Sergio Beltrán-García
@ssbeltran.bsky.social
qhimära: arquitecturas, violencias, memorias & memoriales | investigué con @ForensicArchi, ahora en @representare en la @faunam_mx | 🚴🏽🌈 🌱 (él/suyo)
El Ministro Votos Nulos tuvo más votos que Lenia y Yasmín… juntas.
June 3, 2025 at 2:45 AM
El Ministro Votos Nulos tuvo más votos que Lenia y Yasmín… juntas.
Hubo más gente que no supo cómo usar la boleta para votar, que los que votaron con intención de anular.
Un problema clásico donde las prisas mandan alv al. diseño en experiencia (UX) de la persona usuaria. Fue más importante la UX del CEO/ejecutivo-expresidente que la UX de la persona votante 🥲.
Un problema clásico donde las prisas mandan alv al. diseño en experiencia (UX) de la persona usuaria. Fue más importante la UX del CEO/ejecutivo-expresidente que la UX de la persona votante 🥲.
June 3, 2025 at 2:38 AM
Hubo más gente que no supo cómo usar la boleta para votar, que los que votaron con intención de anular.
Un problema clásico donde las prisas mandan alv al. diseño en experiencia (UX) de la persona usuaria. Fue más importante la UX del CEO/ejecutivo-expresidente que la UX de la persona votante 🥲.
Un problema clásico donde las prisas mandan alv al. diseño en experiencia (UX) de la persona usuaria. Fue más importante la UX del CEO/ejecutivo-expresidente que la UX de la persona votante 🥲.
Descubriendo las goterías de Arturo Pani.
May 28, 2025 at 4:53 PM
Descubriendo las goterías de Arturo Pani.
10.85 persons are reported disappeared each day since the Trump administration began (74 days), on average, according to public.tableau.com/app/profile/...
April 4, 2025 at 8:29 PM
10.85 persons are reported disappeared each day since the Trump administration began (74 days), on average, according to public.tableau.com/app/profile/...
Pusieron un busto de Samir en Las Islas 🥺😭😭😭🥹🥹
February 20, 2025 at 4:25 AM
Pusieron un busto de Samir en Las Islas 🥺😭😭😭🥹🥹
Kendrick compels to turn the "TV Off", and see the NFL Super Bowl as just another fiction.
“GAME OVER” flashes—stadium lights flare, dancers retreat. In a few electric minutes, he’s redefined the field as a stage for raw, radical critique against Americans on their most beloved ritual.
“GAME OVER” flashes—stadium lights flare, dancers retreat. In a few electric minutes, he’s redefined the field as a stage for raw, radical critique against Americans on their most beloved ritual.
February 11, 2025 at 8:25 PM
Kendrick compels to turn the "TV Off", and see the NFL Super Bowl as just another fiction.
“GAME OVER” flashes—stadium lights flare, dancers retreat. In a few electric minutes, he’s redefined the field as a stage for raw, radical critique against Americans on their most beloved ritual.
“GAME OVER” flashes—stadium lights flare, dancers retreat. In a few electric minutes, he’s redefined the field as a stage for raw, radical critique against Americans on their most beloved ritual.
Despite art, we live in a segregated reality where space and architecture dictate how our bodies behave.
It's especially heartbreaking bc during this song a protester raised the flags of Palestine and Sudan, almost censored on the live broadcast in this “land of the free”.
It's especially heartbreaking bc during this song a protester raised the flags of Palestine and Sudan, almost censored on the live broadcast in this “land of the free”.
February 11, 2025 at 8:25 PM
Despite art, we live in a segregated reality where space and architecture dictate how our bodies behave.
It's especially heartbreaking bc during this song a protester raised the flags of Palestine and Sudan, almost censored on the live broadcast in this “land of the free”.
It's especially heartbreaking bc during this song a protester raised the flags of Palestine and Sudan, almost censored on the live broadcast in this “land of the free”.
Then “TV Off” snaps us back to reality. Kendrick’s signature move: raise hope, then remind us of the daily grind. The circle breaks, and we’re left with the starkness behind the stage lights—real life awaits., and the dancers snap back to their controlled colors.
February 11, 2025 at 8:25 PM
Then “TV Off” snaps us back to reality. Kendrick’s signature move: raise hope, then remind us of the daily grind. The circle breaks, and we’re left with the starkness behind the stage lights—real life awaits., and the dancers snap back to their controlled colors.
K paints Drake as a pawn of the system, and flips the biggest stage in America into a protest mic. He’s pressing each “button” of white conformity.
I love how this moment of defiance is when all color-coded dancers "desegregate" to enjoy the music, in contrast to the previous rigid choreographies.
