All of the worst frequencies live in my tinnitus zone - I am the least qualified person to mix and master my music.

I used to be the kind of person who tried to hype bands up by running to the front and dancing my ass off. It means whatever mix they spent all their time working on, all I heard was their stage mix facing away from me bouncing off the walls and their crappy amps.

Not that the house mix was better.

I think it's a good song, but I am a little self-conscious about my low alto negroni sbagliato vocal on it.

Ophelia Frump always doing her best to find common ground.

Sweet nothings... I never believe anyone who says that to me.

Your vocal coach sounds tough, I like it.

plot twist: he's the third understudy for that chair in as many weeks.

The instructions I've received for about every card game have been "It's easy. I'll show you as we go. Your hand sucks. I win."

I am decades old and can read tarot no problem but don't know how to properly play any card games.

Down sides: picks up subtle poor technique and loves mouth clicks. Tiny choked sounds when I come out of my passagio are honks and I have to sing better. You definitely want to sing past it, and maybe lose the included pop filter. It gives you everything to EQ later but also things EQ won't fix.

Today in my head I kept hearing "Don't you remember you told me you loved me baby/it all keeps adding up, I think I'm cracking up". The Carpenters/Green Day mashup we don't need.

My mic locker is mostly mid consumer, including Lewitt 440, AT-2035, P-220. I also have 3 good recording studios in my neighborhood if the project calls for it.