angela hudson jones
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angelahudsonjones.bsky.social
angela hudson jones
@angelahudsonjones.bsky.social
670 followers 520 following 1.4K posts
pictures, sound, words

los angeles, ca via ms•tn•oh

#163,207

https://www.instagram.com/angelahudsonjones?igsh=NTc4MTIwNjQ2YQ%3D%3D&utm_source=qr
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angelahudsonjones.bsky.social
please, feel free to post images in the comments.

i’ll start with this one by david wojnarowicz
ANDREAS STERZING, DAVID WOJNAROWICZ (SILENCE = DEATH), 1989, NEW YORK, PHOTOGRAPH, COURTESY THE ARTIST, THE ESTATE OF DAVID WOJNAROWICZ, AND P·P·O·W, NEW YORK. black and white photo of david wojnarowicz with his mouth sewn shut by a disembodied hand.
December 1, 2025 at 1:41 AM
angelahudsonjones.bsky.social
Antoni Tàpies (1923-2012)

La barberia dels maleïts i dels elegits (The Barbershop of the Damned and the Chosen), 1950
Antoni Tàpies (1923-2012) La barberia dels maleïts i dels elegits (The Barbershop of the Damned and the Chosen), 1950 oil on canvas 97 x 130 cm Together with a great number of works from this period, La barberia dels maleïts i dels elegits (The Barbershop of the Damned and the Chosen, 1950) anticipates the matter paintings in other aspects. In this particular case, we see that the human figure has been partially represented, revealing only one part of the body, corresponding to the left arm and shoulder. This makes these limbs acquire the appearance of votive offerings, a quality that was to be intensified in his work in the mid sixties in canvases such as Matèria en forma de peu (Matter in the Form of a Foot, 1965), and which he was to repeat in different forms throughout his career. This votive offering character is related to the desire on the part of Tàpies that his works should communicate something on not only the psychological but also on the physical level. It is as if, by the mere act of seeing or touching a painting, the observer should receive certain influences which would have positive repercussions on his vision of the world or on his human condition. Extracts from Manuel J. Borja-Villel, “The Collection”, Fundació Antoni Tàpies (Barcelona: Fundació Antoni Tàpies, 1990) .
November 30, 2025 at 8:58 PM
angelahudsonjones.bsky.social
in case anyone would enjoy a visual example
“Tree” a 24-metre (79 ft) high, green inflatable sculpture by the artist Paul McCarthy. photo taken at Paramount Ranch, January 2016 .
November 25, 2025 at 12:36 AM
angelahudsonjones.bsky.social
ohhh …dear larry

I. THE ARTIST MAY CONSTRUCT THE WORK
2. THE WORK MAY BE FABRICATED
3. THE WORK NEED NOT BE BUILT

EACH BEING EQUAL AND CONSISTENT WITH THE INTENT OF THE ARTIST THE DECISION AS TO CONDITION RESTS WITH THE RECEIVER UPON THE OCCASION OF RECEIVERSHIP
installation view of “Stars Don’t Stand Still in the Sky: A Tribute to Lawrence Weiner” September 15 – October 22, 2022 at Regen Projects a display of approximately 150 publications and posters Weiner produced during his lifetime, alongside a selection of ephemera.
November 22, 2025 at 4:22 PM
angelahudsonjones.bsky.social
requiescat, llyn foulkes
• • Llyn Foulkes [American b. 1934 Yakima, Washington; d. 2025 Los Angeles] Lucius, 2016 oil paint, acrylic, photograph, found objects on wood block 11 ¾ x 12 ¾ in 29.84 x 32.38 cm Llyn Foulkes: Time's Witness, a sweeping exhibition tracing over seventy-five years of work by one of Los Angeles' most iconoclastic and uncompromising artists. Spanning from 1949 to 2025, with five new works completed in the past year, this survey charts Foulkes' lifelong interrogation of American mythologies, his relentless pursuit of the unvarnished image, and his singular ability to collapse nostalgia, rage, humor, and melancholy into one object.
November 22, 2025 at 1:07 AM
angelahudsonjones.bsky.social
someone once captioned this pic “callista gingrich, startled by a squirrel”

yeah… she’s special
a wild eyed callista gingrich with not a single platinum hair out of place.
November 20, 2025 at 11:09 PM
angelahudsonjones.bsky.social
from the Field Museum site: “Stanley Field was president of the Museum when he sent a telegram to sculptor Malvina Hoffman to gauge her interest in creating models of “racial types” based on world travels. Hoffman, intrigued by the prospect, agreed to show two sculptures to Field and won the commission.”
November 20, 2025 at 7:59 PM
angelahudsonjones.bsky.social
morton feldman's rothko chapel / for frank o'hara, 50th anniversary and first lp reissue

