John Bleasdale
@www.johnbleasdale.com
3.4K followers 2.2K following 4K posts
The Magic Hours: the Life of Terrence Malick Darkness Visible: the Cinema of Jonathan Glazer Variety/Sight&Sound/The New World/Cinema Italia&Writers On Film podcasts https://open.spotify.com/show/7LMnm5Gfb42qUV5qLdymMp?si=CC_zOz5ERTWFm_iij8ImAg
Posts Media Videos Starter Packs
www.johnbleasdale.com
Hungry like the Welsh wolf
www.johnbleasdale.com
I’m happy to announce that I am beginning a new biographical project on Sean Connery.
I am in early stages but if anyone has any contacts, avenues, stories, anecdotes etc then I would love to hear them. Please DM me.
www.johnbleasdale.com
Also there’s no genuine conversation: Obama just monologues Chunks of fireside speechifying with “folks” thrown in twice a paragraph. No self analysis, no candid willingness to challenge. Marc has been so rightfully angry and there was this respect for one of the architects of our current situation
www.johnbleasdale.com
I wish Barack Obama wasn’t Marc Maron’s last guest. chuckling condescension, dismissal of objections to genocide as nitpicking, the idea maybe “folks” got too complacent. What about you motherfucker? Jet-skiing with Richard Branson & the policies which saw deportations & drone strikes for funsies
www.johnbleasdale.com
Age has aged.
Sean Connery was 41 when he shot Diamonds are Forever and
Roger Moore was 57 when he shot View to a Kill but they both look in their 60s
www.johnbleasdale.com
I wish Barack Obama wasn’t Marc Maron’s last guest. chuckling condescension, dismissal of objections to genocide as nitpicking, the idea maybe “folks” got too complacent. What about you motherfucker? Jet-skiing with Richard Branson & the policies which saw deportations & drone strikes for funsies
www.johnbleasdale.com
Picked this up because Krull
www.johnbleasdale.com
We might prefer it to be otherwise but “I’ll let you go” is telephonese for “I don’t want to talk to you anymore”.
www.johnbleasdale.com
Blast I’m already at Gatwick
Reposted by John Bleasdale
jfkenney.bsky.social
The films that almost were. Unproduced, unfinished, or unseen-these screenplays open new chapters in film history.

Unrealized visions by Chaplin, Sturges, De Palma, Mamet, Herzog, Cohen & Rubin.

Resurrected.

More coming soon.

From Sticking Place Books.
www.johnbleasdale.com
I’d watch that. I’m in London where can I get Krull/FilmStories?
Reposted by John Bleasdale
www.johnbleasdale.com
Went to the BFI IMAX for the first time this evening and watched Sirat.
Then hosted a Q&A with the cleverest most intriguing director Oliver Laxe.
www.johnbleasdale.com
I love the Criterion closet in which rich people get given free Blu-rays for advertising.
www.johnbleasdale.com
Went to the BFI IMAX for the first time this evening and watched Sirat.
Then hosted a Q&A with the cleverest most intriguing director Oliver Laxe.
Reposted by John Bleasdale
mrenglish.bsky.social
Post a you from a different era
www.johnbleasdale.com
Post you from a different era
Reposted by John Bleasdale
www.johnbleasdale.com
That sound you hear is Adam Driver firing his agent.
www.johnbleasdale.com
That’s it. I don’t want to disengage from social media. But boy… sometimes.
www.johnbleasdale.com
Worse than spoilers by far are the people who tell you when you e just bought a book or you say you’re on your way to a film “I liked it but didn’t love it” or some such.
They should die gory and painful deaths.
www.johnbleasdale.com
Good to get my good friend’s new novel today