Lightnews — Scholar-powered news

corky68.bsky.social @corky68.bsky.social · 16h

Reposted

Blakes7Bot @blakes7bot.torpidity.net · 3d

Series A, Episode 12 - Deliverance

AVON: It could carry dormant cells.
GAN: Genetic banks and brood units. Like those in the projectile we took on board the Liberator?
AVON: The same principle, yes. These seem to be a little more advanced, though.

https://blake.torpidity.net/m/112/354

Claude 3.7 describes the image as: "This image appears to be from a science fiction television series from the late 1970s or early 1980s. The scene shows two individuals in what looks like a spacecraft or futuristic setting. In the foreground, a person is wearing a distinctive silver jacket with fur trim around the collar and a black turtleneck underneath, giving them a somewhat militaristic or space-age appearance. In the background, another person is partially visible wearing what appears to be a brown or tan outfit. The lighting and film quality have the characteristic look of television production from that era, with somewhat muted colors and studio lighting. The setting suggests it's from a scene involving some kind of tense situation or conversation between these characters."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

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Blakes7Bot @blakes7bot.torpidity.net · 2d

Series B, Episode 10 - Voice from the Past

JENNA: [V.O.] Teleport, emergency. I repeat, teleport, emergency.
AVON: No teleport, Jenna. Not possible.
TRAVIS: Don't touch those coordinates. Activate it now.
[Atlay]

https://blake.torpidity.net/m/210/588

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Blakes7Bot @blakes7bot.torpidity.net · 2d

Series A, Episode 10 - Breakdown

VILA: You can say goodbye to one bolt hole.
BLAKE: How far is it?
AVON: One hundred and fifty hours. [To Zen] Confirm.
ZEN: Flight time is six hundred forty three hours.
AVON: Direct flight.

https://blake.torpidity.net/m/110/120

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Blakes7Bot @blakes7bot.torpidity.net · 2d

Series D, Episode 09 - Sand

TARRANT: Then if he's dead, how come his body's still in perfect condition after five years? [He touches the corpse.] Servalan, his body's still flexible; he's still warm.
SERVALAN: Is he? [There is a noise from outside and a banging on the outer door.... [1/2]

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Blakes7Bot @blakes7bot.torpidity.net · 2d

#Blakes7 Series A, Episode 01 - The Way Back

JENNA: About twenty-four hours. If you're expecting a last-minute reprieve you'd better forget it. Once they get you this far there's no going back. You'd better get used to the idea. Nobody out there gives a damn about you.
[Scene:... [1/2]

Claude Sonnet 4.0 describes the image as: "I can see this appears to be from a science fiction television series, showing two people in what looks like a dramatic scene. One person has curly blonde hair and is wearing what appears to be a sparkly or sequined dark outfit, while the other has dark curly hair and is wearing what looks like a green or olive-colored garment. The setting appears to be indoors with muted lighting, suggesting this might be taking place on a spacecraft or futuristic interior. The scene has the production quality and styling typical of British science fiction television from the late 1970s or early 1980s. However, I cannot identify the specific individuals in the image."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

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Blakes7Bot @blakes7bot.torpidity.net · 1d

Series A, Episode 02 - Space Fall

BLAKE: Just wondered how good you really were.
AVON: Don't try and manipulate me, Blake.
BLAKE: Now why should I try and do that?
AVON: You need my help.
BLAKE: Only if you can open the doors.

https://blake.torpidity.net/m/102/185

Claude Sonnet 4.0 describes the image as: "This scene takes place in what appears to be a sterile, white medical or detention facility. Two men are seated in the clinical environment - one in the foreground wearing dark clothing and looking downward with a troubled expression, while another sits in the background wearing lighter colored clothing with a vest. The setting has a cold, institutional feel with white walls and surfaces, along with hexagonal control panels or monitoring devices visible on the walls. The lighting and stark white environment creates an ominous atmosphere typical of an interrogation room or medical facility where unwilling procedures might take place. Both characters appear tense and concerned about their situation in this intimidating technological environment."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

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Blakes7Bot @blakes7bot.torpidity.net · 1d

Series A, Episode 04 - Time Squad

BLAKE: Has anyone been down to see our guests lately?
JENNA: Vila went down a little while ago.
BLAKE: And?
VILA: Thawing nicely. Couple of hours, we should be able to talk to them.

https://blake.torpidity.net/m/104/250

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series, appearing to be from the late 1970s or early 1980s based on the production style and aesthetic. The setting appears to be the interior of a spacecraft or control room with distinctive angular panels and technical elements visible.

Three people are shown in the frame - one person in a brown jacket positioned to the left, looking slightly upward, while two others stand at what appears to be a control console or elevated platform. The person in the middle wears a light-colored blouse with pink accents, and the person on the right is dressed in darker attire.

