Mekong Review
@mekongreview.com
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A quarterly magazine of arts, literature, culture, politics, the environment and society in Asia, written by people from the region or those who know it well. Subscribe: https://mekongreview.com/subscribe/ Newsletter: https://bit.ly/mekongreviewweekly
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Please run, don’t walk!

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kirstenhan.com
I don't want to give too much away but the upcoming @mekongreview.com cover (and the whole issue) is absolutely 🔥🔥🔥

So if you haven't subscribed to our magazine yet, you should right now: mekongreview.com/subscribe

We're compiling the mailing list for this issue TODAY so this is your last chance!
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We're compiling our mailing list for the next issue on 13 October—if you'd like your subscription to start with the November 2025 issue, remember to subscribe to Mekong Review before this weekend! (And remember our discount code!)

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Dina Zaman brings a lot from her past to Malayland, but she’s also firm in looking forward and seeking the humanness in Malaysia’s obsession for categories and othering.

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Malayness
By Rowena Abdul Razak Dina Zaman’s Malayland emerged from the pandemic, motivated by questions about what makes Malays tick in the twenty-first century—what drives their politics, beliefs, desires and fears. Across seven chapters, she takes us 
through the interviews and interactions she’s had, 
either personally or through IMAN Research, the think-tank she founded. Her range is impressive: from the rural to the urban, from different social, political and academic backgrounds. Although her book is readable and familiar, quite “come close and let me share with you, okay?”, it’s packed with information, research and academic rigour. What makes the work even more potent is that 
she puts herself under the spotlight too. Malayland is as much a personal quest for identity as it is a community’s. Another important thread is the role of Islam—how it has helped Malays, whether it has made them progress or regress, if it’s a thing to celebrate or fear. As Dina discovers, it really depends who you ask. Everyone has their own unique experience and approach, but everything becomes hazy when you look at things collectively. Read more on
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We're turning 10 soon! To celebrate, we're sharing a discount code, valid until the end of November. If you want your subscription to start with the November 2025 issue (our 10th anniversary issue!), remember to subscribe by 10 October, before we compile our mailing list!

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Thank you for reading!
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luke-buckmaster.bsky.social
Just read the very good article about scam compounds in Myanmar. Lots of interesting stuff in this edition.
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It’s August, which means a new issue of Mekong Review 🥳

In this issue: young K-pop stans in Myanmar join resistance efforts, the contestation of Indonesia’s history, an interview with Saigon Soul Revival… and more!

Order online: ko-fi.com/s/a3e8a4c60d
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caitlinmccaffrie.bsky.social
“Even when there’s no reason to believe things will improve, we can’t help but cling to this diminishing hope"

Poignant piece from @mono24.bsky.social in @mekongreview.com on Cambodia's golden age of journalism, feat. Mech Dara, Kann Vicheika and Phuong Vantha:

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Memories of a golden age - Mekong Review
In the face of funding cuts and growing oppression, Cambodian reporters cling on to hope through memories of a golden age of journalism
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mekongreview.com
A rare comic on Mekong Review! This comic by Juliette Yu-Ming Lizeray was produced as part of our partnership with RMIT University's nonfiction/lab, responding to the prompt 'hope in the everyday'.

Read it here: mekongreview.com/fli...

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In the face of funding cuts and growing oppression, Cambodian reporters cling on to hope through memories of a golden age of journalism.

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Memories of a golden age

By Sokummono Khan As conversations grow heavy, many journalists turn to their “golden age”—a mental refuge. Mech Dara recalls the competition and urgency between the Cambodia Daily and the Phnom Penh Post. Sovann Sreypich, who began her journalism career in earnest at CamboJA in late 2021, feels she “wasn’t born early enough” to witness a golden age but remembers what it used to be like: “I saw people consuming news like drinking bottled water—they had choices and they read and listened with pride… but during my time, covering court cases and social activism has become less confrontational compared to the older generation. I didn’t witness the boldness and raw courage when journalism felt powerful.” The idea of a golden age allows us to tell a story, even if it’s just to ourselves. 

