Slant
@slantmagazine.com
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Since 2001, we've brought you uncompromising, candid takes on the world of film, music, television, video games, theater, and more.
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Soulwax's 'All Systems Are Lying' is a pristine object about distortion, a mirror so polished that it barely reveals anything at all. Read our review.
Soulwax 'All Systems Are Lying' Review: TED Talk Techno
The album is like a mirror so polished that it barely reveals anything at all.
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Read our conversation with Josh O’Connor about THE MASTERMIND, how he built out his character’s backstory, how he came to understand America by immersing himself in an era, and more.
Josh O’Connor on 'The Mastermind' and Calibrating Chaos
Josh O'Connor discusses building his character's backstory, understanding America by immersing himself in an era, and more.
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Read our interview with Kelly Reichardt about THE MASTERMIND, collaborating with Josh O’Connor, why she only incorporated the political climate of an era at the periphery of the frame, and more. tinyurl.com/ymt6d5bt
THE CHORAL is historical drama with a handsome enough period setting and a couple of pleasant musical moments but whose roteness keeps it from resonating. #LFF
'The Choral' Review: A Wafer-Thin Dramedy About Music's Power
Nicholas Hytner's film, written by playwright Alan Bennett, sets out to mix comedy with tragedy, but it's an unsuccessful brew.
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We had the incredible honor of speaking with Jafar Panahi about IT WAS JUST AN ACCIDENT, the meaning of “accident” to him, his use of sound in the film, and how nothing can stop him from making movies.
Jafar Panahi on 'It Was Just an Accident' and the Sound of Violence
Jafar Panahi discusses the role of sound in 'It Was Just an Accident,' what the word "accident" means to him, and more.
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Criterion’s 4K UHD Blu-ray of NIGHTMARE ALLEY, available October 28, is a one-stop shop for anyone looking to gawk at the curios and depravities of Guillermo del Toro’s remake. tinyurl.com/3txf9549
Unfortunately, for a film mainly about an assertive young woman making her way in a culture ruled by men, KÖLN 75 becomes far more compelling after Keith Jarrett finally makes his entrance. Read Seth Katz's review.
'Köln 75' Review: An Unusual Account of a Fabled Keith Jarrett Concert
For the first hour or so, the film seems caught between traditional storytelling and more documentary-minded intentions.
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Radiance has once again blessed our spooky season with a wonderful trio of underseen Japanese horror gems, complete with a gorgeous booklet and an informative slate of extra features. DAIEI GOTHIC VOL 2: JAPANESE GHOST STORIES is available on Blu-ray tomorrow. tinyurl.com/3uzf8f4y
With 1994’s IN THE MOUTH OF MADNESS, John Carpenter again drew on cosmic horror traditions, like he did for The Thing and Prince of Darkness, but ramped up the metatextual vibes. Available on Arrow Video 4K UHD Blu-ray on 10/28. tinyurl.com/4fwshabr
The relative restraint of Paolo Sorrentino’s LA GRAZIA makes its baroque flourishes stand out all the more. Read Taylor Williams's #NYFF63 review. tinyurl.com/3bvtz6an
The Criterion Collection gives Georges Franju’s 1960 horror classic EYES WITHOUT A FACE a remarkable facelift. Available Tuesday on 4K UHD Blu-ray. tinyurl.com/veex2mhf
Bradley Cooper’s third feature IS THIS THING ON? is playfully fascinated with the art and psychology of performance. Read Chris Barsanti's #NYFF63 review. tinyurl.com/mrnbvzz3
Jim Jarmusch’s FATHER MOTHER SISTER BROTEHR is haunted by mortality and the inevitable passage of time. Read Keith Uhlich's #NYFF63 review. tinyurl.com/3nete7u2
Ari Aster’s EDDINGTON, a pointed snapshot of a broken America, is now available in special Blu-ray and 4K editions featuring a 33-minute making-of doc and six collectible souvenir postcards. Enter our giveaway to win a copy. tinyurl.com/mur5kwy6