Forgotten Great Film Performances
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Udo Kier - Bacurau (Kleber Mendonça Filho, 2019)
RIP to one of film history’s most prolific and international actors, versatile as character actor and leading man alike. In Mendonça’s gorgeous Weird Western, he has a fun, grandiose villain role in the midst of a unique film. I loved watching Kier.
RIP to one of film history’s most prolific and international actors, versatile as character actor and leading man alike. In Mendonça’s gorgeous Weird Western, he has a fun, grandiose villain role in the midst of a unique film. I loved watching Kier.
Martin Clunes - 📽️ Shakespeare in Love (John Madden, 1988)
In general, Madden’s period comedy is far better than its longtime reputation and Oscar backlash. That goes triple for the ensemble and deep supporting cast, like underused film actor Clunes as real actor Richard Burbage.
RIP Tom Stoppard!
In general, Madden’s period comedy is far better than its longtime reputation and Oscar backlash. That goes triple for the ensemble and deep supporting cast, like underused film actor Clunes as real actor Richard Burbage.
RIP Tom Stoppard!
December 1, 2025 at 8:25 PM
Martin Clunes - 📽️ Shakespeare in Love (John Madden, 1988)
In general, Madden’s period comedy is far better than its longtime reputation and Oscar backlash. That goes triple for the ensemble and deep supporting cast, like underused film actor Clunes as real actor Richard Burbage.
RIP Tom Stoppard!
In general, Madden’s period comedy is far better than its longtime reputation and Oscar backlash. That goes triple for the ensemble and deep supporting cast, like underused film actor Clunes as real actor Richard Burbage.
RIP Tom Stoppard!
Reposted by Forgotten Great Film Performances
Dianne Wiest - 📽️ Rabbit Hole (John Cameron Mitchell, 2010)
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
November 17, 2025 at 9:04 PM
Dianne Wiest - 📽️ Rabbit Hole (John Cameron Mitchell, 2010)
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
Reposted by Forgotten Great Film Performances
Colleen Camp - 📽️ They All Laughed (Peter Bogdanovich, 1981)
Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
November 19, 2025 at 6:17 AM
Colleen Camp - 📽️ They All Laughed (Peter Bogdanovich, 1981)
Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
Reposted by Forgotten Great Film Performances
Tom Hollander - 📽️ Pride & Prejudice (Joe Wright, 2005)
Equaling or eclipsing David Bamber (in the miniseries) as the definitive portrayal of the famously dull and status-obsessed Mr Collins, Hollander became booked forevermore. He finds a way to make him creepy and annoying, but still sympathetic.
Equaling or eclipsing David Bamber (in the miniseries) as the definitive portrayal of the famously dull and status-obsessed Mr Collins, Hollander became booked forevermore. He finds a way to make him creepy and annoying, but still sympathetic.
November 19, 2025 at 7:05 PM
Tom Hollander - 📽️ Pride & Prejudice (Joe Wright, 2005)
Equaling or eclipsing David Bamber (in the miniseries) as the definitive portrayal of the famously dull and status-obsessed Mr Collins, Hollander became booked forevermore. He finds a way to make him creepy and annoying, but still sympathetic.
Equaling or eclipsing David Bamber (in the miniseries) as the definitive portrayal of the famously dull and status-obsessed Mr Collins, Hollander became booked forevermore. He finds a way to make him creepy and annoying, but still sympathetic.
Reposted by Forgotten Great Film Performances
With the full understanding that Stoppard’s most profound work was in his plays, I’d love to do a mini-marathon of his work in adapting novels into screenplays for movies of varying quality.
November 29, 2025 at 9:29 PM
With the full understanding that Stoppard’s most profound work was in his plays, I’d love to do a mini-marathon of his work in adapting novels into screenplays for movies of varying quality.
Udo Kier - Bacurau (Kleber Mendonça Filho, 2019)
RIP to one of film history’s most prolific and international actors, versatile as character actor and leading man alike. In Mendonça’s gorgeous Weird Western, he has a fun, grandiose villain role in the midst of a unique film. I loved watching Kier.
