Substack: @johnmariolas
💙📚 #LiteratureSky
💙📚 #LiteratureSky
“One senses beneath his words another reality, transparent beneath the words, whose physiognomy is marked, beneath the various elements of the sentence, by the correspondence of their features.” (2/2)
“One senses beneath his words another reality, transparent beneath the words, whose physiognomy is marked, beneath the various elements of the sentence, by the correspondence of their features.” (2/2)
“I like reading Chateaubriand because by giving us to hear every two or three pages (just as after an interval of silence on summer nights one hears the two notes, always the same, that make up the song of the owl) his own particular call, (1/2)
“I like reading Chateaubriand because by giving us to hear every two or three pages (just as after an interval of silence on summer nights one hears the two notes, always the same, that make up the song of the owl) his own particular call, (1/2)
—from Emma by Jane Austen
—from Emma by Jane Austen
- So I kill the deer, I pick it up and start cutting it up to carry it. So I have one leg on one shoulder and the other leg on the other...
- Mr Paul, telephone
*Goes to answer, returns*
- So, where was I?
- You had one leg on one shoulder and the other on the other
- And I let her have it!
- So I kill the deer, I pick it up and start cutting it up to carry it. So I have one leg on one shoulder and the other leg on the other...
- Mr Paul, telephone
*Goes to answer, returns*
- So, where was I?
- You had one leg on one shoulder and the other on the other
- And I let her have it!
Prince - U got the look
Prince - U got the look