www.strandedrecords.com/collections/...
Morton Feldman, at his home in Buffalo in 1985, two years before he died. Morton is sitting at his piano, turned facing the viewer. he appears to be working on a composition as he has pen in hand with pages of musical notation on top of the piano. Morton appears, as he often did, rather surly. photo credit: Joe Traver for The New York Times.
November 20, 2025 at 6:27 PM
angelahudsonjones.bsky.social
Edward Ruscha OOF, 1962 (reworked 1963) oil on canvas 71 1/2 x 67" (181.5 x 170.2 cm).
November 18, 2025 at 4:57 AM
angelahudsonjones.bsky.social
Charles Gaines Numbers and Trees: Tanzania Series 1, Baobab, Tree #2, Zanaki, 2024 acrylic sheet, acrylic paint, photograph, 3 parts photo by Keith Labor “For each of the nine large-scale, three-part works, Gaines starts with a black and white photographic mural depicting a specific baobab tree inset into a five-inch thick, clear acrylic box whose front is completely inscribed by a small grid. Almost every square that corresponds to the image of the tree behind it is assigned a color, as well as given a number. This creates a tinted, numerical veil through which the photograph is seen. From a distance, the grid resembles a wall of colored pixels giving the entire image a Pointillist aura, but Gaines is hardly an impressionist. Rather, these works are about difference — not just the differences in the selection of trees, but how difference resonates, both metaphorically and symbolically” —Jody Zellen
November 17, 2025 at 3:42 PM
angelahudsonjones.bsky.social
Rinjiro Hasegawa (1904-1988)
Cat, 1966
Rinjiro Hasegawa (1904-1988) Cat, 1966 "It took 6 years to complete this painting. Why?" In "Memories of Tallow" by Rinijiro, he wrote that the cat takes this pose and sleeps like this for only about 9 minutes on only a few days in mid-September each year. It seems to depend on the temperature and cat's feeling. Therefore, "I have to wait until September next year to continue the painting." He was so keen to show the beauty of the cat's that he forgot to paint the whiskers. He added whiskers on one side, but while waiting for the next year, Taro seems to have died from old age" .
November 15, 2025 at 8:20 AM
angelahudsonjones.bsky.social
Camille Claudel [1864-1943] Bust of Rodin / Busto de Rodin Modeled / Modelada entre 1888-92; cast after /fundida después de 1898 Cast by / Fundida por François Rudier (French, about / francés, hacia 1886-1913?) Bronze / Bronce In this acute physical and psychological rendering, Claudel emphasized her sitter's broad forehead and robust nose to indicate his formidable creative intellect. She vigorously modeled Rodin's beard to use it as a craggy rock-face base. Unanimously acclaimed when first exhibited in 1892, the composition became Claudel's most famous portrait during her lifetime. This rare cast is one of a series commissioned by the French journal Mercure de France in 1898.
November 12, 2025 at 3:41 PM
angelahudsonjones.bsky.social
auguste rodin
b. november 12, 1840
paris, france
Camille Claudel [1864-1943] Bust of Rodin / Busto de Rodin Modeled / Modelada entre 1888-92; cast after /fundida después de 1898 Cast by / Fundida por François Rudier (French, about / francés, hacia 1886-1913?) Bronze / Bronce In this acute physical and psychological rendering, Claudel emphasized her sitter's broad forehead and robust nose to indicate his formidable creative intellect. She vigorously modeled Rodin's beard to use it as a craggy rock-face base. Unanimously acclaimed when first exhibited in 1892, the composition became Claudel's most famous portrait during her lifetime. This rare cast is one of a series commissioned by the French journal Mercure de France in 1898.
November 12, 2025 at 3:39 PM
angelahudsonjones.bsky.social
Georgia O'Keeffe Radiator Building—Night, New York, 1927 oil on canvas 48 × 30 in. (121.9 × 76.2 cm) “Georgia O'Keeffe painted the recently constructed Radiator Building at night with its dazzling lights piercing through New York's dark fog. Notice Alfred Stieglitz's name in hazy red neon. This could liken Stieglitz's stature to the skyscraper itself: a larger-than-life monument of innovation and a portrait. Or perhaps O'Keeffe was poking fun at her husband's known boasting that his art galleries were under-advertised.” - Joel Settlemoir, student at the University of Arkansas School of Art
November 8, 2025 at 11:21 PM
angelahudsonjones.bsky.social
oh my… yes
movie poster: Ladies and Gentlemen: The Fabulous Stains, 1982.
November 8, 2025 at 5:26 AM
angelahudsonjones.bsky.social