RIP to one of film history’s most prolific and international actors, versatile as character actor and leading man alike. In Mendonça’s gorgeous Weird Western, he has a fun, grandiose villain role in the midst of a unique film. I loved watching Kier.
November 30, 2025 at 8:54 PM
Udo Kier - Bacurau (Kleber Mendonça Filho, 2019)
RIP to one of film history’s most prolific and international actors, versatile as character actor and leading man alike. In Mendonça’s gorgeous Weird Western, he has a fun, grandiose villain role in the midst of a unique film. I loved watching Kier.
RIP to one of film history’s most prolific and international actors, versatile as character actor and leading man alike. In Mendonça’s gorgeous Weird Western, he has a fun, grandiose villain role in the midst of a unique film. I loved watching Kier.
Reposted by Forgotten Great Film Performances
RIP Dharmendra, an unparalleled titan of Indian cinema, from his iconic early roles to his fostering of the Deol dynasty. if you're unfamiliar with classic Bollywood and need a solid intro, there are endless "Dharminder" choices: Anupama, Sholay, Chupke Chupke, Seeta Aur Geeta ...
Sholay Train Action Scene | Amitabh, Dharmendra, Sanjeev Kumar | NH Studioz | HD
YouTube video by NH Studioz
youtu.be
November 24, 2025 at 2:39 PM
RIP Dharmendra, an unparalleled titan of Indian cinema, from his iconic early roles to his fostering of the Deol dynasty. if you're unfamiliar with classic Bollywood and need a solid intro, there are endless "Dharminder" choices: Anupama, Sholay, Chupke Chupke, Seeta Aur Geeta ...
Ron Perlman - 📽️ The Name of the Rose (Jean-Jacques Annaud, 1986)
The studious and precise Perlman had impressive, convincing commitment to the hunchback speaking mixed-language sentences of six languages at once. It guaranteed him a long genre career as frightening misfits and loners with a heart.
The studious and precise Perlman had impressive, convincing commitment to the hunchback speaking mixed-language sentences of six languages at once. It guaranteed him a long genre career as frightening misfits and loners with a heart.
November 23, 2025 at 6:18 PM
Ron Perlman - 📽️ The Name of the Rose (Jean-Jacques Annaud, 1986)
The studious and precise Perlman had impressive, convincing commitment to the hunchback speaking mixed-language sentences of six languages at once. It guaranteed him a long genre career as frightening misfits and loners with a heart.
The studious and precise Perlman had impressive, convincing commitment to the hunchback speaking mixed-language sentences of six languages at once. It guaranteed him a long genre career as frightening misfits and loners with a heart.
Lara Flynn Boyle - 📽️ Red Rock West (John Dahl, 1994)
Dahl’s neo-noir is one of the most memorable of the ‘90s for its western setting and its headliners—Boyle, plus fellow David Lynch alums Nicolas Cage and Dennis Hopper. The eternally underrated actress makes a terrific unpredictable femme fatale.
Dahl’s neo-noir is one of the most memorable of the ‘90s for its western setting and its headliners—Boyle, plus fellow David Lynch alums Nicolas Cage and Dennis Hopper. The eternally underrated actress makes a terrific unpredictable femme fatale.
November 23, 2025 at 5:09 PM
Lara Flynn Boyle - 📽️ Red Rock West (John Dahl, 1994)
Dahl’s neo-noir is one of the most memorable of the ‘90s for its western setting and its headliners—Boyle, plus fellow David Lynch alums Nicolas Cage and Dennis Hopper. The eternally underrated actress makes a terrific unpredictable femme fatale.
Dahl’s neo-noir is one of the most memorable of the ‘90s for its western setting and its headliners—Boyle, plus fellow David Lynch alums Nicolas Cage and Dennis Hopper. The eternally underrated actress makes a terrific unpredictable femme fatale.
