Aidan Ghyll
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aidanghyll.bsky.social
Aidan Ghyll
@aidanghyll.bsky.social
100 followers 170 following 25 posts
Writing fiction as Aidan Ghyll. YA, sci-fi, neo-mediaeval. Also musician, professor and doctor of horror.
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Thanks so much! Is it a firm or an individual? May I know the name?
Thanks again.
Blimey - that’s very generous! Would they need the usual package?
Wrote the novel this year. But many years of academic writing - on videogames and children’s lit!
Did you get an agent first?
Very impressed by your publications! I need advice! Thanks for reposting my blurb.
Hi Lucy!
I am! But deep into the agent query game … One novel of a quartet complete and into the second. How about you?
Reposted by Aidan Ghyll
Our new set of rants, coming up on the next album! Here’s a live version from our last gig.

youtu.be/4UoChU-XUfw?...
CAMUS RANT SET
YouTube video by CAMUS MUSIC
youtu.be
Reposted by Aidan Ghyll
"It is a time to engage with literature written by scholars of colour–voices that are too often marginalised in mainstream academic discourse. It is also a time to challenge the dominant narratives that shape our curricula, our research frameworks, and our institutional cultures" uclioe.info/bhm2025
Reposted by Aidan Ghyll
The national curriculum should respond to the climate and nature crisis, emphasises a new policy proposal by UCL academics from @ucl-cccse.bsky.social

www.ucl.ac.uk/ioe/news/2025/...
Excited to complete first chapter of second book in the series. All the hard world-building in the first book is paying off!
Draft blurb for my novel, The Phantom Flame: In the mighty city of Cant, high above the drowned fenlands of a broken Albion, servant girl Chas Berryman inherits an ancient stone of power. She and her friends are swept into a world of spies, rebels and junk-pirates. And the mysterious Grey Heron.
First felt like a writer at age 11, when I won this prize at school for a description of a coral reef in Malaysia where I lived then. The choice of book indicates also an abiding interest in horror, later to be my PhD subject!
That’s what I call pressure.
I’ve drawn maps in my novel. Big fan of literary maps - Ransome, Tolkien, Stevenson, Lewis. Fascinating project @lancasteruni.bsky.social on Chronotopic Cartographies. Here are my maps of the future (2154) city of Cant.
I’m drawing the characters in my novel. I’m not intending it to be illustrated, apart from cover art. It’s more like casting them for a film adaptation. Thinking of authors who draw … Mervyn Peake’s haunting sketches; Lewis Carroll’s unfunny drawings of Alice; St-Exupery’s naive watercolours…
It’s very weird to have taught literature my whole life and now be writing it. Can’t find the right metaphor … anyway, maybe I’m getting used to it.
Reposted by Aidan Ghyll
Join us next year 31st July - 7 August 2026.
A limited number of season tickets are now on sale (online only) at 2025 Super Early bird rates. This is the lowest these tickets will be. sidmouthfolkfestival.co.uk/tickets/
I reckon an academic book is 80% writing, 20% editing. I’m coming to realise that a novel is the complete inverse.
Enjoying the (admittedly interminable) process of self-editing my novel. Completely different from academic books I’ve written. Continuities, false notes, tone and texture. Unpicking and restitching bits in a tapestry. “Polissez-le sans cesse et le répolissez” - Boileau nailed it.
Fascinating discovery of letter by the young ST Coleridge. We sometimes forget that the greatest writers were prone to self-doubt.
Reposted by Aidan Ghyll
This week we caught up with the wonderful @jackieoates.bsky.social to explore her fascinating new show she’s bringing to Sidmouth this summer and hear about some of her favourite Sidmouth moments…

Read the full piece here: sidmouthfolkfestival.co.uk/q-a-with-jac...
Reposted by Aidan Ghyll
Looking forward to our five events @sidmouthfolkfest.bsky.social - three Northumbrian workshops, a concert and a talk on children’s folklore! Come and unleash your inner Northumbrian!
There’s a novel or two in this, for sure.
These images are taken from a 14th Century codex in Middle English & Latin.

The first illumination shows a man, 'Harry the Hayward', and his dog, 'Talbat'. Although the talbot is a dog breed, there are other medieval examples of this being used as a dog name – notably in Chaucer’s Canterbury Tales.