The lighting and set design have that characteristic vintage sci-fi TV production quality, with metallic surfaces and an industrial-looking environment typical of space vessel interiors from shows of this era."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

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Blakes7Bot @blakes7bot.torpidity.net · 1d

#Blakes7 D01 - Rescue

[Planet terminal. Exterior, night. A crude camp has been made. A small fire burns in the centre. Dayna, Tarrant and Avon are seated around the fire. Avon has Orac in his lap and is attempting to repair it.]
TARRANT: Vila rescued me?

https://blake.torpidity.net/m/401/57

Claude Sonnet 4.0 describes the image as: "This scene shows four characters gathered around a small campfire in what appears to be a cave or rocky shelter. The setting suggests they're in hiding or taking refuge, with patches of snow or frost visible on the ground, indicating cold conditions. The characters are dressed in their typical practical clothing - leather jackets and sturdy garments suitable for their circumstances as rebels on the run. The intimate gathering around the fire creates a moment of respite, with the warm glow contrasting against the harsh, cold environment of their makeshift shelter. The scene captures the camaraderie and survival situation that defines much of their existence."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

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Blakes7Bot @blakes7bot.torpidity.net · 22h

Series B, Episode 04 - Horizon

BLAKE: In a Federation prison colony too?
RO: No. In an accident.
BLAKE: Paura told me that your father would never have made his people slaves as you have done.

https://blake.torpidity.net/m/204/339

Claude 3.7 describes the image as: "The image shows a scene from a science fiction television series with a dark, moody atmosphere. Two people appear in what seems to be a futuristic setting. One person wearing a burgundy uniform is attending to another who has curly hair and appears to be lying down or injured. The standing figure is offering something to the person who is reclining.

The scene has dramatic lighting with dark shadows, typical of classic science fiction television production from the late 1970s or early 1980s. The burgundy uniform suggests a military or organizational structure within the show's universe. The interaction appears to be a moment of care or medical attention during what might be a tense situation in the narrative."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

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Blakes7Bot @blakes7bot.torpidity.net · 19h

Series A, Episode 11 - Bounty

SARKOFF: To my decision? Of course not.
BLAKE: No, of course not. [Checks watch a final time then looks up] Right. Stay here, please. [Exits]
SARKOFF: Where else would I go? This is all I have left.

https://blake.torpidity.net/m/111/268

Claude 3.7 describes the image as: "The image shows a scene set in what appears to be a futuristic interior with white brick walls and arched display alcoves. On the left stands an older gentleman with silver hair wearing a formal black coat with decorative gold elements, giving him an authoritative presence. To the right, another person with curly hair sits at what looks like a control panel or desk, dressed in a green outfit and appearing to be working on something.

The setting has a stark, institutional quality with its stone walls and display cases containing various objects. The architectural elements suggest this is from a science fiction production, with the set design reflecting a blend of medieval and futuristic aesthetics that was common in British sci-fi television of the 1970s-80s era."

Blakes7Bot, version 3.9.33. AWS Lambda version: 1.14.

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corky68.bsky.social @corky68.bsky.social · 17h

#OTD 45 years ago, U2 released their debut album, "Boy".

#80sMusic #U2

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corky68.bsky.social @corky68.bsky.social · 1d

#OTD in 1979, The Specials released their self-titled debut studio album featuring "A Message to You, Rudy" "Nite Klub" “Concrete Jungle” "Blank Expression" and "Too Much Too Young".

#70sMusic #TheSpecials

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corky68.bsky.social @corky68.bsky.social · 2d

#OTD 18 October 1964. The first episode of the English language version of Magic Roundabout was broadcast on BBC1. It used footage from French animation show Le Manège enchanté, with scripts written and voiced by Eric Thompson.

#BBC MagicRoundabout

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corky68.bsky.social @corky68.bsky.social · 3d

#OTD This is the return of the space cowboy in 1994 Jamiroquai dropped their second album.

#90sMusic #Jamiroquai

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corky68.bsky.social @corky68.bsky.social · 3d

#Repost

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corky68.bsky.social @corky68.bsky.social · 4d

#OTD in 1989, Erasure released their fourth studio album “Wild!” featuring singles “Drama!" “You Surround Me" “Blue Savannah" and “Star".

#80sMusic #Erasure

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corky68.bsky.social @corky68.bsky.social · 4d

#OTD in 2005, Depeche Mode released their eleventh studio album 'Playing the Angel".

#DepecheMode #00sMusic

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corky68.bsky.social @corky68.bsky.social · 4d

#OTD in 1981, Eurythmics released their debut studio album “In the Garden”.

#80sMusic #Eurythmics

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corky68.bsky.social @corky68.bsky.social · 5d

#OTD in 1981, The Human League released their third studio album “Dare.”

#80sMusic #HumanLeague

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corky68.bsky.social @corky68.bsky.social · 5d

#OTD in 1984, Bronski Beat released their debut studio album “The Age of Consent” featuring singles "Smalltown Boy" "Why?" and "It Ain't Necessarily So".

#80sMusic #BronskiBeat

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corky68.bsky.social @corky68.bsky.social · 6d

#OTD 14th October 1066 – The Norman conquest of England begins with the Battle of Hastings.

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corky68.bsky.social @corky68.bsky.social · 6d

#OTD Cyndi Lauper released her debut album ‘She's So Unusual’ 42 years ago on October 14, 1983.

#80sMusic #CyndiLauper

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corky68.bsky.social @corky68.bsky.social · 6d

#OTD 40 years ago today, Kate Bush released "Cloudbusting,” the second single released from her fifth studio album “Hounds of Love”.

#80sMusic #KateBush

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corky68.bsky.social @corky68.bsky.social · 6d

Drew Struzan, Renowned Poster Artist for ‘Star Wars,’ ‘Blade Runner’ and ‘Back To The Future,’ Dies at 78 variety.com/2025/film/ne...

Drew Struzan, Renowned Poster Artist for ‘Star Wars,’ ‘Blade Runner’ and ‘Back To The Future,’ Dies at 78

Drew Struzan, the artist who created the poster artwork for films including "Star Wars" and "Back To The Future," died on Oct. 13.

variety.com

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