Mercedes Ruehl - 📽️ Married to the Mob (Jonathan Demme, 1988)
Demme ensembles were often toweringly great, and Ruehl shone as the jealous wife of mob boss Tony “The Tiger” Russo (an Oscar-nominated Dean Stockwell). In her unhinged rampage after Michelle Pfeiffer, she channels some hysterical demon.
Demme ensembles were often toweringly great, and Ruehl shone as the jealous wife of mob boss Tony “The Tiger” Russo (an Oscar-nominated Dean Stockwell). In her unhinged rampage after Michelle Pfeiffer, she channels some hysterical demon.
November 23, 2025 at 3:14 AM
Mercedes Ruehl - 📽️ Married to the Mob (Jonathan Demme, 1988)
Demme ensembles were often toweringly great, and Ruehl shone as the jealous wife of mob boss Tony “The Tiger” Russo (an Oscar-nominated Dean Stockwell). In her unhinged rampage after Michelle Pfeiffer, she channels some hysterical demon.
Demme ensembles were often toweringly great, and Ruehl shone as the jealous wife of mob boss Tony “The Tiger” Russo (an Oscar-nominated Dean Stockwell). In her unhinged rampage after Michelle Pfeiffer, she channels some hysterical demon.
Kayvan Novak - 📽️ Four Lions (Chris Morris, 2010)
Novak is a relentless source of laughs in one of the best 21st Century comedies as Waj, clueless but conflicted cousin to Riz Ahmed’s Omar. They play attempted homegrown terrorist Jihadis, and Novak anchors the twisted emotional climax with Ahmed.
Novak is a relentless source of laughs in one of the best 21st Century comedies as Waj, clueless but conflicted cousin to Riz Ahmed’s Omar. They play attempted homegrown terrorist Jihadis, and Novak anchors the twisted emotional climax with Ahmed.
November 22, 2025 at 1:57 AM
Kayvan Novak - 📽️ Four Lions (Chris Morris, 2010)
Novak is a relentless source of laughs in one of the best 21st Century comedies as Waj, clueless but conflicted cousin to Riz Ahmed’s Omar. They play attempted homegrown terrorist Jihadis, and Novak anchors the twisted emotional climax with Ahmed.
Novak is a relentless source of laughs in one of the best 21st Century comedies as Waj, clueless but conflicted cousin to Riz Ahmed’s Omar. They play attempted homegrown terrorist Jihadis, and Novak anchors the twisted emotional climax with Ahmed.
Stephen McHattie- 📽️ A History of Violence (David Cronenberg, 2005)
“I said… COFFEE!”
The versatile Canadian actor relished a brief but vital tone-setting role as the diner robber in Cronenberg’s terrific thriller. His snarling showdown with Viggo Mortensen is a tense highlight, hooking you early.
“I said… COFFEE!”
The versatile Canadian actor relished a brief but vital tone-setting role as the diner robber in Cronenberg’s terrific thriller. His snarling showdown with Viggo Mortensen is a tense highlight, hooking you early.
November 21, 2025 at 10:55 PM
Stephen McHattie- 📽️ A History of Violence (David Cronenberg, 2005)
“I said… COFFEE!”
The versatile Canadian actor relished a brief but vital tone-setting role as the diner robber in Cronenberg’s terrific thriller. His snarling showdown with Viggo Mortensen is a tense highlight, hooking you early.
“I said… COFFEE!”
The versatile Canadian actor relished a brief but vital tone-setting role as the diner robber in Cronenberg’s terrific thriller. His snarling showdown with Viggo Mortensen is a tense highlight, hooking you early.
Reposted by Forgotten Great Film Performances
Delphine Seyrig - 📽️ India Song (Marguerite Duras, 1975)
This is another film where breathtaking framing and blocking are the chief appeal, but its star makes it a winning character study too. Seyrig does a lot of quiet processing in the post-colonial tale of an ambassador’s bored wife in Calcutta.
This is another film where breathtaking framing and blocking are the chief appeal, but its star makes it a winning character study too. Seyrig does a lot of quiet processing in the post-colonial tale of an ambassador’s bored wife in Calcutta.
