece written originally for Marginalia Review of Books. There’ll be a longer piece on Thursday as usual.
In the translator's workshop: a poem from the "Subhāsitaratnakosha"
A brief extra piece to start this week: this is a copy of an essay commissioned last year for the ‘in the translator’s workshop’ feature in Marginalia Review of Books. It discusses my translation of a...
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I was reading Frog and Toad to our youngest just last night. I didn't grow up with these books at all but one of my PhD students passed a set on to me years ago when our older children were small. They are charming and very beautifully written.
"Frog, are you the speaker of your poem?" asked Toad
Toad sipped his tea. “Frog,” he asked, “are you making this up?”

“Maybe yes and maybe no,” said Frog.

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"Frog, are you the speaker of your poem?" asked Toad
Toad sipped his tea. “Frog,” he asked, “are you making this up?”

“Maybe yes and maybe no,” said Frog.

This week I have written about Crabbe, Lowestoft and authenticity in contemporary narrative verse. (And a bit about soft play centres, which Crabbe would certainly have included in The Borough had they existed in 1800.)
The freckled flower upon the flinty base: whither the narrative poem?
We spent the week after Christmas in north-east Suffolk, where my mother lives.
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New edition of Peter Didsbury's "new and collected poems" this April. I am very excited. Poetry's best kept secret.

www.bloodaxebooks.com/ecs/product/...
Scenes from a Long Sleep | Bloodaxe Books
www.bloodaxebooks.com

A third Christmas poem, while we’re still in the season.
A Christmas poem, no. 3
Today’s Christmas poem is ‘A Christmas Carol’ by G.
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A seasonal post about Jonson’s Christmas masque, performed at this time of year in 1616/1617.
Did Ben Jonson invent Father Christmas?
Christmas his Masque
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Up today, the first in a short series of favourite Christmas poems. Merry Christmas everyone!
A Christmas poem, no. 1
Over the Christmas break, I’m sending out several brief messages with Christmas poems I particularly like, starting today with a poem I’ve been saving since the summer: Janet Lewis’s ‘A Lullaby’:
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My grandfather who died before I was born was Anglo-Indian but after he moved to London after the First World War he pretended not to be in order to “pass” and told people he was “Welsh” instead. I actually believed it as my Dad had told me it too until I saw a picture of him!

Only books I have ever binned rather than giving them away!
Every time there's a breaking story about a celeb's treatment of women, everyone in the book world asks, "Is it finally Walliams?" Well, it finally is.
Exclusive: David Walliams dropped by publisher over inappropriate behaviour towards women
Telegraph investigation into best-selling children’s author uncovers claims that he ‘harassed’ junior female employees at Harper Collins
www.telegraph.co.uk

A seasonal piece today on the different ways of writing a Christmas poem in early modern England.
How to write a Christmas poem in early modern England
Tracking trends in poetry
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It would be a pleasure!

All of which just to say that I think what you are doing is unusual and v. impressive. I think a lot of poets who publish regularly in magazines consciously aim for a mix of online and print now, to balance out the pros and cons.

And of course print magazines also pop up and disappear very regularly and I think most people submitting understand that a new magazine might only last a few issues (vs Poetry Magazine, or PNR or whatever with a professional outfit and huge archives).

A lot of online magazine are also not "really" online publications in the impressive way that yours are -- I mean they are really just hosting a pdf or have quite clunky websites with awkward navigation. (The latter true of even some quite high profile ones, naming no names.)

I think most people publishing online are fairly realistic about this though -- an online link is much more easily shareable and will probably get read much more but in most cases won't last that long. A lot of online magazines also review submissions and reply more quickly.

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My Mum always reminisces at Christmas about Christmas trees covered in real candles.

The running of the deer: celebrating Christmas in 1644
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This week I have written about William Harvey and the circulation of the blood in the poetry of the 1660s. Not expecting a massive flood of readers for this one.
The heart of man, what Art can e're reveal?
Actually about dissecting hearts, sorry about that.
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We did *all* the Latin (and Greek) verse in parallel text which hadn't been done before. I think we only got away with it because we had a very junior editor and John Drury, a senior clergyman, just kept saying politely "but I think we must have it all" and she coudn't work out how to say no!

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This weeks episode of The Poems We Made Along The Way is with the wonderful Gillian Allnutt whose book Lode has been shortlisted for this years T.S. Eliot Prize.

Check it out wherever good podcasts can be found.

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Read my louche sex poem and much more besides in the new Little Review.

Actually the Penguin Herbert I did a few years ago was half parallel text as well but it’s very unusual now.