event announcement: The Ramapo College Creative Music Technology MFA presents... Rainforest + An evening of responses to David Tudor's legendary sound installation. 11/9 Sunday Fridman Gallery 169 Bowery, New York, NY 10002 Rainforest Workshop 3:00—5:00pm Concert: 6:00-8:00 pm In 1974, composer and performer David Tudor dreamed of an Orchestra of Loudspeakers-each unique and capable of different sounds, like the instruments in a classical orchestra. He then composed a series of works called "Rainforest" to realize this dream. In Rainforest, found objects and carefully constructed materials are arranged throughout a space. Special devices called "tactile transducers" are attached to the objects, allowing performers to activate them with sounds of their own choice, creating what Tudor called "an electronic ecosystem." Due to the specific resonance frequencies of each object, each one becomes a very unique loudspeaker. The concert will be preceded by a workshop by Phil Edelstein, one of David Tudor's original collaborators and a founding member of his legendary collective, Composers inside Electronics. Join us for an evening of new works and interpretations inspired by Tudor's visionary approach to sound, space, and materiality.
November 6, 2025 at 2:09 AM
angelahudsonjones.bsky.social
Minnie Evans (1892-1987) Face and Eyes Colored pencil, crayon and ink on paper. Minor toning consistent with age of paper, otherwise excellent condition image 12 x 9 in. hand-carved frame 23.5 x 20 in.
November 3, 2025 at 7:08 PM
angelahudsonjones.bsky.social
November 3, 2025 at 6:51 PM
angelahudsonjones.bsky.social
concert poster: Bilders EMPATHETIC DUSTBIN TOUR Tues Nov 4 Audio Foundation Auckland 7:30pm Wed Nov 5 Cabana Napier 8pm Thur Nov 6 Pyramid Club Wellington 8pm Fri Nov 7 Lyttelton Coffee Co Christchurch 8pm Sat Nov 8 Pearl Diver Dunedin 8:30pm Tickets $15/20 *AKL$20/25 UNDER THE RADAR /Door Sales Poster & Album art Gunnar Lundkvist BILDERS NEVERLASTING NEW ALBUM NEVERLASTING at Flying Out NOW .
November 3, 2025 at 4:09 PM
angelahudsonjones.bsky.social
still from ‘Dreams That Money Can Buy’ Woman swallowing a golden ball, Desire scene, directed by Hans Richter, 1947.
October 30, 2025 at 6:02 AM
angelahudsonjones.bsky.social
still from ‘Dreams That Money Can Buy’ Joe’s eye reflected in the blue poker chip, Narcissus scene, directed by Hans Richter, 1947.
October 30, 2025 at 6:00 AM
angelahudsonjones.bsky.social
Bilders new album is a mix of psychic adventures, hard psychedelia and commentary with a bite. Bilders have always sung outliers with a heap of empathy— exploitation of migrants, unmitigated killing and the state of our depleted planet. This album maintains an analog feel with technical finesse as it casts a cold eye on uses and abuses of power in the higher echelons. It is pure Bilders. Surprise collaborations bring in fresh tangents of colour and emotional edge. "We are the Neverlasting renter-squatters of Earth exhausted". The band is once again the voice/guitar of Bill Direen, bass of Matt Swanson and near everything else by Alex McManus, with guesting by former Bilders. It's the same lineup as last year's acclaimed Dustbin of Empathy, and the first 'core' Bilders lineup to remain constant for more than one album. The new compatibility shows. It's an album that builds on current strengths. Notable guestings include Athens Georgia lights Claire Horne of 1980s BBQ Killers, and Curtiss Pernice, guitarist of heavy vanguard Porn Orchard, with a snook-in from experimental and electronic prince Todd Gerber. Two never-released tunes by vintage Bilders (Stu Page and Greig Bainbridge) sit perfectly with the new material. This is quite simply the strongest Bilders album ever. Bilders are led by poet-songwriter and novelist Bill Direen. Magnet Magazine described Direen 'standing with Chris Knox in the vanguard of the country's nonconformist rock pantheon; he's hung in there through some cruel ups and downs.' Graham Reid called Dustbin of Empathy gently beautiful, left-field pop songs, another excellent, entrancing and slightly chilling Direen album. A small booklet (GY15-1) called 'Apropos' with lots of never-before seen photos and short writings by Bill about music will be on sale at the gigs as long as stocks last. —bandcamp
October 28, 2025 at 4:32 PM
angelahudsonjones.bsky.social
stereolab at the bellwether theater, october 26 2025, los angeles.
October 27, 2025 at 6:28 PM
angelahudsonjones.bsky.social
here he is with a cat
Georges Perec (1936 – 1982) with a cat on his shoulder. photo by Anne de Brunhoff.
October 27, 2025 at 6:20 PM
angelahudsonjones.bsky.social
color photograph of a substantial orange tabby attempting to cast spells on all who gaze upon his magnificent underbelly. photographed by: gregory thorp, cincinnati oh, october 2025.
October 25, 2025 at 3:09 PM