I love how this moment of defiance is when all color-coded dancers "desegregate" to enjoy the music, in contrast to the previous rigid choreographies.
February 11, 2025 at 8:25 PM
K paints Drake as a pawn of the system, and flips the biggest stage in America into a protest mic. He’s pressing each “button” of white conformity.
I love how this moment of defiance is when all color-coded dancers "desegregate" to enjoy the music, in contrast to the previous rigid choreographies.
I love how this moment of defiance is when all color-coded dancers "desegregate" to enjoy the music, in contrast to the previous rigid choreographies.
Freshly commended, Kendrick cuts Uncle Sam's appraisal, and returns to the central field—the space of his subversion.
He fires up “Not Like Us,” flouting corporate white America’s legal chokehold—Drake included. It’s a lyrical strike against how industry rules try to cage Black artistry.
He fires up “Not Like Us,” flouting corporate white America’s legal chokehold—Drake included. It’s a lyrical strike against how industry rules try to cage Black artistry.
February 11, 2025 at 8:25 PM
Freshly commended, Kendrick cuts Uncle Sam's appraisal, and returns to the central field—the space of his subversion.
He fires up “Not Like Us,” flouting corporate white America’s legal chokehold—Drake included. It’s a lyrical strike against how industry rules try to cage Black artistry.
He fires up “Not Like Us,” flouting corporate white America’s legal chokehold—Drake included. It’s a lyrical strike against how industry rules try to cage Black artistry.
Kendrick leaves the penalty box and meets SZA in the triangle—symbol of difference—where they ease into the show’s mellow heart.
Their pop duet soon morphs into a circle of unity, briefly appeasing Uncle Sam. But harmony rarely lasts in the worlds where Kendrick’s albums live. He ALWAYS does this.
Their pop duet soon morphs into a circle of unity, briefly appeasing Uncle Sam. But harmony rarely lasts in the worlds where Kendrick’s albums live. He ALWAYS does this.
February 11, 2025 at 8:25 PM
Kendrick leaves the penalty box and meets SZA in the triangle—symbol of difference—where they ease into the show’s mellow heart.
Their pop duet soon morphs into a circle of unity, briefly appeasing Uncle Sam. But harmony rarely lasts in the worlds where Kendrick’s albums live. He ALWAYS does this.
Their pop duet soon morphs into a circle of unity, briefly appeasing Uncle Sam. But harmony rarely lasts in the worlds where Kendrick’s albums live. He ALWAYS does this.
Kendrick moves to stage 2: a Red Cross, blinking like a giant error message. The bright slash on real, green turf says, “Oops, you messed up.”
I love how football’s sacred grass features in the camera frame in this subversive stage—no safe zone in sight in this blend of show and reality.
I love how football’s sacred grass features in the camera frame in this subversive stage—no safe zone in sight in this blend of show and reality.
February 11, 2025 at 8:25 PM
Kendrick moves to stage 2: a Red Cross, blinking like a giant error message. The bright slash on real, green turf says, “Oops, you messed up.”
I love how football’s sacred grass features in the camera frame in this subversive stage—no safe zone in sight in this blend of show and reality.
I love how football’s sacred grass features in the camera frame in this subversive stage—no safe zone in sight in this blend of show and reality.
“STAGE 1” flashes. Kendrick leaves the square, crosses outside of the button's white boundary lines, and gets scolded by Uncle Sam (Samuel L. Jackson, who has acted as white-conforming Black characters in films like Django).
“WRONG WAY” screams overhead—he’s stepping off America’s scripted path.
“WRONG WAY” screams overhead—he’s stepping off America’s scripted path.
February 11, 2025 at 8:25 PM
“STAGE 1” flashes. Kendrick leaves the square, crosses outside of the button's white boundary lines, and gets scolded by Uncle Sam (Samuel L. Jackson, who has acted as white-conforming Black characters in films like Django).
“WRONG WAY” screams overhead—he’s stepping off America’s scripted path.
“WRONG WAY” screams overhead—he’s stepping off America’s scripted path.
Big focus on the segregated color-coded choreography: Black male bodies line up, backs turned towards each other—calling up forced labor and segregation—in current cultural and political divides. The colors never "mix" (but will later).
The “flag” isn’t just fabric; it’s lived history.
The “flag” isn’t just fabric; it’s lived history.
February 11, 2025 at 8:25 PM
Big focus on the segregated color-coded choreography: Black male bodies line up, backs turned towards each other—calling up forced labor and segregation—in current cultural and political divides. The colors never "mix" (but will later).
The “flag” isn’t just fabric; it’s lived history.
The “flag” isn’t just fabric; it’s lived history.
