DK Latta
@dklatta.bsky.social
66 followers 65 following 490 posts
I write sometimes: F/SF/H/Myst &, when I can, superheroes! Tweets a mix of self-promotion, pop cultural musings, whimsy, politics. Older than I used to be. http://www.pulpanddagger.com/dk_latta.html https://www.amazon.ca/s?k=dk+latta&crid=3MO9V7TS40KDB&spr
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Probably shouldn't say but...God, I needed this; us little writers don't expect fame/fortune, but thrive on the crumbs of kind words :)
"What I particularly love about it is how Latta fits such carefully drawn characters and so much subtle emotion into a very action-packed short story." ~M. Haskins
I'm also thinking of time where I'll be watching a movie/TV with characters behaving in an archetypal way and I'll ask someone from that group if it reflects their experience. They'll say "No" but they assume *they* must be unusual
But...maybe they aren't. Maybe the cliché is wrong
lol
An example: High School. Read a story where a teen groused ALL HSs are the same w/ the jocks, sluts, etc. The ALL bugs me, the author imposing a definitive reality. HS dramas depict cliques: mean girls, bullies throwing nerds into lockers. I don't dispute that's an experience. But it wasn't mine.1/3
In the talk of room for diversity in fiction (ie: not white/West/male) there's a diversity I don't see addressed much. A diversity of experience/POV.
How stories flatten lives into a single dominant archetype.
And whether many of us are too scared to point it out (for fear of looking the freak)? 1/4
I think it depends a lot on the media/genre; kids shows have often striven to be racially diverse but tapered off as the target audience aged. And it can backslide: US TV was more diverse in the 1970s then it was in the 1980s! Tho my point is less ethnic divers and more social experiences.
But that's my point: my experiences were as legitimate as anyone else's. We can argue the cliched archetypes make better drama/comedy: that's why they get locked in. But it's the "ALL" that gets me, the "if this isn't your experience you don't count" mentality imposed by reiterated clichés. 3/3
I don't recall bullies in the halls; I was barely aware of jocks/cheerleaders, certainly not some ruling elite. I prob hung out w/ "nerds" (drama club, high achievers) but we weren't bullied/bullied anyone else. Maybe it was the school/neighbourhood, or maybe it was happening but not on my radar 2/3
An example: High School. Read a story where a teen groused ALL HSs are the same w/ the jocks, sluts, etc. The ALL bugs me, the author imposing a definitive reality. HS dramas depict cliques: mean girls, bullies throwing nerds into lockers. I don't dispute that's an experience. But it wasn't mine.1/3
In the talk of room for diversity in fiction (ie: not white/West/male) there's a diversity I don't see addressed much. A diversity of experience/POV.
How stories flatten lives into a single dominant archetype.
And whether many of us are too scared to point it out (for fear of looking the freak)? 1/4
I think it can reflect laziness: a storyteller (and their editor) settling on a comfortable "normal" archetype that they borrow from other stories rather than run the risk of their characters being called out as unrealistic or atypical! The "norm" might very well be real...but is it ubiquitous? 4/4
Men must like sports
Teetotalers=recovering alcoholics
High Schools are divided into cliques
Etc. These may seem frivolous but it's about imposing a "norm" that may or may not conform to reality. And if it doesn't reflect your experience you keep your mouth shut for fear of seeimg weird. 3/4
So often I'll read a story/watch a movie and I'm just begging - begging! - the characters too be a little quirky, a little individulatistic, "atypical" in some way. But too often characters are written to conform to entrenched dominant archetypes.
But are writers imposing a false reality? 2/4
In the talk of room for diversity in fiction (ie: not white/West/male) there's a diversity I don't see addressed much. A diversity of experience/POV.
How stories flatten lives into a single dominant archetype.
And whether many of us are too scared to point it out (for fear of looking the freak)? 1/4
My late brother's spooky epic ballad (put to music n sung by Meaghan Smith ftr: Sean McCann)

"Oak Island clasps her secret close,
The Mary Celeste calls home
Where Glooscap walks
And Combers Know
That he doesn't walk alone...

www.youtube.com/watch?v=MhWO...
The Legend Of Murray's Light (poem by Jeffrey Blair Latta, performed by Meaghan Smith & Sean McCann)
YouTube video by Allyson Latta
www.youtube.com
I wrote a poem (not my usual métier) and was gonna post it here for fun, because I lack confidence and doubt I could find a home for it in a mag or webzine (since, as noted: not usually a poem writer). But then thought: should I submit it somewhere? Dunno.
..a hole of sadness and regret inside, a man who's outlived all 4 of his parents and must make his own moral choices. A man of noble virtues and ideals...but also plays childish pranks and has an "establishment twang*" (*OK, that's if I write a thread on the Bronze Age)? 19/19
Which sounds like a real (messy) person? A well-adjusted All-American Supes imbued with pure heartland values who, even as an adult, needs his parents to provide moral guidance? Or a guy shaped by a mixed ethnic background, superficially happy but with...18/
..survivor's guilt being perhaps an impetus to his heroics as much as Batman avenging his parents' murder. Which is maybe a good point to finish on (for now): that the desire to define these characters as pure archetypes can rob them of the maturity fans want the genre to have. 17/
A final thing to consider is that while Supes of this era seemed fairly chipper there was an inherent sadness and melancholy to him: twice orphaned and with wistful nostalgia for a world that no longer existed (he, literally, couldn't go home again)with...16/
..the whole: is he Supes pretending to be Clark or Clark pretending to be Supes? The short answer (tho deserving its own thread) is the era I'm discussing here he was mostly Supes pretending to be Clark...but with more of Clark in his identity that even he always acknowledged. 15/
..but the idea that Supes saw himself as both Krytponian and earthman seems a duality that many juggle every day; mixed backgrounds, blended families, code switching, etc. Perhaps symbolized by the whole Superman/Clark Kent thing. Oh man, I haven't even gotten into...14/
..tried to erase the Krypton influence, was quoted in an interview saying Superman identifying as Kryptonian was an insult to the Kents who raised him. Byrne himself had a complex background (UK-Canada-USA) so far be it for me to gainsay him...13/
..ran home for guidance from his "Pa" (but that's for later if I write further threads). Another interesting aspect to this (however unintentional) is that arguably it better reflected the true immigrant experience. John Byrne, who was involved in the 1980s reboot that explicitly...12/
..less pompously than some TV sitcoms!) Indeed, the later revision where the Kents remain alive, while simultaneously emphasizing this sagacity (inspired no doubt by Glenn Ford in the movie) served to infantilize *that* Superman, as even as an adult he constantly...11/
..the source of Supes' ethics) is arguably not as implicit. As mentioned: in the Superman stories the Kents are dead, remembered mostly as family rather than Heartland Yoda; while in Superboy they serve the same avuncular role as any parent in a teen story (arguably...10/
Indeed, the whole Smallville milieu, tho Norman Rockwellian/Andy of Mayberry, feels less like the explicitly "conservative" environment RWers seem to envision. It's also worth noting the idea of Jonathan Kent as some sage heartland speaker of truths (and...9/
(Presumably living in town, working at a community hub, made more sense, story-wise, then having Clark isolated on a farm). So instead of elderly farmers the Kents are middle-aged (due to a rejuvenation formula!) townies. And so less "conservative" coded. 8/
But Smallville isn't quite how some assume. Is it the Midwest, let alone Kansas? Unclear. Some stories imply it's adjacent to Metropolis! More: the Kents aren't "salt of the earth" farmers! They were (when he was a toddler) but mostly own a General Store for the Superboy stories.7/