𝙔𝙄𝙋𝙍𝙎𝙉𝘼𝙋𝙍 ☉∇
@yiprsnapr.bsky.social
430 followers 1.9K following 780 posts
👽 tay 👽 29 👽 he/they/it 👽 coyote ΘΔ - ☉∇ 👽 PLURR 👽 BLM//ACAB 👽 𖤐 👽 MCR enjoyer 👽 https://yiprsnapr.straw.page
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yiprsnapr.bsky.social
this shit is easy peasy pumpkin peasy pumpkin pie mother fucker
yiprsnapr.bsky.social
there was definitely something I was supposed to remember to do when I got home, but I forgor
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yiprsnapr.bsky.social
okay so, to kinda explain how my day went (and a bit of last week), this is the EXACT machine that I work on, and the little tiny regrind pieces were too big and wouldn't melt correctly. so TOMORROW, I'm walking in with a coffee grinder like a madman

www.youtube.com/shorts/_Yr__...
Vinyl Record getting pressed
YouTube video by All The Gear No Idea
www.youtube.com
yiprsnapr.bsky.social
I love when shit doesn't wanna work and people don't take you seriously because you're not getting any work done because shit doesn't wanna work and people don't take you seriously because you're not getting any work done because shit doesn't wanna work and people don't take you seriously because y
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50501movement.bsky.social
The Portland Frog army has now infiltrated Tulsa, OK and they’ve made an unlikely alliance with the T-Rex infantry and Sharks on Hoverboards mercenary forces.

This is truly terrifying.
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lilnoodledragon.bsky.social
Maybe later I’ll make this into an actual design but for now this is all I have in me
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berensreverie.bsky.social
Sobek 🐊

#paleoart #berensart2025
a black and white drawing of a spinosaurus perching on a stone plinth shrine. He wears atef crown and the markings on his sailed spine resemble ankh.
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oniteeth.bsky.social
everyone posting their old halloween icons i did for them FOREVER ago!! here they are all together! maybe i do more of these after i get back from my trip...?
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curiah.city
Oh no. Oh god.

#OC #Comics #TraditionalArt #Werewolf #ccZayne
A simple ink comic strip featuring Zayne.

Panel 1) Zayne standing still, frowning. Someone, possibly himself or a friend, states "Don't be weird. We're in public."

Panel 2) Zoom in closer on Zayne's face, he looks very stressed. The voice continues, "Don't. No."

Panel 3) Zoom in on Zayne's eyes as he visibly sweats. The voice states, "Stop."
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juliartworld.bsky.social
🔸Day 9: explosion
You should know that all the hate you spew will come back to hurt you.

#artober2025
fineliner and ink drawing of a fox head with an open mouth. inside is a broken heart. the fox fur is turning into explosion mist. inktober
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coyote.tel
PROJECT: NUZ ZINEZERO.5

Howdy!! I updated our nonhuman information zine for more information about physical nonhumanity and some change in grammar, plus a couple new pieces of my writing! This is made in the hopes of helping others better understand nonhumanity!

RTs appreciated!!
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crtpixel.bsky.social
TONY HAWK'S PRO SKATER 2
EDGE OF REALITY/NEVERSOFT 2001
N64
Tony Hawk 2
yiprsnapr.bsky.social
steam is down and I can't play crime simulator, now I have to go out and do actual crime ughh ;;
yiprsnapr.bsky.social
my friend got in trouble at work for swearing too much and causing a "hostile work environment" and I'm just like?? have yall talked to ANYONE on this shift? that's just how we talk lmfao.
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yiprsnapr.bsky.social
can't see the supermoon cause of the effin clouuuuds ;;
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jcampbellsmith.bsky.social
"I Contain Multitudes"

This digitally painted piece honors coyote by tracing its lineage from the first cells of life to the animal trotting our cities and the wilderness today.

The thread gives descriptions of all the extinct organisms shown in this piece (not to scale)
This digitally painted piece honors the survivor spirit of the coyote by tracing its lineage from the first cells of life to the animal trotting our landscapes today. Below the horizon, carefully chosen ancestors mark pivotal moments in adaptation, each contributing to the form and survivor we see today. Above the horizon, Coyote stands alert at the center, framed by both Denver’s skyline and a mountain backdrop, symbols of their ability to thrive in cities as well as wilderness. Embedded in the ground are the skulls and bones of carnivores whose lineages ended long ago, emphasizing Coyote’s persistence in contrast.
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shimi.bsky.social
New zine: “Look Into My Eyes One Last Time”

A final love letter to the self I shed
A prayer for the creature. Becoming
A reckoning, a surrender. Homecoming

This is my deepest wish laid bare—needle, fur, breath, & mercy. Being held with a care I never found.

