Scholar

Laura Rascaroli

H-index: 11
Economics 32%
Art 23%
fragmentsjournal.bsky.social
We are delighted to launch ‘Fragments’, a new journal of experimental videographic form and method. Please enjoy our first collection of fragments and check out our evolving manifesto to learn a little more about our ambitions for this journal. fragments.video

Reposted by Laura Rascaroli

alphavillej.bsky.social
In “The Muestra de Cine Afrodescendencias in Costa Chica: Intersections of Afrodescendance and Decoloniality in Curatorial Practice” Claudia Lora et al analyse “the curatorial work and collective exhibition of the Muestra de Cinea Afrodescendencias
doi.org/10.33178/alp...

Reposted by Laura Rascaroli

alphavillej.bsky.social
In “Stories Are in Our Bones!” From mispon to Ācimowin: A Conversation with Janine Windolph, in Memory of Trudy Stewart” Janine Windolph and Sheila Petty @PettySheila join together to map out, probe, two Indigenous focused film festivals in Saskatchewan – mispon (2006-2018) and Ācimowin (2024-)”

Reposted by Laura Rascaroli

alphavillej.bsky.social
In “Tigritudes: A Subjective Anthology of Pan-African Cinema to Decolonise the Gaze” Estrella Sendra interviews Dyana Gaye about her project Tigritudes @kingscollegelondon.bsky.social
doi.org/10.33178/alp...

Reposted by Laura Rascaroli

alphavillej.bsky.social
In “Documenting the Territory in Saint-Louis (Senegal)”, Laura Feal Sánchez interviews Mamadou Sellou Diallo, exploring his work in the creation of “audiovisual projects” that “document a space in all its complexity”
doi.org/10.33178/alp...

Reposted by Laura Rascaroli

alphavillej.bsky.social
In “Decolonising Through Co-Curation” Rachel Johnson @universityofleeds.bsky.social traces “the complex relationships between curation, funding, placemaking and labour” in reference to the “Women Creators of the Future” programme doi.org/10.33178/alp...

Reposted by Laura Rascaroli

tnyfrontrow.bsky.social
Catherine Tanvier, the former tennis star who appears in Film Socialisme, has written a book, "Un film à Rolle," about working with Godard ("I'm not an actress." "But who asked you to be an actress? Be yourself.") and details his elaborate exercises for the cast...
www.liberation.fr/culture/livr...
Dans «Un film à Rolle», jeu, fête et match avec Godard
L’ex-tenniswoman Catherine Tanvier raconte dans un livre le tournage de «Film Socialisme» (2008) avec le pape de la Nouvelle Vague en tête chercheuse déroutante, mais aussi prévenant, solidaire, facét...
www.liberation.fr

Reposted by Laura Rascaroli

lewisbeerblog.bsky.social
In Red Desert, when Giuliana walks against the flow of the striking factory workers, the image recalls a pivotal scene in Agnès Varda’s Cléo from 5 to 7. Cléo’s path intersects with a stream of pedestrians – they are almost like a funeral procession, resonating with her thoughts of mortality.
Giuliana walks against the flow of the striking workers: she moves from right to left, they from left to right. Cléo walks against the flow of the pedestrians crossing the road: she moves from right to left, they from left to right. Another image of Giuliana walking against the flow of the striking workers. Another image of Cléo walking against the flow of the pedestrians.

Reposted by Laura Rascaroli

tallon.bsky.social
King Vidor (with scenes from his film "Beyond the Forest" featuring Bette Davis) - BOTD

Reposted by Laura Rascaroli

philipleventhal.bsky.social
"My book aims to change how we look at films ... by starting first with all the extracted materials that filmmaking required and the industries that were required..." Brian Jacobson discusses his new book THE CINEMA OF EXTRACTIONS. bit.ly/4hK84Aa @bleudeciel.bsky.social @columbiaup.bsky.social

Reposted by Laura Rascaroli

xrayeyes.bsky.social
«When most people go to the movies, the ultimate compliment for them is to say: “We didn’t notice the time pass!”
With me, you see the time pass. And feel it pass.
You also sense that this is the time that leads towards death. And that’s why there’s so much resistance»

Chantal Akerman, Paris, 1979

Reposted by Laura Rascaroli

scmsurbanism.bsky.social
Only three more days until our virtual event!

We are delighted to be joined by @larascaroli.bsky.social, @annaviolasborgi.bsky.social, and more!

lu.ma/sm2kv17l
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Chantal #Akerman ❤️

Jeu de Paume

Reposted by Laura Rascaroli

spacescinema.bsky.social
We're hosting the conference "Real & Imagined Spaces in Film" at the University of Zaragoza's newly renovated Faculty of Arts on May 29-30, 2025.
Submit your paper by February 3rd!
CFP: eventos.unizar.es/126084/detai...
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Can't wait to be in Paris for this exciting conference on Michelangelo #Antonioni

iicparigi.esteri.it/fr/gli_event...

Reposted by Laura Rascaroli

glenwnorton.bsky.social
LIVED MOMENTS: PHENOMENOLOGY, NEOREALISM, AND THE NEW WAVE, now available from McGill-Queen's University Press:

www.mqup.ca/lived-moment...

#Godard #Antonioni #DeSica #Rohmer #Rossellini #Phenomenology #Modernism #NewWave #Neorealism #FilmPhilosophy
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Rennie Ellis, Melbourne Out Loud
State Library Melbourne
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Dora Maar was a gifted and politically motivated photographer. Seemingly, however, the most important fact in her life is that she was betrayed by Picasso. 🙄😩
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I do like my Lumière right next to Camille Pissarro

National Gallery of Victoria

Reposted by Laura Rascaroli

nitratediva.bsky.social
On this day in 1945, DETOUR hit theaters. No matter how many times I revisit it, Edgar G. Ulmer's bleak, grimy noir masterpiece and Ann Savage's go-for-broke performance as Vera remain startlingly, perversely enthralling.
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A gorgeous book of brilliant poems – I loved M Jay Smith’s striking Antonioni-inspired images!
mjaysmith.bsky.social
Look at how cute this little book of poems is! You can buy *the eclipse* locally from Magpie Books or Porchlight, or use the internet to buy from magpiebooks.ca or barnesandnoble.com/w/the-eclipse-m-jay-smith/1146449264

References

Fields & subjects

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