June 28, 2025 at 11:53 PM
Delphine Seyrig - 📽️ India Song (Marguerite Duras, 1975)
This is another film where breathtaking framing and blocking are the chief appeal, but its star makes it a winning character study too. Seyrig does a lot of quiet processing in the post-colonial tale of an ambassador’s bored wife in Calcutta.
This is another film where breathtaking framing and blocking are the chief appeal, but its star makes it a winning character study too. Seyrig does a lot of quiet processing in the post-colonial tale of an ambassador’s bored wife in Calcutta.
Reposted by Forgotten Great Film Performances
Isla Fisher - 📽️ Definitely, Maybe (Adam Brooks, 2008)
Every studio romcom with a stacked ensemble is bound to have at least one knockout performance bringing their A-game. Armed with Hollywood’s best fake American accent, Fisher charms every second as the lovable and darkly funny April.
#filmsky
Every studio romcom with a stacked ensemble is bound to have at least one knockout performance bringing their A-game. Armed with Hollywood’s best fake American accent, Fisher charms every second as the lovable and darkly funny April.
#filmsky
October 12, 2025 at 6:31 PM
Isla Fisher - 📽️ Definitely, Maybe (Adam Brooks, 2008)
Every studio romcom with a stacked ensemble is bound to have at least one knockout performance bringing their A-game. Armed with Hollywood’s best fake American accent, Fisher charms every second as the lovable and darkly funny April.
#filmsky
Every studio romcom with a stacked ensemble is bound to have at least one knockout performance bringing their A-game. Armed with Hollywood’s best fake American accent, Fisher charms every second as the lovable and darkly funny April.
#filmsky
Reposted by Forgotten Great Film Performances
Mark Strong - 📽️ Tinker Tailor Soldier Spy (Tomas Alfredson, 2011)
This movie is so damn good that it’s hard to pick standouts from the supporting cast, but my mind always drifts to Strong—who everyone rushes to cast after this. He opens the movie, haunts its margins, and serves as its conscience.
This movie is so damn good that it’s hard to pick standouts from the supporting cast, but my mind always drifts to Strong—who everyone rushes to cast after this. He opens the movie, haunts its margins, and serves as its conscience.
November 7, 2025 at 7:02 PM
Mark Strong - 📽️ Tinker Tailor Soldier Spy (Tomas Alfredson, 2011)
This movie is so damn good that it’s hard to pick standouts from the supporting cast, but my mind always drifts to Strong—who everyone rushes to cast after this. He opens the movie, haunts its margins, and serves as its conscience.
This movie is so damn good that it’s hard to pick standouts from the supporting cast, but my mind always drifts to Strong—who everyone rushes to cast after this. He opens the movie, haunts its margins, and serves as its conscience.
Reposted by Forgotten Great Film Performances
Lisa Bonet - 📽️ Angel Heart (Alan Parker, 1987)
This casting was the subject of much debate and controversy at the time. Revisited today, it’s clearly one of the great debuts in a major film. Bonet learned the voodoo and stood out in a film with Mickey Rourke, Charlotte Rampling, and Robert De Niro.
This casting was the subject of much debate and controversy at the time. Revisited today, it’s clearly one of the great debuts in a major film. Bonet learned the voodoo and stood out in a film with Mickey Rourke, Charlotte Rampling, and Robert De Niro.
October 18, 2025 at 8:21 PM
Lisa Bonet - 📽️ Angel Heart (Alan Parker, 1987)
This casting was the subject of much debate and controversy at the time. Revisited today, it’s clearly one of the great debuts in a major film. Bonet learned the voodoo and stood out in a film with Mickey Rourke, Charlotte Rampling, and Robert De Niro.
This casting was the subject of much debate and controversy at the time. Revisited today, it’s clearly one of the great debuts in a major film. Bonet learned the voodoo and stood out in a film with Mickey Rourke, Charlotte Rampling, and Robert De Niro.