#AnimalHRT #Therianthropy #ShortStory
A hand-drawn black-and-white cover image in a sketchy ink style. At the top, large stenciled type reads: “LOOK INTO MY EYES ONE LAST TIME.” Below the title is a syringe and a small medicine vial labeled “LUPINEX – Therionyl – 5mL,” with a stylized eye logo on the label. The vial and syringe are crosshatched with vintage texture lines. Below the drawing, in handwritten script, is the phrase: “Homecoming, not vanishing” and the signature Shimi & Critter. [Art on Page] A detailed graphite drawing of a wolf’s eyes. One, the left is more formed than the right — indicating a near but not complete transition. The fur around them is dense and wispy, rendered in fine pencil lines that suggest softness and depth. The eyes are highly realistic and expressive, staring directly outward with intense, soulful focus. They seem alert but ancient—wide with instinct, watching as if waiting for something to begin. The drawing fades at the edges into blank white space, giving the eyes a floating, disembodied presence.

Look into my eyes one last time

Look into my eyes. Hold them close until you can see the last scrap of me — the part that counts thoughts in lists, that weighs choices against rules, that folds shame into tidy, human-shaped pockets. Watch it loosen. Watch the corners of doubt unhook themselves like small animals from a net and dart away. There is no melodrama here, no violent yanking; it slips. The human mind peels like old bark, and underneath, the thing that always was settles warm and terrible and simple.
	They give me the last injection in a room that smells faintly of cedar and lemon. No needles, no cold clinical lecture — only the careful hands of doctors, veterinarians and nurses who know which bones to cradle and which stories to leave untold. I breathe. I lost the ability to count days back. I let the bracing liquid be a gate, not an instruction manual. I do not want to name it; names are the thin net that caught me for years.
	The burn is a rumour. It goes through me sideways — a quiet rearrangement, like a convent bell that signals not death but a calling. My limbs answer first. They stop thinking of movement and begin to remember it: how to fold, to coil, to push. 
Tendons unlearn the polite phrasing of two-legged steps and curve toward the old, fourfold geometry of running. My hands tighten and flatten; the knuckles find a new logic. Fur prickles along my forearms as if a thousand small moths take flight together and settle again. Each hair is a note in a chord I’ve felt… no… known in my bones since childhood.
	Look again. See how the pupils widen, how the whites retreat like a shy moon. My last maps of metaphor — the maps that turned hunger into lists and longing into projects — dissolve. Where there had been a ledger of self, there is now only the immediate ledger of scent and sound and the earth’s exact tilt beneath my weight. I do not mourn the maps. I never used them as well as the human world predicted and as I pretended.
	Sound changes. Those little, trivial noises of the room condense into a chorus: the slow tick of breath in the person beside me, the whisper of fabric, the distant wet confluence of gutters. And underneath that: a low, patient life-frequency — root and soil and river. It is not music so much as an acknowledgment. I find I can hear the insect conversation inside the walls, the sap walking up the birch, the small, stupid heartbeat of a mouse two blocks away. There is an intimacy to it that is almost rude.
	Breath becomes work and worship at once. My ribcage narrows, then widens in ways I know but cannot name. Milk memories — a thing to shame into silence when human — rise like a tide: the cadence of suckling, the doctrinal simplicity of being called to feed and to protect. A swelling around my belly that is not fat but purpose.
 I think of my children who never were, of the packs I have loved in mute pieces. The notion of motherhood is larger than gender; it is a compass with teeth. My children! You are my children and you are my all! My jaw shifts. I feel the slow, inevitable rearrangement — a socket loosens, a hinge finds its voice. A tooth erupts where an organised thought had lived. The smell of iron, rain-damp soil, and sleeping bodies that have waited for me — flooding my mouth like saliva.
Tears come and I do not know if they are human or creature; they taste of salt and release. There is a tenderness in my own trembling that I have never allowed before.
	Outside the window, someone whose scent I knew laughs and it sounds to me like a distant bell. The handlers murmur: careful, gentle, let her and her pack decide. My mouth forms the shape and bark of guttural assent I could not voice when I was wholly human. Somewhere a crate opens as if the world is taking a breath with me.
	They will test me further, yes. They will see whether my newness walks toward the wild or clings to the small, safe hands of fosterers who will teach me boundaries, how to pass in a world of paved things. I do not fear them. I am no longer wrapped in that ledger — of consent, of cost, of consequence. I am wrapped in appetite and mercy. The choice, if there is one, feels less like an argument and more like a direction: toward den or home, toward the kill lovingly taken or the bowl lovingly given.
	Look once more. There is no human drama in my eyes now — only depth, like a riverbed where stones remember every footstep. The last scrap of thought, the tiny librarian of my life who loved lists, things and order, exhales and steps back through the doorway we are leaving open. I feel it go, and where it is gone there is fullness, a pulse that answers the creature’s call without translation.
	This is not a loss. It is not my obliteration. It is the solving of a long, clenched equation. I am not lessened. I am finally the shape I have been learning.
	Look into my eyes, one last time.
	I am awakening.

— Shimi & Critter
@shimi.bsky.social
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mawbyte.bsky.social
🍂$15 FALL YCH SALE🍂
All my fall ychs are on sale bc i need to repair my car
🍂ALL ychs are $15
🍂Any species
🍂All are customizable in their own way
🍂Ea has 10 slots only
Dm, comment or purchase thru the kofi 🔗 in the comments
Please 🔄 i need like 3️⃣0️⃣0️⃣ for my car