Eh, not so much. I just really like the Aethon Shaan model and I'm using it as a jump captain.

I'm still trying out different lists and seeing which chapter I like playing them as.

Oh totes! It's super easy, barely an inconvenience! It's just these three, the turquoise and blue team blue on the base itself, put the water texture over top and sculpt the waves, let it dry and then do a light drybrush of white over the whole thing.

Iron within. Iron without.

These are stunning!!! Amazing work, your gradients and color choices are *chef's kiss*

And maybe that’s the secret. That in the noise and the nonsense and the restless hum of existing, to create, however clumsily, is to declare:
“I am here. I saw the effect. I made a cause.”

And that is the most human thing we will ever do.

Is it “good”? The word trembles under the weight of its own uncertainty. But to the child who made that macaroni shrine, it is a galaxy. It is everything they meant to say and couldn’t. It is perfect in its imperfection.

To reach out with trembling hands and say, “Yes. I will make one of those too.”

So we paint. We sculpt. We write symphonies about silence and draw circles that never close. We take what the chaos gives us and build shrines from macaroni noodles and glue.

Yet, within that endless tangle, there is beauty. Not the kind you photograph. The kind you feel pressing gently against your ribs. We, strange little blips of sentience, have been given through some paracausal loophole, the ability to not just witness this beauty, but to want to copy it.