Researches colonialism and Eurocentrism in relation to religion and ritual in museums and Irish cultural industries.
Changing Ireland Gallery Highlights | National Museum of Ireland share.google/L0x6DEq3SnxR...
Changing Ireland Gallery Highlights | National Museum of Ireland share.google/L0x6DEq3SnxR...
'Belfast’s ‘bad girls’ and gender-based discrimination, c.1870-1920'
www.qub.ac.uk/courses/post...
'Belfast’s ‘bad girls’ and gender-based discrimination, c.1870-1920'
www.qub.ac.uk/courses/post...
'Childcare provision in late twentieth-century Northern Ireland (1960s-1990s)'
www.qub.ac.uk/courses/post...
We wanted to find out. 🧵
As part of our policy programme on social and cultural infrastructure, we commissioned London Development Trust to explore this question.
We wanted to find out. 🧵
As part of our policy programme on social and cultural infrastructure, we commissioned London Development Trust to explore this question.
To everyone else they are just "homes"
To everyone else they are just "homes"
What else would you be reading today?
muse.jhu.edu/pub/423/arti...
What else would you be reading today?
muse.jhu.edu/pub/423/arti...
Professor Rebecca Earle FBA explores what the story of this humble crop reveals about nationhood and identity .
Watch the full video here: https://bit.ly/43nRkKm
Professor Rebecca Earle FBA explores what the story of this humble crop reveals about nationhood and identity .
Watch the full video here: https://bit.ly/43nRkKm
apnews.com/article/jewe...
apnews.com/article/jewe...
Outlines a conceptual framework for ‘emotion’ comprised of responses, attachments, and communities built from evidence from places across England and Scotland.
Outlines a conceptual framework for ‘emotion’ comprised of responses, attachments, and communities built from evidence from places across England and Scotland.
Thursday November 6 18:00-19:00 Iontas Building, First Floor, Room 1.33.
'Bird' (2018) by Bruce Marks is on display in 'Art of the Possible'.
With 'Bird', Marks has stripped back the form of a bird to its essentials, where it retains its undeniable bird-like quality. The bright red opening of the glass sculpture mimics the gaping beak of a bird.