Reposted by Forgotten Great Film Performances
Ian McKellen - 📽️ The Keep (Michael Mann, 1983)
Mann’s gonzo horror-fantasy epic was a maligned failure that has since amassed a cult following. The early McKellen role is one of the highlights; he’s the historian entangled in doing the bidding of the demon Molasar. Nobody sells hot nonsense better.
Mann’s gonzo horror-fantasy epic was a maligned failure that has since amassed a cult following. The early McKellen role is one of the highlights; he’s the historian entangled in doing the bidding of the demon Molasar. Nobody sells hot nonsense better.
October 18, 2025 at 10:48 PM
Ian McKellen - 📽️ The Keep (Michael Mann, 1983)
Mann’s gonzo horror-fantasy epic was a maligned failure that has since amassed a cult following. The early McKellen role is one of the highlights; he’s the historian entangled in doing the bidding of the demon Molasar. Nobody sells hot nonsense better.
Mann’s gonzo horror-fantasy epic was a maligned failure that has since amassed a cult following. The early McKellen role is one of the highlights; he’s the historian entangled in doing the bidding of the demon Molasar. Nobody sells hot nonsense better.
Reposted by Forgotten Great Film Performances
Angela Bettis - 📽️ May (Lucky McKee, 2003)
Another case of “the less I tell you about this movie’s plot, the better”, but a lot of cult movie fans already know. Bettis holds her own as the star opposite Anna Faris, Jeremy Sisto, and James Duval as our unforgettably unhinged (yet sweet) protagonist.
Another case of “the less I tell you about this movie’s plot, the better”, but a lot of cult movie fans already know. Bettis holds her own as the star opposite Anna Faris, Jeremy Sisto, and James Duval as our unforgettably unhinged (yet sweet) protagonist.
October 31, 2025 at 3:01 AM
Angela Bettis - 📽️ May (Lucky McKee, 2003)
Another case of “the less I tell you about this movie’s plot, the better”, but a lot of cult movie fans already know. Bettis holds her own as the star opposite Anna Faris, Jeremy Sisto, and James Duval as our unforgettably unhinged (yet sweet) protagonist.
Another case of “the less I tell you about this movie’s plot, the better”, but a lot of cult movie fans already know. Bettis holds her own as the star opposite Anna Faris, Jeremy Sisto, and James Duval as our unforgettably unhinged (yet sweet) protagonist.
Tom Hollander - 📽️ Pride & Prejudice (Joe Wright, 2005)
Equaling or eclipsing David Bamber (in the miniseries) as the definitive portrayal of the famously dull and status-obsessed Mr Collins, Hollander became booked forevermore. He finds a way to make him creepy and annoying, but still sympathetic.
Equaling or eclipsing David Bamber (in the miniseries) as the definitive portrayal of the famously dull and status-obsessed Mr Collins, Hollander became booked forevermore. He finds a way to make him creepy and annoying, but still sympathetic.
November 19, 2025 at 7:05 PM
Tom Hollander - 📽️ Pride & Prejudice (Joe Wright, 2005)
Equaling or eclipsing David Bamber (in the miniseries) as the definitive portrayal of the famously dull and status-obsessed Mr Collins, Hollander became booked forevermore. He finds a way to make him creepy and annoying, but still sympathetic.
Equaling or eclipsing David Bamber (in the miniseries) as the definitive portrayal of the famously dull and status-obsessed Mr Collins, Hollander became booked forevermore. He finds a way to make him creepy and annoying, but still sympathetic.
Colleen Camp - 📽️ They All Laughed (Peter Bogdanovich, 1981)
Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
November 19, 2025 at 6:17 AM
Colleen Camp - 📽️ They All Laughed (Peter Bogdanovich, 1981)
Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
Camp is so charming in this stacked ensemble romantic comedy, Bogdanovich’s favourite of his own films. Her showcase parts are always spunky, sexy, funny, and more memorable than the written role. Her acting while singing here is divine.
