Our co-PI Celestino Deleyto Alcalá just delivered the paper "Back to Syracuse: Indiana Jones, Cinematic Space and the Palimpsest"🔎🗺️

¡Cinéfilos de Zaragoza de 12 a 18 años! 📣🍿

La semana que viene, nuestra compañera de equipo @victoriasantamaria.bsky.social va a organizar una actividad con la Zona Joven del IES Pablo Serrano en la que ofrecerá una visión crítica del cine🧑‍🎓

Podéis inscribiros aquí: shorturl.at/XRVis

🎬 This afternoon, we are screening Le Monde de Lovecraft by Marc Charley at @unizar.es's Aula Magna at the Facultad de Filosofía y Letras. It explores the fascinating life and work of US author H. P. Lovecraft🖋️

If you are interested in documentary cinema and cosmic horror stories, don't miss it! 🎦

¡Cinéfilos de Zaragoza de 12 a 18 años! 📣🍿

La semana que viene, nuestra compañera de equipo @victoriasantamaria.bsky.social va a organizar una actividad con la Zona Joven del IES Pablo Serrano en la que ofrecerá una visión crítica del cine🧑‍🎓

Podéis inscribiros aquí: shorturl.at/XRVis

We're glad to hear that! Thank you for coming!☺️

Áine O’Healy's plenary session: Reimagining Italy: Borderscapes and Urban Peripheries on Contemporary Screens🎦

6B. Space and the nation:

1. Michael Brodski's "The Concept of Smooth Space in the Soviet Cinema of the Thaw"

2. Christopher Brown's "Island Imagined: cartographyand space in 21st century Taiwanese cinema"

3. Shekhar Deshpande's "Lived Heterotopias of “the Zones” in Recent Russian Films"

3. Nicolas Pillai's "Building Baker Street: setting and space in The Private Life of Sherlock Holmes"

Panel 6A. Constructing imaginary spaces, featuring:

1. @claudiaguas.bsky.social's "Between Dream and Reality: The Transformation of New York City in Vanilla Sky"

2. Raúl García Egüés' "The filmic landscape in the rear projections of Hitchcock and De Palma"

3. Alexandra Semenova's "The Logic of Disorientation: Real, Imagined, and Pictorial Space in Albert Serra´s Afternoons of Solitude"

and Panel 5B: Theorizing space and place, featuring:

1. Fady Atallah's “Unreal” Spaces as Meaning Bearers: Anti-Realist Cinema Through a Philosophical Lens"

2. Aleksi Rennes' "Pure Mathematics and Armed Struggle: Practices of Cinematic Placemaking in Ici et ailleurs (1976) and Incendies (2010)"

2. Jemma Saunders' "‘Silly Geography’ and the Musical Sequence: Remapping the Birmingham of Take Me High"

3. Zipai Yang's "Emotional Interplay in Eating Spaces: The Relationship between Space, Emotion, and Food in Wong Kar-wai’s In the Mood for Love and Chungking Express"