Benjamin Anderson
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bunyaminanderson.bsky.social
Benjamin Anderson
@bunyaminanderson.bsky.social
Art historian, gay husband & doodle dad 🐩 Writing ✍️ etc. at bunyaminanderson.com 🛜
So much in there!
November 25, 2025 at 12:59 PM
ἐκ τῶν Ἱµερίου χαρτουλαρίου: -ου / -ου is nothing, but I think -ερι- / -αρι- is something. Curious if folks will agree!
November 25, 2025 at 12:54 PM
Not that I’ve found! Name & rank are both plausible, & I think the rhyme is intentional.
November 25, 2025 at 12:45 PM
Luke 22:40 - nicely translated here, and I suggest that one could also read “consider these things truly, lest you end up on trial.”
November 25, 2025 at 12:28 PM
Here too I read it as farce, like a pedant in Moliere: “I find it in the works of Demosthenes….”
November 25, 2025 at 12:25 PM
Note that the malign influence is inferred!
November 25, 2025 at 12:07 PM
This latter gets its own section in the new essay. The irony is key, as is the slapstick! The whole thing reminds me of (what we know about) Byzantine mime shows - not least because it takes place in a theater. 🎭
November 25, 2025 at 11:37 AM
Lots more boars 🐗 in the article - go have a look via this link! brill.com/view/journal...
November 25, 2025 at 10:26 AM
Rather than treat these stories as evidence for “Byzantine” or “Haitian” beliefs, I propose that we see them as testimonies to the sensible qualities of the statues at their respective centers.
November 25, 2025 at 10:26 AM
I focus on a story about Emperor Alexander’s strange doings with a bronze boar in the Hippodrome in Constantinople, and compare it to another statute story, this one from 21st-century Port-au-Prince.
November 25, 2025 at 10:26 AM
But don’t take my word for it, see for yourself! Here is a link 🔗 academic.oup.com/arthistory/a...
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academic.oup.com
November 13, 2025 at 3:19 PM
This has consequences not just for Romanists, but also for art historians more broadly. Note, for example, Jess’s re-reading of a key image in Panofsky’s essay on perspective.
November 13, 2025 at 3:19 PM
Jess compares ancient plaster to modern plastic. “More than a substance, plastic is the very idea of its infinite transformation … it is ubiquity made visible. And it is this, in fact, which makes it a miraculous substance: a miracle is always a sudden transformation of nature” (Barthes).
November 13, 2025 at 3:19 PM
Hope to see you there!
October 19, 2025 at 3:53 PM
… & here is a link to the website of the Institut historique allemand, with all the details: www.dhi-paris.fr/fr/agenda-de...
En ligne et sur place : La Réunion de Paris de 825
Enjeux théologiques et politiques de la controverse des images
www.dhi-paris.fr
October 19, 2025 at 3:53 PM
The workshop is also on Zoom. Here’s the program in three screenshots …
October 19, 2025 at 3:53 PM