From kickoff, four PlayStation shapes—square, triangle, circle, cross—flood the field. It’s a giant “game” board, hinting Kendrick’s ready to break the game rules (and maybe a few hearts) in this performance.
(Also the lighting sequence is a well-known GTA cheat code).
(Also the lighting sequence is a well-known GTA cheat code).
February 11, 2025 at 8:25 PM
From kickoff, four PlayStation shapes—square, triangle, circle, cross—flood the field. It’s a giant “game” board, hinting Kendrick’s ready to break the game rules (and maybe a few hearts) in this performance.
(Also the lighting sequence is a well-known GTA cheat code).
(Also the lighting sequence is a well-known GTA cheat code).
A spatial and political take on K-Dot's half-time show:
As an architect obsessed with how space shapes politics and memory, I see Kendrick turning the NFL field into a battleground of meaning.
Drake? Just a cameo in Kendrick’s bigger quest to press America’s buttons.
As an architect obsessed with how space shapes politics and memory, I see Kendrick turning the NFL field into a battleground of meaning.
Drake? Just a cameo in Kendrick’s bigger quest to press America’s buttons.
February 11, 2025 at 8:25 PM
A spatial and political take on K-Dot's half-time show:
As an architect obsessed with how space shapes politics and memory, I see Kendrick turning the NFL field into a battleground of meaning.
Drake? Just a cameo in Kendrick’s bigger quest to press America’s buttons.
As an architect obsessed with how space shapes politics and memory, I see Kendrick turning the NFL field into a battleground of meaning.
Drake? Just a cameo in Kendrick’s bigger quest to press America’s buttons.
Acá enterándome de que la UNAM (otra vez, carajo, no entienden) quiere cobrar cuotas para ingresar a una universidad PÚBLICA (y por tanto, por la CPEUM, GRATUITA).
Ya se habla por las aulas de convocar a una movilización estudiantil.
Ya se habla por las aulas de convocar a una movilización estudiantil.
January 29, 2025 at 10:29 PM
Acá enterándome de que la UNAM (otra vez, carajo, no entienden) quiere cobrar cuotas para ingresar a una universidad PÚBLICA (y por tanto, por la CPEUM, GRATUITA).
Ya se habla por las aulas de convocar a una movilización estudiantil.
Ya se habla por las aulas de convocar a una movilización estudiantil.
Adivinen quién llegó a dar clase y después de 20 min de tener la clase vacía se dio cuenta que para la FA UNAM las clases inician el 4 de febrero.
🤡 quedé.
🤡 quedé.
January 27, 2025 at 6:30 PM
Adivinen quién llegó a dar clase y después de 20 min de tener la clase vacía se dio cuenta que para la FA UNAM las clases inician el 4 de febrero.
🤡 quedé.
🤡 quedé.
100 días sin reunirse con colectivos de búsqueda para escuchar y atender su tremendo dolor y necesidad.
January 13, 2025 at 5:35 PM
100 días sin reunirse con colectivos de búsqueda para escuchar y atender su tremendo dolor y necesidad.
Mataron libgen :(
January 13, 2025 at 1:47 PM
Mataron libgen :(
Por una arquitectura que deje de idolatrar cómo una clase dominante despoja territorios para colonizarlos con capital acumulado.
January 11, 2025 at 4:07 PM
Por una arquitectura que deje de idolatrar cómo una clase dominante despoja territorios para colonizarlos con capital acumulado.
EVs aren’t here to save the planet, they’re here to save the auto industry:
January 8, 2025 at 5:29 PM
EVs aren’t here to save the planet, they’re here to save the auto industry:
I measure space.
January 2, 2025 at 3:54 AM
I measure space.
Siempre impresiona cómo la derecha inventa derechos que no existen, como:
-derecho a mercantilizar tu cuerpo para fines sexuales
-derecho a existir de un estado sionista
para hacer inoperables los que sí existen, como:
-derechos laborales
-a la salud
-a la integridad personal
-derecho a mercantilizar tu cuerpo para fines sexuales
-derecho a existir de un estado sionista
para hacer inoperables los que sí existen, como:
-derechos laborales
-a la salud
-a la integridad personal
December 6, 2024 at 9:03 PM
Siempre impresiona cómo la derecha inventa derechos que no existen, como:
-derecho a mercantilizar tu cuerpo para fines sexuales
-derecho a existir de un estado sionista
para hacer inoperables los que sí existen, como:
-derechos laborales
-a la salud
-a la integridad personal
-derecho a mercantilizar tu cuerpo para fines sexuales
-derecho a existir de un estado sionista
para hacer inoperables los que sí existen, como:
-derechos laborales
-a la salud
-a la integridad personal