Dianne Wiest - 📽️ Rabbit Hole (John Cameron Mitchell, 2010)
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
November 17, 2025 at 9:04 PM
Dianne Wiest - 📽️ Rabbit Hole (John Cameron Mitchell, 2010)
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
It’s hard to imagine a stronger ringer than Wiest, the only living person to win Best Supporting Actress twice. Mitchell deploys her as one of Nicole Kidman’s best-ever scene partners, with a monologue on grief that’s the film’s best scene.
George Gaynes - 📽️ Police Academy (Hugh Wilson, 1984)
This movie is so stupid. A lot of the time, it barely even has real jokes. So it’s a lot more watchable than it should be with the help of cast standouts like G.W. Bailey, Bubba Smith, Michael Winslow, and Gaynes—who channels Leslie Nielsen.
This movie is so stupid. A lot of the time, it barely even has real jokes. So it’s a lot more watchable than it should be with the help of cast standouts like G.W. Bailey, Bubba Smith, Michael Winslow, and Gaynes—who channels Leslie Nielsen.
November 16, 2025 at 6:51 PM
George Gaynes - 📽️ Police Academy (Hugh Wilson, 1984)
This movie is so stupid. A lot of the time, it barely even has real jokes. So it’s a lot more watchable than it should be with the help of cast standouts like G.W. Bailey, Bubba Smith, Michael Winslow, and Gaynes—who channels Leslie Nielsen.
This movie is so stupid. A lot of the time, it barely even has real jokes. So it’s a lot more watchable than it should be with the help of cast standouts like G.W. Bailey, Bubba Smith, Michael Winslow, and Gaynes—who channels Leslie Nielsen.
Tatsuya Nakadai - 📽️ The Sword of Doom (Kihachi Okamoto, 1966)
In one of his best performances, the Japanese legend plays a swordsman protagonist who is nastier and more bloodthirsty than you’ll ever see in classic Samurai films.
RIP to one of the most versatile, mesmerizing actors of the century.
In one of his best performances, the Japanese legend plays a swordsman protagonist who is nastier and more bloodthirsty than you’ll ever see in classic Samurai films.
RIP to one of the most versatile, mesmerizing actors of the century.
November 14, 2025 at 3:57 AM
Tatsuya Nakadai - 📽️ The Sword of Doom (Kihachi Okamoto, 1966)
In one of his best performances, the Japanese legend plays a swordsman protagonist who is nastier and more bloodthirsty than you’ll ever see in classic Samurai films.
RIP to one of the most versatile, mesmerizing actors of the century.
In one of his best performances, the Japanese legend plays a swordsman protagonist who is nastier and more bloodthirsty than you’ll ever see in classic Samurai films.
RIP to one of the most versatile, mesmerizing actors of the century.
Reposted by Forgotten Great Film Performances
Farewell to one of brightest stars of the golden age of Japanese cinema: Nakadai Tatsuya, who starred in some of history's greatest films, has passed away at the age of 92. Major roles included those in Ran, Hara Kiri, Yojimbo, Sanjuro, Kagemusha, The Human Condition, and many more.
November 11, 2025 at 1:20 PM
Farewell to one of brightest stars of the golden age of Japanese cinema: Nakadai Tatsuya, who starred in some of history's greatest films, has passed away at the age of 92. Major roles included those in Ran, Hara Kiri, Yojimbo, Sanjuro, Kagemusha, The Human Condition, and many more.
Reposted by Forgotten Great Film Performances
Oscar-nominated actor Sally Kirkland, known for "Anna" and "The Sting," has died at age 84.
Sally Kirkland, stage and screen star who earned an Oscar nomination in 'Anna,' dies at age 84
Sally Kirkland, a former model turned actress, has died at age 84. Known for her roles in "The Sting" and the Oscar-nominated "Anna," Kirkland passed away on Tuesday.
bit.ly
November 11, 2025 at 2:37 PM
Oscar-nominated actor Sally Kirkland, known for "Anna" and "The Sting," has died at age 84.