For me, talking about them means searching for ‘Trey Visay’—a compass—to reclaim meaningful values and understand where we want to go. While it may not be historically precise, it carries emotional truth. If we want to do the right thing, to preserve a vestige of hope, we need to follow Trey Visay, pointing us to a golden age that we must believe could come again. Read more on
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Half an hour to closing time and this is all we’ve got left at the booth 🥰🥰🥰
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kirstenhan.com
I love introducing people to Mekong Review and I especially love seeing people buy the magazine (or, even better, subscriptions) so drop by lyf Farrer Park today before 8pm if you’re in Singapore!
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Here at lyf Farrer Park running a booth in support of the launch of Mynah Magazine’s latest issue!

If you’re in Singapore, drop by before 8pm to pick up a copy of our magazine or get access to an event-exclusive discount for subscriptions!
mekongreview.com
Here at lyf Farrer Park running a booth in support of the launch of Mynah Magazine’s latest issue!

If you’re in Singapore, drop by before 8pm to pick up a copy of our magazine or get access to an event-exclusive discount for subscriptions!
Reposted by Mekong Review
sophiebeach.bsky.social
The world may be falling apart but I just sat 50 feet from Yo-Yo Ma and Angelique Kidjo as they performed songs from all over the world including Once in a Lifetime by the Talking Heads 😍
Cellist Yo-Yo Ma and singer Angelique Kidjo perform on stage in colorful attire
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😔😔😔
morrbeat.bsky.social
Just heard that one of the few remaining Australia-wide mainstream outlets for arts reviews (specifically film, books, television and music) will be dumping their review pages from next month. Can't say I'm surprised (there's been pressure to axe them for a long time), but it'll still be a huge loss
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In a world that often overlooks the power of young people online, fan communities have emerged as an unseen engine of revolution in Myanmar.

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kirstenhan.com
In a moment of inspiration I hauled out all the copies of @mekongreview.com at home and did a new inventory, which means our online store is now fully updated: ko-fi.com/mekongreview...
Visit Mekong Review's Shop!
I've opened a shop. Come take a look!
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savevoa.bsky.social
On: @mekongreview.com:
This August will mark 70 years of VOA Khmer. But in March, the Service stopped its broadcast. The gutting of USAGM, which funds VOA, has brought many projects to a screeching halt.
Memories of a golden age - Mekong Review
In the face of funding cuts and growing oppression, Cambodian reporters cling on to hope through memories of a golden age of journalism
mekongreview.com
Reposted by Mekong Review
lareviewofbooks.bsky.social
“How does a communist guerilla in one of the Cold War’s forgotten battlefields regain his footing at the end of history?” Darren Wan reviews "Delicious Hunger" by Hai Fan and "State of Emergency" by Jeremy Tiang. https://lareviewofbooks.org/article/emergency-unending/
mekongreview.com
"...the moment darker aspects of its past are discussed, Indonesia retreats like a wounded animal into a world of myopia and amnesia."

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In the company of ghosts
by Leong Kar Yen Like any young postcolonial nation, Indonesia has spent much of its existence as a sovereign state trying to carve an image it can show the world in all its power and glory. But the moment darker aspects of its past are discussed, Indonesia retreats like a wounded animal into a world of myopia and amnesia. In the Southeast Asian context, notions of ‘reconciliation’ and ‘coming to terms’ are often tantamount to forgetting. It’s as if each successive administration hopes that the perpetrators of state violence will grow old, die and disappear without anyone noticing. It’s so much more convenient this way: the state will not only be able to evade responsibility but also leave the door open to reviving old scapegoats or finding new ones. I suppose that’s why they seem happy to keep the wandering spirits exactly where they are, ready to be weaponised for political expedience. Read more on
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Subscribe to keep us going!
mekongreview.com
It’s August, which means a new issue of Mekong Review 🥳

In this issue: young K-pop stans in Myanmar join resistance efforts, the contestation of Indonesia’s history, an interview with Saigon Soul Revival… and more!

Order online: ko-fi.com/s/a3e8a4c60d