Taedis The Librarian
@taedis.bsky.social
650 followers 730 following 1.3K posts
Metaphysical engineer (ok, writer) and curator of the Size Library and Museum (SLaM). Posts will range from rated G to X, so if you're under 18, please don't follow. I'm bigender. They/them.
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Reposted by Taedis The Librarian
solomong.bsky.social
Canadian Uncanny Tales also placed a tiny woman on the cover sometimes. Pictured here is the July 1942 issue.
Cover to July 1942 of Canadian publication Uncanny Tales which shows a tiny woman in a glass flask while a scientist heats up the flask.
taedis.bsky.social
I'm just as surprised. The more I dig, the more of this sort of thing I find. There is so much Size thirst just simmering under the surface, but it only seems to boil over in a few of us.
taedis.bsky.social
That last skeet was a bit of a downer, so I'm going to end this thread with a giant topless lady centaur leaping tall buildings in a single bound.

I love you all. Have a great week.

Vald'es 1930 04/10 Le Sourire
taedis.bsky.social
Kouliamine was a regular column in Le Sourire for years. She rarely touched on Size and I can't read French, but I find myself drawn to her. She was once read by thousands and now she doesn't even come up on a Google search. There is so much in the Size community that feels as ephemeral as she was.
taedis.bsky.social
"Well, he had a point. 'Course he carried it a bit too far. He thought that every windmill was a giant. That's insane. But, thinking that they might be, well ..."

I don't think the 1971 film that made that quote was referring to this 1935 illustration, but I can't rule it out.
taedis.bsky.social
Suz. Meunier is one of the finest artists to submit to Le Sourire. Sadly, I haven't come across much of their Size work. Here's a cutie coming out of her shell.

1932 03/24 Le Sourire
taedis.bsky.social
These #shrunkenwomen by Sacha Zaliouk date from 1924-1929.
taedis.bsky.social
A sweeter (and better clothed) example of Size.

Pierre Simon 1939 01/28 Le Sourire
taedis.bsky.social
Pem has other Size content and quiet a bit of gorgeous non-Size work in the pages of Le Sourire. I'm going to force myself to stop this love letter to Pem (but not this thread) with this fun little #giantwoman piece from 1933.
taedis.bsky.social
I wonder what this gentleman is admiring on that #tinywoman.

Pem, 1932.
taedis.bsky.social
I know that I could have four images a skeet and get through Pem a whole hell of a lot faster. You're just going to have to deal with me highlighting each of these.

1931 again.
taedis.bsky.social
"We had designers back then."

We're up to 1931 at this point. Still on Pem.
taedis.bsky.social
Dammit, 1928. Why do you have to be so Size thirsty.

Thank you, Pem.
taedis.bsky.social
#shrunkenwomen as bookends are a well-trod trope. This isn't even the first time they've come up in this thread.
taedis.bsky.social
I do have to admit a preference for his giant women, but I have to give his #shrunkenwomen love too.

1926
taedis.bsky.social
I have posted these before, but couldn't do an overview of Size in Le Sourire without revisiting these.

1926
taedis.bsky.social
I can't begin to tell you how much I love Pem's work. He's one of my favorite Size creators. Finding his work was worth the deep dive through Le Sourire.

Do you believe this kinky masterpiece hails from a hundred years ago?
Reposted by Taedis The Librarian
solomong.bsky.social
Today's Halloween recommendations are "Uncanny Tales." They had a number of covers with size themes. Confusingly, there were a few different series, in Canada and the U.S., called Uncanny Tales. Shown here is the May 1940 issue from Chicago.
#Sizesky
Image is the May 1940 cover of Uncanny Tales. It shows a man threatening two tiny women with a hypodermic needle. This publication was based out of Chicago.
taedis.bsky.social
M. Pepin 1923 and 1925 Le Sourire
taedis.bsky.social
Lorenzi 1932 04/14 Le Sourire
taedis.bsky.social
Leo Fontan samples from 1928-32.
taedis.bsky.social
Jaquelux 1925 03/26 Le Sourire
taedis.bsky.social
Jaquelux 1925 and 1929 Le Sourire
taedis.bsky.social
J. Leclerc

Le Sourire Oct, 1930
taedis.bsky.social
Henry Sebastian was noted for his crowded pieces that fit more giant women per page than any other artist I've come across. The following examples (from 1932-1935) are some of his less crowded work.