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arachnophiliac.bsky.social
Arachnophiliac
@arachnophiliac.bsky.social
54 followers 21 following 26 posts
RT-Approved Film Critic / Co-Founder and Managing Editor of The Take-Up / Former Bylines: The Lens, Riverfront Times, St. Louis Magazine, Alive Magazine, The Common Reader, The Curator, Temporary Art Review
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cemeteries grow larger the number of defenders is smaller
yet the defense continues it will continue to the end
and if the City falls but a single man escapes
he will carry the City within himself on the roads of exile
he will be the City
My wife and I are a Halloween anniversary couple too! Congrats and many more.
"Stop being such a doomer, it's counter-productive," he said, as he was being fed bodily into a wood chipper.
21 years later do I still have a "Bloodlines" mix on my phone full of Tiamat, Lacuna Coil, Genitorturers, etc.? Surely not. 😬
You Lanthimos-heads want more BUGONIA? You got it. On The Take-Up pod this week, Josh and I attempt to ferret out the secret Andromedans in our midst. Plus bonus talk re: IVANHOE (1952), Liz Taylor, and the latest work from friend-of-the-pod Katie Carter.

open.spotify.com/episode/5Fhu...
Bugonia
open.spotify.com
No matter how much you hate me, you will never hate me as much as I hate myself approximately 10 minutes after I excitedly and tediously ramble at another person about a thing that I'm interested in. My white-hot self-loathing about my awkwardness makes me powerful.
I mean you walk by an armorsmith and see 50 guys who look *just* like you fighting over very complicated breastplates, you go in, yes you do, you go in.
Watched this for about the 20th time tonight and nothing about it makes any fucking sense, every stylistic choice is bizarre, and everyone acts and talks like an alien. 10/10, no notes, perfect film.
When I talk about "vibes horror" where the sensation of a vivid, waking nightmare is privileged about trivial matters like plot coherence, what I mean is SUSPIRIA (1977).
Boys only want one thing and it's the lost Director's Cut of David Nutter's 1998 teen sci-fi horror film DISTURBING BEHAVIOR starring James Mardsen and Katie Holmes.
For The Take-Up, I review BUGONIA. Good stuff from Yorgos Lanthimos, as usual. Close competition with WEAPONS for best ending of 2025.

This timeline mostly sucks, but I'm glad to live in a world where Lanthimos and Stone collided and matched each other's freak.

thetake-up.com/bugonia/
Bugonia - The Take-Up
Teddy (Jesse Plemons) has a plan. He has done his research. He has procured all the necessary supplies, including padlocks, steel cables, and bulk quantities of antihistamine cream. He has carefully p...
thetake-up.com
At The Take-Up, guest contributor (and friend of the site) Cliff Froehlich praises Julia Loktev's urgent, epic documentary, MY UNDESIRABLE FRIENDS: PART 1 - LAST AIR IN MOSCOW, which will be screening at the Webster University Film Series this weekend.

thetake-up.com/my-undesirab...
My Undesirable Friends: Part 1 – Last Air in Moscow - The Take-Up
A group portrait of seven independent Russian journalists, My Undesirable Friends: Part 1 - Last Air in Moscow – which screens at Webster University from Oct. 24-26 – saddens, inspires, and enrages in...
thetake-up.com
This week on the The Take-Up Podcast, Josh and I welcome critic Alex McPherson to talk his "Permanent Cinema" selection, Edgar Wright's HOT FUZZ (2007). We get into the nitty-gritty of parody, homage, violence, genre, and the beauty of Dudes Rock Cinema.

open.spotify.com/episode/3r9K...
Hot Fuzz (with Alex McPherson)
open.spotify.com
You want more ONE BATTLE AFTER ANOTHER content? You got it! On the Take-Up pod this week, Josh and I get *very* animated (if a bit scattered) while enthusing about Paul Thomas Anderson's new feature. I also slide some praise for GHOST OF YOTEI in there.

open.spotify.com/episode/56IB...
One Battle After Another
open.spotify.com
Villeneuve's masterpiece. I said it.
Enemy, 2013 Denis Villeneuve

"It's was Hegel who said that all the greatest world events happen twice. And then, Karl Marx added, the first time it was a tragedy and the second time it was a farce."

#filmsky #moviesky
This week on the Take-Up pod, Josh and I are joined by Billy Rock of Do You Like Apples for a discussion of Billy's "Permanent Cinema" pick, M. Night Shyamalan's SIGNS (2002). Fate, faith, genre, invasion logistics, and MNS's storied career are discussed.

open.spotify.com/episode/64Uu...
Signs (with Billy Rock)
open.spotify.com
Josh and I shift to new releases this week to talk Francis Lawrence's THE LONG WALK. Much discussion of Stephen King, adaptations, fascism, Vietnam, male-male situationships, and more. Bonus discussion of HIM and our favorite poorly regarded King films.

open.spotify.com/episode/3pK0...
The Long Walk
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This week The Take-Up opens its doors to St. Louis film legend Cliff Froehlich, who walks us through his formative experiences with Martin Scorsese's dark, galvanic, and still-contentious character study, TAXI DRIVER (1976).

open.spotify.com/episode/2ZWm...
Taxi Driver (with Cliff Froehlich)
open.spotify.com
Was able to drop a shout-out in our closing segment for @emmasloley.bsky.social excellent new post-apocalyptic / zoology nerd novel, THE ISLAND OF LAST THINGS.

bookshop.org/p/books/the-...
The Island of Last Things: A Novel
A Novel
bookshop.org
On The Take-Up podcast, our inventory of "permanent cinema" continues with my inaugural pick, Joel and Ethan Coen's arguably perfect neo-noir/western, NO COUNTRY FOR OLD MEN (2007).

open.spotify.com/episode/7fb1...
No Country for Old Men
open.spotify.com
After a hiatus, The Take-Up podcast has returned with a format shake-up and a new mission: Establishing a "permanent cinema" of old and new classics. The first film up for consideration is Josh's pick, Todd Haynes' 2022 Douglas Sirk homage, FAR FROM HEAVEN (2002).

open.spotify.com/episode/0LA0...
Far From Heaven (2002)
open.spotify.com
cemeteries grow larger the number of defenders is smaller
yet the defense continues it will continue to the end
and if the City falls but a single man escapes
he will carry the City within himself on the roads of exile
he will be the City