Jonathan Goldsbie
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goldsbie.bsky.social
Jonathan Goldsbie
@goldsbie.bsky.social
8.6K followers 180 following 530 posts
Mastodon didn't feel right, and hanging out on Twitter felt like trying to enjoy a beach vacation in a country with an increasingly spotty rights record.
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At a press conference this afternoon, Attorney General Doug Downey said they want to move away from requiring "evergreen leases, that just go on with no end in sight":
Oh shoot, I hadn't even gotten to the part of this *same bill* that would ban cities from "reducing the number of motor vehicle lanes when installing new bicycle lanes." bsky.app/profile/camb...
Some bad bike news stuff in that too (on page 18)
That was my initial reading, but I suspect it might be more creatively devious, in that they want landlords to have the option to offer fixed-term leases up front (which would pretty quickly become the standard for any new tenancy).
In particular, they want leases to no longer necessarily remain in effect indefinitely, so that landlords have more options for creating tenant turnover.

Current situation in left-hand column, proposal on the right:
The Ford government has announced plans to shred a bunch of tenant protections: news.ontario.ca/assets/files... (pdf, see p. 13-15)
Like the end of Roger Ebert's review of Last Night:
Wasn't his own daughter a member of the company as recently as last year? I guess he figures she's not coming back?
The lower third reads as though written by an innumerate Mario:
(It's arguably more cautious than the position taken by the government, which, for example, is now offering travel advice for "Israel and Palestine" instead of for "Israel, the West Bank and the Gaza Strip" travel.gc.ca/destinations...)
I would describe the divergence from the previous guidance as: subtle.
In light of Canada's recognition, The Canadian Press has revised its guidance on the use of "Palestine":
Wait, is this the first PTA film since There Will Be Blood to *not* get a 70mm engagement within the borders of the City of Toronto?
Correction: Marshall has in fact held tenure at U of T since July 2013.

(h/t to @fleischmarket.bsky.social for bringing to my attention the fact that associate professors are generally tenured.)
Look, it was a wild thing for a (non-tenured) professor to tweet, regardless of the context. But context does matter!

Like, this headline is almost certainly just wrong:
Reposted by Jonathan Goldsbie
During the post-screening Q&A at The Road Between Us, the crowd drowned out moderator Lisa Laflamme with boos when she mentioned 64,000 Palestinian deaths. Avrich says it's not a political film, but that response says all you need. #tiff50
Reposted by Jonathan Goldsbie
I don't know exactly what is happening here, and maybe the site is experiencing a really unfortunate error, but this subheading could use some revision.
The hearing on the injunction request is set for courtroom 7-5 at 330 University Avenue at 10:00 tomorrow morning, and I suspect it will be more compelling than anything playing at the festival in the same time slot.
Reposted by Jonathan Goldsbie
Vulture @vulture.com · Sep 10
Linda Schuyler, the co-creator of ‘Degrassi,’ is suing to stop the TIFF world premiere of the documentary ‘Degrassi: Whatever It Takes.’ She has denied allegations in the film about child actors not being paid fairly.
Degrassi’s Co-Creator Doesn’t Want Us to See the Degrassi Documentary
Linda Schuyler, the co-creator of ‘Degrassi,’ is suing to stop the TIFF world premiere of the documentary ‘Degrassi: Whatever It Takes.’ She has denied allegations in the film about child actors not being paid fairly.
www.vulture.com
Reposted by Jonathan Goldsbie
I have to say, I was not expecting a relatively candid admission that the film “just didn’t make the cut” in the first instance and that
Avrich was able to demand a second look, explicitly resulting in the CEO overriding the programming staff.
I'm guessing that "I think there’s real merit in the story being seen" is how TIFF rationalizes many of its more dubious film selections. (It's notable that blurbs for films in the Galas lineup never include a programmer's name.)
Who's the "journalist" Bailey alludes to whom the filmmakers have invited to moderate the Q&A? (And since when do filmmakers get to pick who moderates the Q&A?)
(Confoundingly, Shore isn't mentioned in the movie, either.)
Counterintuitively, the report was actually Ottawa-centric.